He-Man Newspaper Comics: The Time Of Disasters

In recent storylines there has been a subplot in which Gwildor is attempting to use science to better understand magic. It hasn’t really gone anywhere but it’s floated in the background. In the storyline we’re looking at this time however it finally becomes important to the story.  Throw in an ancient prophecy, Hordak, and the return of a baddie from a previous story and you have yourself a tale in which He-Man is all but useless, forcing his friends to show that, while they still need the aid of the most powerful man in the universe they aren’t without resources of their own.

Since I need to pad out the intro a bit, I learned something interesting about Gwildor. When the live-action Masters Of The Universe movie came out Orko was not going to be easy to translate on their budget. He’s short but he also often levitates above the ground and I’m guessing a puppet or animatronic wasn’t going to cut it. Nowadays they can make him in CG, but that’s when famed actor Billy Barks was given the role of Gwildor to substitute for Orko. I’m guess they would have had his magic screw up and send everybody to Earth instead of some guy inventing a space-warping device. So there’s some extra trivia for you as we get into the next tale from the newspaper comics…

The Time Of Disasters

Writer: Chris Weber; Artist/Original Letterer: Gerald Forton; Colorist: Connie Schurr; Editor: Karen Willson

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“Yesterday’s” Comic> Transformers: All Hail Megatron #3

No, Starscream, YOU are supposed to hold THE FLAG, not the other way around.

Transformers: All Hail Megatron #3

IDW Publishing (September, 2008)

WRITER: Shane McCarthy

ARTIST: Guido Guidi

COLORIST: Josh Burcham

SELECTED COVER ART: Trevor Hutchison

LETTERER: Chris Mowry

EDITOR: Denton J. Tipton

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BW’s Worldbuilding Project Day 18: Divided

BW Filler Video: How Academia Can Help Make Games Better

You know how I said I wanted to discuss recent events in internet reviewing? Well, I think I’ve burned myself out on the topic just by following the recent Channel Awesome debacle. You can read into that yourself, but I think I’ve wasted too much time following it. I need to clean my headspace out a bit. So instead it’s filler video time.

Oddly this could factor in since the Escapist kind of falls into those problems and I need to change the logo I use when tapping into Extra Credits for Filler Videos. The topic is academia and video games. Video game companies seem to fall into the same trap as the movie studios and television networks in that they research ideas to death and leave perfectly good ideas to whither, or massively change them, based on demographics and other research. It’s when they take a risk or actually try to find out what people like with more research than a calculator can provide that media improves. Video games need to learn this as well, as the gang at Extra Credits explains.

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“Yesterday’s” Comic> Gargoyles #3 (SLG)

“What are we looking at?” “The fourth wall.”

Gargoyles #3

SLG Publishing (March, 2007)

“Clan-Building” part 3: “Invitation Only”

WRITER/CREATOR: Greg Weisman

PENCILER: David Hedgecock

COLORIST: Dustin Evans

ART DIRECTOR/COVER PENCILER: Greg Guler

COLORIST: Stephanie Lostimolo

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BW’s Morning Article Link: The Truth About Taz

Tasmanian Devil (Looney Tunes)

Tasmanian Devil (Looney Tunes) (Photo credit: Wikipedia)

I would link to the actual poster but every attempt to bring up his webpage sends me back to my Tumblr dashboard so I had to link to my own Tumblr. Apparently there were some rumors going about connecting a horrible occurrence in Tasmania long ago with the Tasmanian Devil of Looney Tunes fame, declaring his depiction to be racist. (Because everything’s racist nowadays.) However, one Tumblr user took the opportunity to set the record straight. Yes, what happened in that country was evil and wrong but it has no connection to the spinning mumbler.

Sing Me A Story: Piano Man

Billy Joel doesn’t get enough credit as a storyteller. Or at least I haven’t heard to him referred to as such, but even Johnny Cash doesn’t get that credit. However, a lot of Joel’s songs tell a story about life; little moments rather than a full-on narrative but that’s true for most songs. 1973’s “Piano Man” is one of those songs. If you thought that was an 80s song, so did I. But while he made a new video in the 80s the song comes from his 1973 album of the same name and is his first single. I would love to come across the original video. It supposedly has an altered version of the song but is still the same length of the album version.

The story is told from the perspective of a singer in a piano bar as people try to forget their problems with booze and song. One of the things I love about doing these articles is that I learn something interesting about most of the songs I look into the story of, and this is no exception. Did you know the song is semi-biographical?

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