“Yesterday’s” Comic> Sonic The Hedgehog #205

You’ll have to pardon me. Been doing a lot of snow shoveling the past few days and I really should get in shape. I can’t blame 2016 for my current state anymore, not 10 years later. While I work on that, I’m going to use more of the original review than usual, and maybe just add some updated notes. At least it wasn’t a “speed run” last time, but this time I could use one.

The feelgood buddy cop story of the year?

Sonic the Hedgehog #205

Archie Comics Publications (December 2009)

Main Story> “On The Run” part 1: “All The Eggs In One Basket”

Backup Story> “Birthright” part 1

WRITER:Ian Flynn

PENCILER (MAIN STORY): Steven Butler

PENCILER (BACK-UP): Jamal Peppers

INKER: Terry Austin

COLORIST: Matt Herms

LETTERER: John Workman

COVER: Pat “Spaz” Spaziante

ASSISTANT EDITOR: Paul Kaminski

MANAGING EDITOR: Mike Pellerito

EDITOR-IN-CHIEF: Victor Gorelick

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BW’s Daily Video> The History Of Hello Kitty

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BW Vs That Park Place> The Optimus Prime Death Problem

For the 40th anniversary of The Transformers: The Movie (the name mistake is easy given that the trailers in the day just called it Transformers: The Movie, but the TV series was The Transformers), Hasbro has decided to have a bit of fun with the part of the movie most 80s kids talk about, the death of Optimus Prime.

At the time, Hasbro didn’t realize how important the character has become to kids. One kid even grew up and legally changed his name to Optimus Prime because the character was more of a father than his biological one–and as far as I’m concerned a firefighter and Iraq War veteran has earned the right to call himself whatever the #$%^$# he wants. For kids in the 1980s, Optimus’ death, and that of other G1 characters they come to know and love, was a huge shock because it was nothing we were used to. For Hasbro, it was just a way to send off the old character and make the war look serious so they could sell new toys that kids didn’t own yet. The thought was everyone who wanted and could afford an Optimus Prime already had one, so it’s time to install a new leader, moving the series forward to the far off year of 2005 and introducing a new generation of Autobots and Decepticons to continue the war.

The plan was such a backfire that they brought Optimus back, first for a better attempt at torch-passing to Rodimus Prime in the episode “Dark Awakening”, and when that wasn’t enough just brought him back for good in “The Return Of Optimus Prime”, even giving him a brand new figure as one of the new Powermasters. Unless you were in Japan, which was more used to dead mentors, where they killed him off again in The Headmasters and used the Powermaster Optimus Prime mold to create the new character God Ginrai in Super God Masterforce. Their Optimus, or “Convoy” in Japan, would still get resurrected as Star Convoy, the inspiration for the final 13th Prime in current Hasbro lore, in the Battlestars manga and Return Of Convoy toyline from Takara we never got in the West.

I wasn’t going to write about it, maybe use the trailer for a Daily Video to go alongside my continuing look at the pitches for bringing the cartoon to CBS. Then came an article from That Park Place contributor HT Counter (like I’m one to question screennames). In his commentary he made the case that the apology, which is all in fun, wasn’t necessary, that killing Optimus was actually a good thing narratively. I wouldn’t go quite that far. Do I hate it? I have mixed feelings. I didn’t get to see the movie until it hit home video and TV, so between the comic adaptation and season 3 episodes I was already prepared for the big moment. On the other hand I don’t think he really has a grasp on what the problem actually was in the 1980s and how it affected the kids who sat through the movie. So allow me to add a different perspective.

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“Yesterday’s” Comic> Military Comics #1

Two books? These anthologies are long enough at one!

Military Comics #1

Comic Magazines, Inc (August, 1941)

I can tell right now from the list that I probably won’t review further issues until they show up in the Friday rotation, like with National Comics. Maybe not even that since I was never interest in war comics, not even G.I. Joe. This is a curiosity since the only thing that fits pre-DC Tuesday is on the cover. This is the debut of the Blackhawks, or at least the origin of their leader. DC has tried more than once to make them mainstream but as far as the DC Universe goes I think they work better historically, one of those experts the heroes call upon now and then, with side stories of their adventures. Back when World War II was heating up, however? I expect this to be more interesting, especially in an actual war comic. Let’s see if I’m right.

[Read along with me here]

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BW’s Daily Video> Harry Potter And The Modern Adaptation

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Chapter By Chapter> Doctor Who: The Rescue (novelisation) chapters 12 & 13

Chapter by Chapter features me reading one chapter of the selected book at the time and reviewing it as if I were reviewing an episode of a TV show or an issue of a comic. There will be spoilers if you haven’t read to the point I have, and if you’ve read further I ask that you don’t spoil anything further into the book. Think of it as read-along book club.

How can we have the villain defeated last chapter and still have about four chapters to go? Well, these two are short enough to review together to meet quota. That helps.

Plus we have had added scenes not just with the TARDIS crew and Vicki but actually seeing what’s going on with the rescue ship. That has to be to pad out the book. “The Rescue” is made of two episodes, where most serials are maybe four to six arcs. I miss those days. The serial made me want to come back for the next episode more than the current seasonal subplot. Plus, while there were longer stinkers in the serial format due to being the same story, you had less single episodes you could just ignore and less stinkers overall due to the good stories also taking up a good part of the season. Even when it was good, new Who just never grabbed me the same way the old shows did because of that one change.

Of course if you never saw those serials, your experience might be different and you prefer the subplot arcs around done-in-one episodes with the obligatory two-parter somewhere in the middle. That’s fine, too. I’m not saying they made the new shows bad (I blame the people making it, especially for more recent takes like Chris Chibnall and Russell T. Davies’ second run), just it doesn’t click for me in quite the same way. It does make this arc a bit harder to adapt into the usual Target novel length, while the new books I don’t think do novelisations. All I’ve seen are brand new stories, like they did during the “wilderness years”. All I know for sure is we have two chapters and it’s time to get to them.

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“Yesterday’s” Comic> Malibu Ashcan: Ultraforce (or Ultraforce #0A?)

Okay, there might be some confusion here between the Grand Comics Database and the…scan source, but it could just be me. This one appeared in Wizard magazine and serves as a preview for the Ultraforce’s upcoming existence and comic series, of the Ultra version of the Avengers or Justice League. The one at GCD seems to be just text introducing the characters. I’m only doing the Wizard one because it actually has a story, not just describing what’s coming with the occasional image. And so we review:

Oh, they got stuck with THAT Prime for their debut? That’s unfortunate.

Ultraforce #0A

Malibu Comics/Wizard Magazine (June, 1994)

“Ultramadness”

WRITER: Gerald Jones

PENCILER: George Perez

INKER: Al Vey

COLORING: Tim Duvar & Violent Hues

LETTERER: Patrick Owsley

EDITORS: Chris Ulm & Hank Kanalz

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