CBS Transformers> The Pilot Script Act 3 (finale)

There is no set act placement for the final act in the sample scrip for the second attempt at bringing Transformers to CBS’s Saturday morning lineup, but Soundwave making off with Burt the dog, who ruined their sneak attack on the Autobots, seemed like the right place to stop. It just screamed “commercial break”.

Meanwhile, Jazz with three “z”s (because they somehow had an older name spelling despite, again, they made “More Than Meets The Eye” BEFORE this story), was still injured and near death in the attack. Given that in the first draft the Autobots had a body count of the entirety of the Decepticons, essentially making “Starscream’s Ghost” into a series plot before the movie even killed him off, it’s not unlikely that he could die. Nameless Decepticons have dropped like flies so far. Apparently even in Saturday morning it’s okay to kill robots, even living ones, even when you can’t with humans.

So now we have the question of will Prime Jazzz die? Can they rescue the dog? Will Eddie ever get the egg smell out of his jacket? The answer to two of those questions come up in the final act of “A Robot’s Best Friend Is His Dog”.

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“Yesterday’s” Comic> Mystery Men Comics #8

It turned out this was all some odd form of LARPing.

Mystery Men Comics #8

Fox Publications, Inc (March, 1940)

Another series of stories from the good era of Fox’s comics (not to be confused with the TV empire or the Disney-purchased movie company). I stopped reading these because of time but now they’re in the Golden Age rotation, so it’s more adventures with the original Blue Beetle in his original state. Plus we have other stories that didn’t get purchased by Charlton and thus were never brought to the DC universe. Let’s see what this anthology has for us.

[Read along with me here]

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BW’s Daily Video> When Transformers Go Organic

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Two Types Of People Actors Should Stop Listening To

When DC Universe’s short-lived streaming service dropped Titans on an unsuspecting DC fanbase I started to notice something I technically knew but didn’t really think about. Actors do not see adaptation roles the same way the fans do. It kind of makes sense. To them it’s another character to play or a chance to finally work with “that director” or “those actors” that they’ve always wanted to work with. They have no fealty to the source material. I can accept that.

What I can’t accept is attacking the fans of the source materials for the wrong reasons. Amandla Stemberg dropped that infamous “diss track” I won’t torment you folks with after the traditional Star Wars fans rejected The Acolyte. Just recently Milly Alcock, either concerning her Game Of Thrones character or the upcoming Supergirl portrayal, complained about having to accept fans “weird ownership over women’s bodies“, as if she’s preparing to blame sexism for her movie potentially failing the way race and gender have been blamed for every complaint at least since the all-women Ghostbusters reimagining. In each of these and many, many other cases it missed the point of the argument by fans and media critics who had nothing personal against the actors until they opened their mouths in an interview or typed something antagonistic on social media. I don’t mean the Mark Ruffalo or Rachel Ziegler stuff. They brought that onto themselves. I mean we weren’t complaining about the actors, and we even understood their defending their dream character types or just their regular paychecks and future aspects in the business.

Their real problem is that the people giving them those jobs are getting things wrong, our old SECCA palls. The snobs and elitists remake everything in their own image. The egotists think they should be praise for it. The corporations don’t understand what is making those properties potentially good, so they leave them in the hands of people who don’t care, including the activists. And the other four are more than happy to use activists as critic shields. “You don’t like it because you’re a bigot against the changes I made” rather than “we loved things the way they were and your change is going to really ruin things.” The current race swap of Severus Snape in the Harry Potter franchise turns ordinary bullies into the magical world’s KKK when really thinking about how that race change recontextualizes his character arc.

I’m starting to see a new problem with the actors pushing back against fans. Not (just) that they don’t care about the source material over what they really want to play or having a steady paycheck for at least one season if not more. It’s that they don’t know what the actual complaints are. I used to think that was willing ignorance, but now? Unless the actor is a major activist (actorvist?), it’s that they’re listening to the wrong people within their Hollywood bubble. Those people do not have the actors’ best interests, only their own. And only one of them is their boss.

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“Yesterday’s” Comic> Worlds Of Aspen FCBD 2015

Worlds Of Aspen 2015

Aspen Comics (May, 2015–digital copy)

LETTERER: Josh Reed

EDITORS: Vince Hernandez & Frank Mastromauro

All credits come from the Grand Comics Database. They’re not in the two comic stories of the flipbook themselves, so they might be using the ones from the promos. If they’re wrong, at least it’s not my fault. -_*

Eternal Soulfire

WRITER: JT Krull

PENCILER: Alex Konat

INKERS: Mark Roslan & Gabe Carrasco

COLORIST: Federico Blee

Fathom Blue

WRITER: Vince Hernandez

ARTIST: Claudio Avella

COLORIST:  Erick Arciniega

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BW’s Daily Video> The Americanization Of Harry Potter

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Watchmen #2: A First Time Read

As I write this it’s very cold and rainy outside. Seems like a good time to read another issue of Watchmen. Plus it’s the first time I’ve been able to do a longer-to-write article just for the buffer.

The story so far…

The Comedian is dead. Falling from a very high window onto a spiked fence will do that to you. The only one that seems to care is Rorschach, the only hero who is still technically a vigilante. Ozymandias is writing his memoirs and living off his brand. Dr. Manhattan, who was working with the Comedian as a government superhero, is busy with his science studies. Silk Spectre II is happy to be out of the superhero game since her mom forced her into it. The only one that seems to miss the old days without still living them is Nite Owl II. None of the particularly liked the Comedian and they don’t consider Rorschach their friend either. I’m assuming we’ll find out why as the story continues.

We also started reading excerpts from a biography written by the first Nite Owl, telling how he was inspired to be a superhero due to the old pulp heroes. We’ll see more from that book, but first we’re going to check in to the murder investigation.

If you’re new to me reading this series, here’s the introductory article and my review of the first issue.

“Every time I forget my umbrella….”

Watchmen #2

DC Comics (October, 1986)

“At Midnight, All The Agents…”

WRITER: Alan Moore

ARTIST/LETTERER: Dave Gibbons

COLORIST: John Higgins

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