Saturday Night Showcase> Star Wars: Clone Wars

Not to be confused with the CG Lucasfilm series (which is technically The Clone Wars), Genndy Tartakovsky’s Clone Wars is Star Wars in his signature action style, on the same level as Samurai Jack. Airing for two seasons on Cartoon Network (which is why I doubt Disney cares if I use someone’s YouTube upload), season one was a “micro-series”, a series of 11 minute shorts exploring some of the bigger battles of the Clone Wars. Season two went full length, taking time to explore the characters closely and leading up to the events of Revenge Of The Sith, including Palpatine’s “kidnapping” and the origin of General Grevious’ weezing.

Tonight we look at volume one. This introduces Asajj Ventress, shows the Jedi being awesome, and featuring threats that wouldn’t have worked in the live-action movies or the CG series due to fitting in with Tartakovsky’s high action formula. Sorry for the shorter intro but I’m not sure what else to say. Enjoy.

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BW’s Saturday Article Link> Schools’ Story Potential

Ah, school. The bain of my teenage existence through a combination of bullies while administration seemed to look the other way, having more interesting things to do, and a school system that wasn’t teaching me anything I wanted to learn and not enough of what I actually needed to learn. I still think of that place as a prison and I graduated at the start of the 1990s. On the other hand, any anime involving anyone under 22 seems to take place in some location of education even if “class” seems to just be a place to sit and talk about events in the story. Turns out Starfleet Academy took the wrong lessons from high school anime.

On the other hand, there are advantages to setting a story with teens in a school setting, as Nate Winchester of Hunting Muses once realized when considering writing his own “light novel”. I still want nothing to do with the place. I served my sentence!

The Realities Of Fantasy Worlds

I should note before we begin that this conversation won’t be restricted to fantasy itself. The same nonsense gets spouted with the two genres I’m more familiar with, science fiction and superheroes. Fantasy just seems to be the better genre to go over the ridiculous arguments that will be presented. Also, I have to apologize to my regular readers as the culture war versus geek and pop culture discussion is going to once again disrupt our happy little home, like an Old West town caught in a border war between two ranches. It’s the way the world works, and it’s helping ruin storytelling in the 21st century, and we’re only 26 years in. Still, if you follow storytelling discussion between culture warriors you know this line:

“You can believe in (insert fantastic element here) but you can’t believe in (out of place marginalized group) being there?”

This isn’t Sam Rami not believing a chemistry whiz with engineering skills building a silly string launcher due to an instinctual need to make webbing. This is a typically European inspired fantasy world with people from other nations (because heaven forbid we tell THOSE people’s own culture and fantasy stories where Europeans would be the out of place ones), a woman beating up dudes a superhero would have trouble with, or a guy in a wheelchair fighting dragons. This is what they say we can’t fathom.

They’re right, we can’t.

The reason isn’t (insert bigotism name here), it’s because of something surface level stereotype driven activists who have never spent real time among the groups they claim to champion but want to look good and push some form of easy extremism in a vain attempt to look like the “good white people” never understand: fantasy has rules. Magic DOES have to be explained. The proverbial and sometime literal devil is in the details. There’s a reason these stereotypes, which actually hurt or insult the very groups they claim to champion, don’t work. A stereotype in storytelling is a starting point. The character has to be built from that stereotype, not embody it in some lame attempt to be an avatar for every member of a certain group regardless of individual views within that group that you only learn when you actually care about other people and not a pat on the back from your peers declaring you on the “right side of history” like some oracle with all the vision-reading skills of Anakin Skywalker. (Hey dummy, the Force is warning you the more you stay on this path the greater odds your wife is going to become one with it.) Okay, that’s out of my system…for now. Let’s take some examples, shall we?

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“Yesterday’s” Comic> DC X Sonic The Hedgehog #1

I wasn’t able to get the Free Comic Book Day version. Everybody was out. However, I returned a comic I picked up for someone who didn’t need it and used the store credit to get the original release. Lucky for me it’s the same cover so I can use the same image already in the library. I don’t know what’s different in the FCBD version.

There’s something you don’t see everyday. Unless you’re them.

DC X Sonic The Hedgehog #1

DC Comics (May, 2025)

“Chaos Crisis” part 1

WRITER: Ian Flynn

ARTIST: Adam Bryce Thomas

COLORIST: Matt Herms

SELECTED COVER ART: Pablo M. Collar (I think)

LETTERER: Becca Carey

EDITOR: Michael McCalister

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BW’s Daily Video> The American Classic Doctor Who Experience

Catch more from Matthew Foster on YouTube

When my friend first told us about Doctor Who it was well into Tom Baker’s run, but I couldn’t watch it because on the Connecticut PBS station it was on at dinner. Eventually the one we got out of Massachusetts aired the movie-edited versions on Sundays, then the CT station and our eating schedule stopped clashing, so I came in during the E-Space stories (maybe a little before so I got a good sample of K9, my favorite Companion). I saw more of Peter Davidson, which might be why he’s my favorite Doctor. Didn’t have to watch it on the black & white small TV by that point (though I did have one in my bedroom, which is how I watched TV for the early years), but for the most part this was my experience.

Later they showed the early episodes for a while after the first season of Sylvester McCoy, the last new Classic Who we got until stations like the old Sci-Fi Channel aired reruns, so I got to be introduced to the earlier Doctors eventually. We also got color reprints of some of the comics through Marvel US. The Meep was always blue to me until his TV debut.

Reign Of My Adventures With Superman: The Season 3 Trailer

I kind of don’t want to talk about this out of concern people aren’t going to understand where I’m coming from. I haven’t watched My Adventures With Superman since the pilot review. It’s not a very good adaptation of Superman’s world. Between numerous race (and in at least one case gender) swaps, de-aged Clark and Lois who become a couple way too soon in their lifespans, Deathstroke being a pretty boy looking character, Steel’s armor looking more like a mech suit, completely new motivations, and just all the other changes I saw in the pilot, in clips, and from reviews of people who liked it and didn’t like it, it just feels like a completely new concept, like Clark got hit by a Kryptonite truck and ended up isekaied into an animeish world of namesakes.

That’s not hate, that personal preference. Superman is my favorite superhero but the world around him also matters to me because it’s partly what makes Superman. The strange this is Superman himself and his Earth parents are the only things I think they got right. It’s an adaptation issue. Clark’s powers unlocking because he wanted to save someone, the Kents being supportive of what he chooses to do with his powers–the show clearly understands the Kents more than anything Zac Snyder and now James Gunn have shoved out into the world. Clark’s confidence dropped to fit in with the rest of the world, but that’s the only note I have about him. Plus it all seems well written with good characters and I like the art style in animation. I just don’t see this as Superman’s world any more than I do the later seasons of Smallville. Overall it just isn’t Superman to me.

However, I need a topic and I still have curiosity about the show because it is good on it’s own merits despite all the adaptation errors that make it not feel like the Metropolis I know and love. So today I see the trailer for season three of My Adventures With Superman. Previously only the first two seasons were made before Cartoon Network and HBO Max opted to shelve it. Williams Street Productions, who program the “Adult Swim” lineup, decided to save it and it developed a pretty healthy fanbase, enough to give the same treatment to Green Lantern and produce a new season. So I’m curious. Let’s see what they have.

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Today’s Comic> Masters Of The Universe/Dungeons & Dragons Comics Giveaway Day 2026

“If you guys want to fight each other, I can come back later.”

Comics Giveaway Day 2026

Dark Horse Comics (May, 2026)

COVER ART: Tim Seely & DJ Chavis

EDITORS: Brett Israel, Sepncher Suching, & Freddye Miller

PUBLISHER: Mike Richardson

Masters Of The Universe: Telling Tales

WRITER: Tim Seeley

ARTIST: Andrew Krahnke

COLORIST: DJ Chavis

LETTERING: Andworld Design

Dungeons & Dragons: Magefall

WRITERS: Collin Kelly & Jackson Lanzing

ARTIST:Alessandro Miracolo

COLORIST: Valentina Taddeo

LETTERER: Haley Rose-Lyon

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