BW’s Daily Video> Netflix Versus Narnia

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Like I often say: control the origin, control the world.

I looked up why David Bowie dropped the androgenous persona that Gerwig is basing Aslan on, Ziggy Stardust. Using Quora as its source, Google stated “David Bowie stopped playing Ziggy Stardust because the heavy psychological toll of the alter ego started blending with his real personality and threatening his mental health”. Apparently he was also worried that if people got tired of the bisexual space messiah his career would die, so he dropped it and started doing music as himself. So there are reasons he dropped the persona, and apparently Miss Rock N’ Roll missed that information.

Something else I say a lot: not every creative is right for every project just because they got one right. John Hughes’ Nightmare On Elm Street would have been hilarious for me, not so much the fans who would probably say the same thing about Wes Craven’s Sixteen Candles.

Miracleman In The Marvel Universe Is Just Wrong

If you like the character and his early comics, more power to you. I’m not telling you what to like. However, this site is about my thoughts and I want to like Miracleman and company. And yet I can’t.

Miracleman, formerly Marvelman, is in the hands of Marvel Comics, and now about to be added to the Marvel Universe. Or possibly multiverse. I haven’t followed the Armageddon storyline (not to be confused with the DC storyline “Armageddon: 2001”), and I don’t know who David Colton is, or his powers, or any of that. However, a solicit and article on Bleeding Fool gave me some rather odd news:

On stands now, AVENGERS: ARMAGEDDON #4, the penultimate issue of the five-issue event series by Chip Zdarsky, Delio Diaz and Frank Alpizar that ushers in the next era of Earth’s Mightiest Heroes, delivered a game-changing revelation: the source of the Origin Box that gave David Colton his mysterious—and unparalleled—powers was none other than MIRACLEMAN.

A pioneer of modern super hero storytelling, MIRACLEMAN remains one of the medium’s most revolutionary characters. Now, the character returns in the Marvel Universe as his awesome power finds a new champion in David Colton, the 21st-century Captain America introduced in the opening arc of Chip Zdarsky’s acclaimed Captain America run.

Colton’s transformation couldn’t come at a more pivotal moment. AVENGERS: ARMAGEDDON is reenergizing the Marvel Universe—and comic shops with sold-out printings—as the Avengers face a battle that will forever change how the world sees them as protectors. Now, David Colton assumes the mantle of MIRACLEMAN, who once deconstructed the very idea of what it means to be a super hero, to help usher in this new age. But as Colton embraces his new power and brings it to the forefront of the fight, will there be an Earth left standing to avenge?

I have a bunch of issues with this, but before I can explain why we need to be on the same page. (No puns were intended in that last sentence.) So first we need to watch a video from Owen Likes Comics about the history of a character that started out as Captain Marvel’s British replacement, and moved into the same old deconstruction nonsense by a guy who can’t stop himself from making them. Then I can get into just why this doesn’t make any sense, and frankly bothers me a bit.

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BW’s Daily Video> Perch’s Thoughts On Marvel’s “Armageddon”

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BW Vs Literature Devil: Why Batman Needed To Save The Joker

It’s not easy to disagree with someone who you actually agree with most of the time. I do not live in an echo chamber and there has been the occasional BW Vs article where I displayed that disagreement–admittedly too many in a row, so I think I need to widen my discussion sources. Maybe I HAVE been in an echo chamber? I still enjoy and agree with them enough to use them in Daily Videos or Saturday Article Link, but sometimes I have a different perspective. “BW Vs.” has always been more of a counterpoint deal than attacking anyone no matter how much of their views I agree with or not.

This time the counterpoint goes to the Literature Devil, host of the Morning Nonsense podcast I listen to every weekday when I’m getting up. The screen name of the pen name S.A. Rivera (I don’t think he’s revealed his true name due to his place in the cultural discussion of storytelling and the internet being the internet–or maybe he’s just shy), LD has some great takes on storytelling, heroes, and their current state in the storytelling industry…namely that it’s all being poorly done by people who hate heroism and identify more with the villain, or want to change everything to fit their tastes and worldview because anything popular needs to be made for them, like the “cool kids” of high school. Or as we call them around here, the “everything for meeeeeeeeeeeeeeeee” crowd. The Hollywood mindset is very high school. Take it from a high school victim. You’ve seen some of his videos posted in the Daily Video, and there’s a few in the coffer I want to use in the future.

However, I have to disagree with something he said in his latest video, “When Is Batman’s Mercy Actually Unethical?”, released on Batman Day, when the Caped Crusader made his comic debut. Not the entire video. Just one particular point he made in the ye ol’ argument “should Batman kill the Joker”, or rather in this case “should Batman let the Joker die if he’s dying?”. LD makes the case that trying to save the Joker when he should have chased the killer and let Joker pay for his sins was the wrong move. I haven’t read the comic storyline myself, but I do believe this is the inciting incident for the Bat Family cutting ties with him recently. That’s a rant for another time if I ever do read the arc to have a better idea of what I’m talking about beyond “I hate this plot and I’m sick of the Loner Batman BS”. The problem is the particular scenario as LD presents it that I have problems with. I built this article out of my comment, and altered it with other responses I saw and extended thoughts.

Like with Ra’s Al Ghul in Batman Begins, did Batman make the right move or just the right move for him? Personally I think there are times when letting Joker die wouldn’t hurt Batman’s reputation, at least with me. This particular scenario, though, I think he made the right call.

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BW’s Daily Video> The Basics On Peter Cullen

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I didn’t realize he voiced Mighty Man, but I haven’t seen it in years, or that it was his first collab with Frank Welker. Both got to work together on Challenge Of The GoBots but I didn’t realize how often they played off each other. Cullen wasn’t just Mario, but the first person to give Nintendo’s mascot a voice, though not the one we all remember. Voltron had a small cast list, and I know he was also the voice of the commander of the ship that carried the Voltron Vehicle Team, the Explorer. All the live-action history was new to me. Peter Cullen was one of those voices that pretty much made up my childhood, and it’s sad to see him gone, though good to see how beloved he was for his work. Voice actors don’t get enough credit for their talent.

Chapter By Chapter> Star Trek: The IDIC Epidemic chapter 14

Chapter By Chapter (usually) features me reading one chapter of the selected book at a time and reviewing it as if I were reviewing an episode of a TV show or an issue of a comic. There will be spoilers if you haven’t read to the point I have, and if you’ve read further I ask that you don’t spoil anything further into the book. Think of it as a read-along book club.

Our last chapter was rather short, but it had McCoy telling Spock what Theris and later Korsal found out about the plague. Spoiler-free version: Spock can’t go anywhere near it.

We’re somewhere around a quarter of the way through the book, maybe more, and I’m realizing that so far the Enterprise crew has barely been part of it. Most of the story has taken place on Nisus with original characters, and when we have been on Vulcan or the NCC-1701 we focused on Jorrah’s original characters, both from the previous novel and this one’s newcomers. If I were to make an early criticism that would be it. We have more of the usual crew involved in the early chapters of The Vulcan Academy Murders but even the characters from the previous novel have taken a backseat to the Ninus characters, notably from Korsal’s perspective.

The previous novel’s doctors are characters she’s familiar with, so I understand using them again, maybe showing Daniel and T’Mir’s first years of marriage (well, first weeks given the timeframe), but this feels more like a story set in the Star Wars universe and the classic timeline 23rd century period rather than a story with the usual crew. I’m not against that, but the three characters prominent on the cover have done little more than exposition. Even Kirk’s fight in the gym was part of introducing Sendet’s faction more than involving the story. I’m still enjoying the story personally. It was one of the first novels I got from Star Trek if not the first (it’s in better shape than my copy of Enterprise: The First Adventure) and I enjoyed it enough to get the earlier novel that you’re not supposed to need. From a personal critic perspective, however, I have to bring it up as a flaw in the book. Hopefully they’ll feature more as we continue, but this chapter is focused on Korsal and his son, Kevin. Let’s see what they’re up to.

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BW’s Daily Video> James Blish’s Star Trek

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This is why I find novelizations interesting.