A Recreation Of Knight Rider’s Pilot Presentation

Filler video time because I needed a nap this afternoon after not so much a lousy night’s sleep so much as a lousy waking up.

Pilots used to be how show creators showed off that they could pull off the pitch they used to sell the network or syndicator on a project. It’s sort of a proof of concept, usually the same quality as the final show so they can use it as the first episode, but occasionally it’s a lot cheaper looking simply to show the network to pay for a proper first episode.

When putting out Knight Rider for NBC, Glen A. Larson put together a half-hour proof of concept pilot out of the footage he was putting together for a full first episode, the TV Movie/two-parter (depending on how it airs or is put on home video) we the audience got to see. While that video is currently lost in the halls of time (or possibly some dude’s basement), the YouTube channel Knight Riders Historians Official gave us an idea of what it might have looked like. I’m guessing that’s the official channel for a group of Knight Rider historians and not Universal actually creating a group to keep track of their currently unused franchise. That would be why we don’t get a proper recreation with surviving clips, as that would get them hit by Universal with copywrite strikes, but an explanation of what scenes they used and what was shot just for the pilot. Take a look.

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“Yesterday’s” Comic> Captain Koala #1

The lack of giant koalas and people fighting is not the biggest disappointment here.

Captain Koala #1

Koala Comics (no date given, but it does mention an contest they were running until May, 2017)

WRITER: James Clifton

ILLUSTRATOR: Daniel Esperado

COLORIST/LETTERER: Nestor Tantiado

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BW’s Daily Video> Funniest Snow White Trailer Comments In Song

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Star Trek: Pitch & Guide> Final Thoughts

Since September of 2024 we’ve been looking at the original sales pitch and the third revision writer’s guide for the original Star Trek series. I’ve gone from wanting to do another writer’s guide/story bible to being read to take a break from it. It’s just a long time, even at an article a week, to go through, but it’s never been boring or annoying. Whether it’s fan trivia, lessons for writers, or both, they’re both worth reading. Here’s when I got my copy and there’s more where that came from. Just not for a while. Maybe in the spring or something.

I also couldn’t just copy/paste the text from the PDF like I have prior story bibles and writer’s guides. The file there was a photocopy, meaning the text is part of the image, so I had to write everything out. I put together a good system for doing that fairly quick, but it still takes time and I had to make sure any typos were on their side, not mine. Although there weren’t even close to the number of typos of the last series I did this with, Transformers: Beast Machines.

So with all that under my wing, let’s take a short look back at what we can get out of reading the sales pitch and writer’s guide for Star Trek not only when it comes to making good Star Trek but in stories in general. What did we learn about making Trek, making sci-fi, and making good stories? If you want the deep dive…where have you been since September? Well, here’s the list from the start. You might enjoy it, but this is just the highlights.

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“Yesterday’s” Comic> Knuckles The Echidna #32

“That’s not how you use the starter’s gun! What kind of race is this?”

Knuckles The Echidna #32

FINAL ISSUE which I didn’t learn until a week later because nothing in the comic points to it unless I missed it

Archie Comics Publications (February, 2000)

WRITER: Ken Penders

COLORIST: Frank Gagliardo

LETTERER: Vickie Williams

EDITOR: J.F. Gabrie

“King Of The Hill” finale: “To The Death”

PENCILER: Ken Penders

INKER: Harvey Mercadoocasio

Espio The Chameleon: “The Worst Of Enemies”

PENCILER: Colleen Doran

INKER: Andrew Pepoy

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BW’s Daily Video> The Problem With Star Trek: Section 31

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Star Trek: Pitch & Guide> Guide part 11–Q&A Finale

Well, the goal is in sight. Last time we talked about life in Star Trek’s future, and now we get to discussing the last set of Q&A questions about writing for the original Star Trek.

This has been an interesting…trek through this guide and I still have final thoughts for the next and final installment in this series before I give writer’s guides a break. I do enjoy making these examinations, learning what shows planned versus what they put out. Maybe it’s the pitch being added, but this one has felt longer than usual plus I was fighting two other article series…when DC Heroes United actually put an episode out, something they’ve gotten spotty on since Christmas. That takes time away from other topics, but at least when I’m ready to do another one I know where to look.

I’m not sure what else to say at this point. The Q&A is basically retreading things already in the main guide, but with some extra information, adding to my theory that, this coming from the guide headed into season two, they’re clarifying things asked about in season one. This will cover the last two pages of the guide. So let’s get through the rest of this already.

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