Star Trek: Pitch & Guide> Guide part 2–The Script & The Ship

The guide section of our series may be shorter than I thought, but given I’ve also looked at the original sales pitch, back when the ship was the SS Yorktown and the captain was Robert April, this should still be a decent series of articles in the wider story bible review series. I thought each section was going to be longer than it is. Today we’re looking at the format for an average Star Trek script, after going over the show format last time. That’s kind of short, at one page, so we’ll also look at the next three pages, going over the USS Enterprise, and then next time go over the cast of characters in one go. What I do with the rest of the guide I’m not yet certain.

Since this is the version of the writer’s guide that came between seasons one and two they should already have the script format already down pat. You can break formula, and I imagine we’ll look into that when we get there, but only on rare occasions. The format, when done wrong, can become formulaic and dull if followed too closely each time, but when done right draws you into this futuristic world, with breaks to sell you laundry detergent (or just give you time to use the bathroom or refresh your popcorn). So how much is advice and how much is “law” is something to consider when putting these together and judging the script you see.

As for the Enterprise section, I’m expecting a description of the ship and any important facilities. I have a copy of Mr. Scott’s Guide To The Enterprise that came out some time after the NCC-1701-A was introduced and it’s fun to find the toilets (which nobody on television ever uses with rare exceptions), but what resources are writers supposed to consider when it comes to what the ship has to offer? That should also be fascinating. So let’s get started already.

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“Yesterday’s” Comic> Sonic The Hedgehog #75

“Hey, we can’t all fit on this cover!”

Sonic The Hedgehog #75

Archie Comics Publications (October, 1999)

“I Am The Eggman!”

WRITER: Karl Bollers

PENCILER: Steven Butler

INKER: Pam Eklund

COLORIST: Frank Gagliardo

LETTERER: Jeff Powell

EDITOR: J.F. Gabrie

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BW’s Daily Video> Batman’s Evolving Origin

Catch more from Casually Comics on YouTube

Control the origin, control the character, even partially. It’s why we get “the real reason (X) happened”. There might be a story there, but really they just want the ego boost to be part of canon and something writers after them are forced or even willingly use. There’s a reason Joe Chill being a simple mugger on the wrong night has taken hold in iconography in comics and from the first time it left comics to today. It’s simple and clean. It makes Bruce the victim of crime in general, not one specifically targeted to his family. Sometime comics try to hard to be complex under the mistaken belief that complexity is… I don’t know, more sophisticated or mature, maybe. It can be silly but it can also be a mistake. Just let the random mugging origin stand. It works for a reason.

Star Wars: Skeleton Crew Trailer Drops

Of all the current Star Wars content coming out of Disney and Marvel, the only one I’ve found really watchable (granted The Mandalorian and The Book Of Boba Fett were necessarily in my wheelhouses, especially the latter) was the Disney Junior show Young Jedi Adventures. Given that it’s set in their original timeline of the “High Republic”, has a kid pilot (because Disney Junior) with two moms, and there isn’t a white boy to be seen if you see a white person at all, that’s kind of amazing. At least the episodes I’ve seen do teach how to be a good person and hero. Which is more than I can say for a lot of Star Wars content these days.

When I first heard of Skeleton Crew I was expecting something along the lines of Lower Decks without the animated comedy. (Actually, I thought it was animated.) Well, the new trailer is out and it reminds me more of Star Trek: Prodigy or Space Cases, maybe The Astronauts. Does that mean it’s any good? From the promotional page:

“Skeleton Crew” follows the journey of four kids who make a mysterious discovery on their seemingly safe home planet, then get lost in a strange and dangerous galaxy, crossing paths with the likes of Jod Na Nawood, the mysterious character played by Law. Finding their way home—and meeting unlikely allies and enemies—will be a greater adventure than they ever imagined.

The Executive Producers are Christopher Ford, Jon Watts, Jon Favreau, Dave Filoni, Kathleen Kennedy, and Colin Wilson and the Co-Executive Producers are Chris Buongiorno, Karen Gilchrist, and Carrie Beck.

Interesting concept, which as I noted has been done before. I didn’t list all of them just with kids as the main crew. It’s not even the first time for Disney if memory serves. Still, just because it has been done before, the idea can be revisited with a new perspective, perhaps a Star Wars makeover?

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“Yesterday’s” Comic> Sarge Steel #2

“That’s one fly down!”

Sarge Steel #2

Charlton Comics Group (February, 1965)

“Man Who Blackmailed The World”

CHARACTER CREATOR: Pat Masulli

WRITER: Joe Gill

ARTIST: Dick Giordano

[Read along with me here]

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BW’s Daily Video> When Continuity Does & Doesn’t Matter

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Chapter By Chapter> Tom Clancy’s Op-Center: Mirror Image chapter 13

Chapter by Chapter features me reading one chapter (or possibly multiple chapter for this one) of the selected book at the time and reviewing it as if I were reviewing an episode of a TV show or an issue of a comic. There will be spoilers if you haven’t read to the point I have, and if you’ve read further I ask that you don’t spoil anything further into the book. Think of it as read-along book club.

So is this how we’re going to do this, going back and forth between Commie Op-Center and regular Op-Center? Last time we met Paul’s evil counterpart, and this time we’re back in D.C..

Paul’s still not here, and I don’t know if he’ll be coming back to take charge during these events. It seems, and I know I keep bringing this up but it’s a big issue out the gate, way too early to do this story at the second novel, and the third in-continuity assignment after the first one went terrible and the second was won almost in spite of Op-Center’s actions. At this point I’m sorry I bought this and the next book in the series before reading the first one. If I had I wouldn’t have bought another one.

This is the power of reputation. It’s a Tom Clancy project, as he co-created the series and his branding is on it. The games that came out were well received when I learned of this novel series. I wanted to know if his reputation was deserved, but since there’s evidence that he didn’t write these books, circumstantial as it is, I can’t really tell. Clancy came up with the idea of an international crisis response bureau of the US government, which sounds interesting in theory but we have so many bureaus that I don’t know if we can afford another one. Would explain why our debt keeps getting worse instead of better because nobody in Congress or the other branches are doing anything to deal with it. Sorry, but it’s just something that came up, this is a political book by nature, and I’m already running low of ways to intro these stories because so far very little has happened to discuss, even as a spoiler.

So let’s get back into the story and see if we get more than a bunch of people talking. My bet is “no”.

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