BW’s Saturday Article Link> Scrapping The “Metal” From The Jacket

 

While I wouldn’t call Full Metal Jacket one of my favorite movies, it’s more my taste in movies rather than the quality. It’s really a good movie and exploration of the Vietnam War and the dehumanizing effect of war itself. It also boasts former drill instructor R. Lee Emery in his first big role, and one fitting his former career. There’s also a certain scene that got sampled into a 2 Live Crew song, but we like to keep things clean here at the Spotlight.

So imagine the concern that Matthew Modine had when he saw the poster for the movie had been changed on Amazon’s streaming offerings, taking the message written on the helmet of his character off of the poster, and brought the issue to social media. Having it on the poster speaks to the movie’s theme, so pulling it off is just the latest bit of censorship by someone at a studio who doesn’t understand the point of what they think is offensive and altering it. This time is only a movie poster image, but as the article notes, they’ve altered the movies themselves.

It’s strange, and sad that a plot Cobra tried to pull off in the 1980s G.I Joe cartoon is now actually used by the supposed stewards of our movie history.

Free Comic Inside> Atari’s Centipede Adventure

Free Comic Inside logo

We’ve already completed looking at Atari Force and there’s one more (X)Quest comic left to go, but that’s not the only minicomics that came with the Atari 2600 games. Atari and DC Comics (at the time both owned by Warner Brothers) knew how to make a good minicomic story. We’ve seen it here with He-Man, Matt Trakker, and the Superfriends, as well as the aforementioned 2600 comics. Now we have one more.

Centipede is an Atari arcade game from 1981, and a rather popular one. My local Cumberland Farms had one for years, even when the local arcade was in operation. I miss that place. The arcade, I mean. Cumby just moved locations but they don’t have video games for the kids to play while the parents shopped or their friends bought afterschool snacks. Shame, really. It’s a no-brainer that when Atari broke into the new home gaming console market that the game came with it. Here’s how the game looked in the arcades (using MAME emulation of course).

And here’s how it looked on the Atari 2600 (using the Stella emulator and the poster stretching it to widescreen for some stupid reason).

I didn’t have a 2600 and I never got the game for the 800, which is fine because it was played with a trackball in the arcade and paddles on the home consoles, and I never had the paddles. I don’t think any of my cousins had the game despite having the paddles. So I know the one from the arcade/convenience store. It’s a fun game. Joining the 2600 version is a minicomic from DC Comics, which is what we’re going to look at today. How well did they translate the game?

An elf with a sonic screwdriver.

Centipede

Atari/DC Comics (1983)

PACKAGED WITH: I’m going to go out on a limb and say Centipede on the Atari 2600.

WRITERS: Howard Post & Andrew Gutelle

ARTIST: Howard Post & Roger Smith

DESIGN: Neil Pozner

COLORIST: Tom Ziuko

LETTERER: Gaspar Saladino

EDITOR: Andrew Hefler

[Read along with me at Atari Age]

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“Yesterday’s” Comic> Blue Beetle #3 (Charlton)

Apparently they predicted Bob Iger.

Blue Beetle volume 2 #3

Charlton Comics Group (November, 1964)

“Mister Thunderbolt And The Superstar”

No credits listed, but Comic Book Plus managed to find the art team, maybe. At any rate, the bonus story is about a game hunter in Africa who doesn’t kill young animals or allow his client to trap and kill a defenseless panther. Some woman in the part convinces him to join the animal conservatory. That’s as best as I could follow, and it’s not like the main story is any less lacking.

[Read along with me here]

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“Yesterday’s” Comic> Lucky Comics Free Comic Book Day 2021

The cover at least matches the comic…a whole lot of chaos.

Lucky Comics FCBD 2021

Lucky Comics (August, 2021)

The Conquerors: “Tabula Rasa”

WRITERS: Lee A. Golden (also script) & Michael Mettlen

ARTIST: Drewseph Leonidas Broseph

COLORIST: Veronica Smith

COVER ART: Josh Holley

LETTERER: John Michael Hemler

EDITOR: Michael Waggoner

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BW’s Daily Video> Why Transformers Fans Love The 1986 Movie

Catch more from TJ Omega on YouTube

From my comments on the video: I’d also add that the original movie knows it’s a kids property but respects the younger audience. The curse words were a bad idea and adults weren’t happy (I’m glad some of the recent home videos lets you choose), but it took the war story, added in a huge sci-fi element, but remembered that it’s still for kids. Adult collectors and fans hate it when I say that, but I’m older than most of them so I don’t care.

Transformers wasn’t created for 80s kids, it was created in the 1980s for kids. None of the Bay films cared about kids, yet still was somehow more immature in its attempts at humor. (To quote from this movie: this is bad comedy.”) So it wasn’t bogged down in cynicism but instead embraced things a child would like to see and does it without insulting their intelligence. It’s more fun and imaginative as a result, and it’s made by people who care about what they’re making and its place in the franchise rather than using an IP for immature “adult” humor and flash without substance.

Building A Better Heroine

There’s been a huge push lately for “strong female characters”, but there’s also been a pushback because they aren’t GOOD characters. The usual suspects will insist this is because they hate women protagonists only to ignore the list of woman protagonists people like. Women kicking butt didn’t start with The Hunger Games, but tell that to the actress who played the lead. However, it feels like to many audiences of both genders that today’s “girlbosses” lack femininity. They lack compassion, they lack mercy, they lack a caretaker’s instinct. Instead the girlboss is basically a man with breasts, even taking on the same level of physical violence despite a traditionally smaller frame, except in video games, comics, and animation where they get a more masculine frame.

With the exception of feminists, usually the militant variety who seem to hate themselves and I’ll limit the political stuff as best I can, even women who are into the action genre reject the modern girlboss idea, and have a different opinion as to what a strong woman is in both fiction and reality. We’re of course focused on the fictional. This is of course ignoring those women who aren’t into action stories no matter what gender the gun-toting karate-kicking hero is because it’s not their kind of story. It’s like me and horror. I’m not into it so I don’t watch/read/play/listen to it. It boils down to statistics. Girls aren’t banned from the boys toys section, it’s just most of them aren’t into military toys and the ones that do have to deal with mom worried she wants to be a boy. And that was before modern perspectives that have pushed the tomboy back into that stereotype my generation tried to free them from.

So what would make a good action heroine, superheroine, sci-fi/fantasy main character of the female persuasion? I may be a dude but go through this site and you will see many female characters I grew up with, admire, and want to see more of done right. Women are awesome characters when they’re allowed to be characters and not stand-ins for “every woman” (or rather every militant feminist and activist/self-insert character). There are plenty of shows, movies, and other media where the woman saves the day while the men in the audience and in the world cheer them on. Why did they work when the modern incarnation doesn’t?

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“Yesterday’s” Comic> Sonic Super Special #5

Hey, it worked for the Muppets and Flintstones. Not so much the Jungle Book cast.

Sonic Super Special #5

Archie Comics Publications (1998)

INKER: Jim Amash

EDITOR: J. Freddy Gabrie

“When You And I Were Young, Sally”

WRITER: Mike Gallagher

PENCILER: Manny Galan

COLORIST: Barry Grossman

LETTERER: Vickie Williams

“Stop…Sonic Time!”

PLOT: Tom Rolston

SCRIPT: Karl Bollers

PENCILER: Art Mawhinney

COLORIST: Ken Penders

LETTERER: Jeff Powell

Tales From The Freedom Fighters: “Total Re-Genesis”

WRITER: Karl Bollers

PENCILERS: Nelson Rebeiro, Art Mawhinney, Sam Maxwell, & John Hebert

COLORIST: Barry Grossman

LETTERER: Vickie Williams

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