BW’s Article Link> Thor Vs The Auteur Directors

 

Francis Ford Coppola and Martin Scorsese are among the auteur directors who are part of the anti-superhero movement in Hollywood, joined by everyone insisting superhero fatigue is real and not the total BS it actually is. They’ve done interviews condemning superhero movie. Finally, one of the big members of the superhero actor group has spoken out. Chris Hemsworth, who plays Thor in the Marvel Cinematic Universe, pushed back against those directors (heroes of his) in defense of the MCU. That’s why he’s worthy enough to bear the hammer.

Filler Video> The Greatest Shows You Never Saw

The only discussion topic out there are franchises I’m not into or repeating the same arguments, so let’s end the week on something fun.

In a previous filler video post I talked about getting to be part of a pilot survey with my parents. We got to see two unsold pilots, they got our feedback, and neither show was ever picked up to my knowledge. It was a fun experience.

I’ve seen talk earlier this week that pilots are dying as a way to sell a show. I’m not sure how they’re getting greenlit these days, but Hollywood in general is kind of a mess right now. The pilot gave the studios and network an idea of what they were going for, and test audiences like the one I was part of a chance to see what the concept is about, to see if it would have a full audience should it air, and what tweeks to make. In theory, as sometimes the final show was so far from the pilot you wonder if they saw the same thing. Some pilots are even redone with notes from the network and test audiences worked in.

Lee Goldberg posted our last video on “The Best TV Shows That Never Were”, although some of them would be worked into a made-for-TV movie or a one-night summer replacement, a little something extra for those who stayed home that summer night. Some even got released on home video just to make up the money used to make the pilot. Well, it turns out that was the second video. His first, The Greatest Show You Never Saw, was based on the same book as the other one, filled with more shows that never made air outside of those TV movies and summer replacements, or released as a special in syndication. You can find some of them on YouTube. Some of these even feature celebrities before and after they became famous for something else, so imagine a world where this was their big break. And for my comic-living readers, there’s a few you are already infamously familiar with, and for the rest of you there are a few pilots that actually did get picked up with some of that rework I mentioned. See if any of these are ones you wish you had gotten as a full series.

Continue reading

“Yesterday’s” Comic> The Blue Beetle #20 (Charlton’s short run)

This was the wrong time for Dan to remember he didn’t attach the bungie cords.

The Blue Beetle #20

Charlton Comics (June, 1955)

Okay, let me see if I can explain this. For whatever reason (I’m guessing the usual publication and mailing games of the time) Charlton’s Blue Beetle run starts on #18, which may be a rebrand of whatever #17 was, and will do the same thing with issue #21 to #22, as the title goes to someone else. That’s annoying enough, but #18 and #19 are reprints of stories I’ve covered before. #20 has two original stories, or at least ones unprinted that I haven’t covered from Blue Beetle stories in other Fox or Holyoke anthology titles, with only one reprint. So I’ll do this issue and #21, which has the same thing.

[Read along with me here]

Continue reading

BW’s Daily Video> How Music Turns Romance Into Horror

Warning: Includes some violent imagery given the examples used and the video’s topic.

Have more from Film Riot on YouTube

 

The Truth About Stan Lee’s X-Men

I need to get my posting schedule back on track after yesterday’s lateness. So I’m tagging in some help from the Literature Devil.

As much as I try to avoid political discussions here, as my focus is on how the activists took over, it gets tougher and tougher as they replace the traditional superhero narratives with their own. Instead of physical action they’d rather get into social conflict, one-sided sociopolitical pandering born of stereotypes, and the everything for meeeeeeeeeeeeeee crowd in general insisting anything popular must be made for them. As “geek media” grows in popularity the anti-geek Hollywood types try to wrestle superheroes away while the businessmen who don’t understand or care about superheroes are ignorant of the whole failure, wondering why what used to be huge profit is taking such huge hits.

As the cool cliques and activists try to defend their position, the new warcry is “but it was always like this”. This falls on its face when you realize “if this is how it always was then why is it only now being ridiculed as it fails miserably and ruins both pop culture icons and the very marketing they wanted to use to push their agendas, whether it was money, ego, or politics?”, which the usual suspects have no actual answer for. Now the claim is that Stan Lee always meant for the mutants of the X-Men to reflect not just outcasts in general but the specific outcasts of the latest cause du jour, that Professor X was a stand-in for Martin Luther King, Jr and Magneto for Malcolm X (the wrong guy got the “X” in his alternate name?), and that it was always political or “woke”. So if it was always “woke” why do the anti-woke crowd or general people of all political views, races, genders, and orientations suddenly upset with what’s come out the last few years to what was escapist entertainment that maybe made them think about the world around them without heavy-handed preaching a one-sided narrow view ridden with stereotypes and false understandings?

In the following video by Literature Devil, he disputes these claims not only with the history of the X-Men but Stan Lee’s own words and the words of other creators who came after him, including the one who leaned more into the bigotry allegory when he took over. He also looks at depictions of the Hulk and She-Hulk in light of the differences between the MCU and the comics and what both messed up in recent years.

Continue reading

“Yesterday’s” Comic> Lucky Comics Free Comic Book Day 2017

For those of you following the schedule, this isn’t from this year’s Free Comic Book Day so it counts as the current Drive Thru Comics library reviews.

Lucky Comics Free Comic Book Day 2017

Lucky Comics (May, 2017)

WRITER/LETTERER: John Michael Helmer

ARTIST: Eric Douthitt

EDITOR: Michael Waggoner

SENIOR EDITOR: Lou Mogin

Shown are both covers. Cover A, by Josh Holley, features Beetle Girl, the descendant of Dan Garret, Danni. That’s the Fox/Holyoke/Fox Again/first Charlton version, not the second Charlton/DC version. Cover B, by Salviano Borges, features “The Black Bat”, but is called the Bat because Cassandra Cain was going by Black Bat at the time (I think). The characters may be public domain, or at least Danni’s father is, but DC are notorious jerks when it comes to trademarks and copywrite lawsuits. Just ask anyone who worked at Fawcett at the height of Billy Batson’s success as the original Captain Marvel. Note that the stories are not in public domain but are owned by Lucky Comics. I think they also created Beetle Girl even if the original Blue Beetle is public domain-ish. Just don’t use her or her dad. If you get these from Drive Thru, which is free, it doesn’t matter which cover you have. The pages inside are just the same. I didn’t know that when I downloaded it. The covers are in color, but the comics are not.

Continue reading

BW’s Daily Video> It Was Never About The Powers

Catch more from Shady Doorags on YouTube