“Yesterday’s” Comic> Blue Beetle #53

Come on, even Holyoke put the Beetle prominent on the cover and they seemed to be trying to ditch the character.

Blue Beetle #53

Fox Feature Syndicate (February, 1948)

Seriously, who designed this cover? Kids looking for an image of the Blue Beetle fighting crime will see this true crime type cover and unless they catch the title and see Dan in the small bubble won’t know it’s a Blue Beetle cover. Unless that’s supposed to be Dan tying a woman up. I mean, what he and Joan…never mind. Let’s get on with our two Blue Beetle stories and a true crime story.

[Read along with me here or for some reason here]

I’m not sure what the difference is between the two versions outside of the download format, which from Comic Book + you can only due if you sign up. As if I’d want a copy of Otis’ terrible Blue Beetle adventures.

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BW’s Daily Video> Choose The Right Argument

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The Death & Rebirth Of Superman From The Creator’s Perspective

I’m not missing two articles this week.

The “Death & Return Of Superman” storyline was a major one for DC Comics in the 1990s. While this could be blamed for the revolving door of death we get now, or even Eventitis, the story itself is quite solid, exploring what Superman means to Metropolis and the greater DC Universe, and giving us +3 heroes upon Clark’s resurrection. Judged on its own, it’s actually a great Superman story arc.

And it shouldn’t exist.

I’ve told this story before, but in need of a filler for tonight we’re getting the entire storyline from the creator’s perspective. In the following video from Warner Brothers, released to promote the animated two-part adaptation of the storyline (which I have yet to see), we see how the media pecking order forced them to drop the storyline they intended, pick up a running gag as an actual story, created the character Doomsday, and changed the face of DC Comics and the DC Universe for better or for worse.

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“Yesterday’s” Comic> Gritt Grimstone: Tales From A Far Out Future

“Now if I can just remember where I parked.”

Gritt Grimstone: Tales From A Far Out Future

SnowyWorks (2022)

CREATOR/WRITER/LETTERER: Drew D. Lenhart

ARTISTS: Hernan Molina & Rowel Roque

My copy is downloaded from Drive Thru Comics, but apparently they also made the story available to read online (though it could just be a preview as I didn’t go through all of their version). This is also an anthology of stories so I’m going to run through these quick.

[Read along with me here]

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BW’s Daily Video> You Don’t Have To Change Everything

NOTE: A lot of swearing in this one between the four participants, but what horror directors and comic writers Jen & Sylvia Soska bring up about their time at Marvel and the current state of both Marvel Comics and Marvel Studios is worth a listen.

Rip And The Silverback alternates between Youngrippa 59 and HeelvsBabyface‘s YouTube channels.

They want to make their own characters to tell their own stories, but they either don’t want to make the effort and time for that character to become as popular as the ones who have been around since the 1960s and sooner, or they can’t get the studios to sign off on them. So they take something already popular whose stewards couldn’t care less about and turn classic characters into their characters. Now their interpretation will be the character and lore going forward (control the origin, control the character) and they don’t care that the stuff that made it popular in the first place is no longer there.

Then they’re surprised that the people who DO care and wanted those characters’ stories to continue don’t fall down in worship of their “superior” takes.

The Lost Doctor Who Cartoon Of The 1990s

Doctor Who is one of those shows that never really went away, it just left the television. When higher-ups at the BBC who hated science fiction and wouldn’t give the show a better budget despite complaining about it being a low-budget show got their wish and cancelled it, the Doctor’s adventures continued in comics, novels, audio dramas, fan productions, and “Scream Of The Shalka”, an attempt by the BBC to bring it back as a webseries before Russel T. Davies managed to get the show back on the air. I’m still convinced that was him trying to put his Torchwood series out on the back of the Doctor, but that’s a personal theory.

However, the American TV movie that made the mistake of airing on Fox, a network that treats science fiction like dirt in their line-up, wasn’t the only time an attempt was made on this side of the pond to bring the Time Lord back. Canadian animation studio Nelvana, who had fairly decent success with their take on Star Wars with Droids and Ewoks on ABC’s Saturday morning line-up, wanted to take their own shot at The Doctor and his TARDIS. It…wasn’t a very good shot, as the following video by Harbo Wholmes shows us. You’ll think it was a Marvel Studios production by the time this is done.

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BW’s Daily Video> 8 Real-Life Events That Forced Comics To Change

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Since this video was produced, the Mystique/Destiny coupling has now been official, and they just decided that yes, Mystique is so good at shapeshifting that she can create working testicles and produce the semen necessary to conceive a baby in a woman’s uterus. (I try to keep things PG but were all adults here. I think. Hi, kids!) I’m sorry, but that part is still farfetched and stupid. Shapeshifting needs to have SOME limits, after all.

I don’t care what your opinion is on non-binary Morph in X-Men ’97, this is a stupid defense.