Saturday Night Showcase> Mega Man (US cartoon)

Mega Man’s first appearance outside of video games was in NBC’s Captain N: The Game Master, and wasn’t the best interpretation. Granted there was only one game at the time and none of the other NES characters were all that accurate, especially in the first season. I think it gets too much hate but the show clearly had flaws.

In 1994 a Mega Man solo cartoon was created for syndication, a co-production of Asahi Productions in Japan and Ruby-Spears Productions in the US, with Canadian voiceover company Ocean Group providing the English voices. So you’ll recognize some of the voices. It does take liberties with the lore, but as far as Proto Man being evil in this version, I remember speculation that it was because the character appeared to be evil in Mega Man IV, the most recent NES game to have come out. Unless you played the game you didn’t know why he supposedly kidnapped Dr. Light and started acting like Wily. The characters personalities could work, though they went for an older take on Rock and Roll versus the designs we usually see.

In Mega Man we get a more superhero approach to the character. Rather than reliving the game it’s the scheme of the week approach. That worked for two seasons and I even used a show-only character called Brain Bot from the first season as a character in my failed sprite comic, Tales From The Spriteverse, as a sort of guide for my original character do not steal. Tonight, however, we look at the first episode, explaining the origin of the battle between the Blue Bomber and Dr. Wily in this continuity, through flashback after Mega Man is damaged while Wily and some of his bots (oddly from the first game despite the bad Proto Man being from the fourth) take over the airport. Enjoy.

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“Yesterday’s” Comic> The Blue Beetle #52

“Wow, your roof really does need fixing, lady.”

The Blue Beetle  #52

Fox Features Syndicate (January, 1948)

Well, this should be interesting. The last story isn’t about the Blue Beetle and his friends but Beetle does narrate it. Three “full-size” stories and Blue Beetle is only in two of them. Not sure how I feel about that, given that at one point I was certain Holyoke was trying to push Blue Beetle out of his own comics.

If you’ve been reading along with the Comic Book+ links you may have noticed last week that the first inside page had no color except for blue. The same happens this issue, and I’m wondering if that happened in the actual issues, the scans, or if blue was the only color not to fade. I hope this doesn’t turn into an ongoing problem.

One more item: next week The Blue Beetle reviews will be moving to Fridays, as part of the beginning restructure of BW article posting as I slowly run out of comics to review in the “Yesterday’s” Comic format and rather than replace them, try to come up with a way to free time to do other projects in addition to BW. So if you’re here to see me complain about some dude named Otis ruining what used to be a good comic, mark your calendar accordingly.

[Read along with me here]

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The Riddler & Captain America On “Superhero Fatigue”

There’s that term again. Granted we can blame it’s use on the writer and not the celebrity being interviewed, but it’s still a crap term. Nobody talks about “rom-com fatigue” or “horror fatigue”, because there are still good ones. Superhero fatigue is a lie because it’s not the superheroes but lack of superheroing going on that people are sick of.

That didn’t stop Adam White of The Independent from using the term in an interview with Paul Dano, who portrayed the Riddler’s serial killer with a mission namesake in The Batman. While promoting the upcoming Netflix production Spaceman, which has nothing to do with superheroes so the only point I see is that White is one of those people looking to push the “superhero fatigue” narrative for his superhero-hating Hollywood pals, Dano had some interesting thoughts about why his movie was, in White’s words anyway, the “last stand” of superhero films.

Compare that with another interview with Captain America himself, Chris Evans. Tony Betti of Laughing Place was at Emerald City Comic Con, so the place you’d think he would get the superhero question but it actually comes up in passing as he talks about other movies he did and his dog more (at least one of those movies was Scott Pilgrim Vs The World, so it’s still comics). He did drop his own thoughts on superhero movies and seems a bit more positive. I guess when being Captain America in numerous films is part of your history versus one namesake take on a supervillain you get a brighter prospective.

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“Yesterday’s” Comic> Star Power #29

I wonder if she’s allowed to use that to cut her pizza?

Star Power #29

(May, 2020)

FINAL ISSUE

“The Life Smugglers” part 4

WRITER: Michael Terracciano

ARTIST: Garth Graham

[Read along with me here]

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BW’s Daily Video> In Defense Of Evil Races

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Sing Me A Story> Eleanor Rigby

logo for the Sing Me A Story article series

One of the running themes on this site is that I don’t have to enjoy something to see it as a good work on its own. It just be something I don’t want to watch, play, read, or listen to. “Eleanor Rigby”, off the 1966 Revolver album, is one of those songs. Yes, even the Beatles aren’t perfect. Heresy, I know, but apparently the song may have a bit of it’s own heresy, which I’ll happily blame on John Lennon. We’ll get there.

I know this song a bit better than I’d like, which may add to my lack of interest. I had to sing it for chorus class. We probably butchered this song because it wasn’t designed for a chorus. Paul McCartney sings most of it on his own, with the others doing background for the…chorus. Look, you know what I mean! Point is we were a bunch of high schools looking for a credit whose voices ranked from mediocre to still not getting the golden buzzer. Nobody’s asking for an encore.

However, it’s the depressing nature of this song that doesn’t interest me. It’s not trying to preach about how horrible you are like “Feed The World“, but it’s not exactly the feel good song of 1966, is it?

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“Yesterday’s” Comic> Geek Girl: Whatever Happened To Ruby Kaye

I hope this wasn’t the cover for a physical comic.

Geek Girl: Whatever Happened To Ruby Kaye

Markosia Enterprises (May, 2018)

WRITER/CREATOR: Sam Johnson

ARTIST: Carlos Granda

COLORIST: Chunlin Zhao

LETTERER: Paul Mclaren

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