BW’s Daily Video> Lofi Girl And The Snowman

Usually Lofi Girl on YouTube is a trio of streams with different kinds of lofi music. Lofi Girl herself carries two streams, the regular one and one designed for sleeping. Meanwhile a boy (Lofi Boy) is the opposite of the main stream visually (different direction, cutest doggy versus a cat, typing on a computer instead of writing in a journal) and focuses on Synthwave.  (It’s actually the boy Lofi Girl bumps into while running up the stairs.) That’s one’s my favorite for the music style and the doggy but I do use the other two as well, if I’m not using Nightride FM’s space and chill synthwave streams. So earlier this week it was interesting when both hosts and their pets suddenly vanished (no animation of them leaving like they did when Lofi Boy was introduced), even from the channel logo, and the sleep stream was replaced with a video of a snowflake slowly forming, set to one song instead of showcasing a bunch of Lofi/synthwave artists. It wasn’t a story but it was leading up this story.

Music : WYS – Snowman

Analyzing Superman’s Body Count

Superman doesn’t kill. Any Superman fan knows this. It’s why Zac “I don’t know what a fantasy world is” Snyder having Superman kill Zod is so looked down upon.

Defenders of Man Of Steel will try to point to various times when Superman did kill his enemies, but of course the specifics will be lost in the discussion. “See, he killed Zod here and you didn’t complain.” The Mephisto is in the details and that’s where the defenders mess up.

Since I need to reset my schedule and choose something easy to make tonight’s post I’m grabbing a video from Variant Comics chronicling every time Superman has taken a villain’s life in the comics. Can I defend them all? Will I call many of them bad writing choices that should never be used as an example because bad writing does not defend bad writing? Are there some legitimate reasons and could the problem be in how the act was treated? Arris Quinones has the list, I have the comments. Let’s make this happen!

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“Yesterday’s” Comic> Sonic Vs. Knuckles: Battle Royal

“Weren’t we supposed to do this a few comics ago?” “Blame the reviewer.”

Sonic Vs. Knuckles: Battle Royal

Archie Comics (1997)

EDITOR: J. Freddy Gabrie

“Battle Royal”

WRITERS: Kent Taylor & Ken Penders

PENCILER: Sam Maxwell

INKER: Jim Amash

COLORIST: Karl Bollers

LETTERER: Jeff Powell

“The Map”

WRITER: Tom Rolston

PENCILER: Dave Manak

INKER: Rich Koslowski

COLORIST: Barry Grossman

LETTERER: Vickie Williams

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BW’s Daily Video> Batgirl’s Movie Production Hell

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The Continuing Death Of Superhero Secret Identities

The secret identity is dying.

In superhero stories the secret identity allowed the superhero the ability to walk the streets without being mobbed by fans, enemies, and people demanding help for the lamest things. It protects loved ones from being attacked by supervillains or some average crook who wants to hold your sister hostage until you steal some diamond for him. It’s also good drama. How can the hero save the day and protect his secret identity, or if you’re a character like Spider-Man, how does needing to protect your identity interfere with your personal life?

However, I’m noticing more and more that in addition to losing the capes today’s heroes are losing the masks. Tony Stark lost his secret identity in one of the lamest ways they could, a back-up story in which Tony puts on his armor during a party to save a dog from traffic. New characters are missing them as well. If I could find a misstep with the new hotness in indie comics, the Rippaverse, it would be the lack of characters with secret identities. Alphacore are basically supercops, and that’s fine. However, Isom just appears to be a different name while I’m not sure Yaira has an alternate name. We’re probably missing her last name: Yaira Johanson or something. So far none of the announced Except heroes have masks, and we haven’t seen a supervillain yet. They’ve tried killing Superman’s alter-ego, Spider-Man’s alter-ego, and less and less Marvel heroes have them. The Villains Of Valley View maintain secret identities and they’re supposed to be villains in hiding. Usually a supervillain is only exposed when they’re arrested and put on trial because the villain doesn’t get the same rights as a hero.

So what’s the purpose of a secret identity and why are modern creators tossing them out with capes? I already did an overview of the purpose, but let’s dive into that and then get into why they’re dying.

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“Yesterday’s” Comic> Red Skull: Incarnate #5

This is where I make a joke about the cover but right now I’m trying to remember getting the comic on ComiXology.

Red Skull: Incarnate #5

FINAL ISSUE

POSSIBLY ALSO JUST Red Skull #5

Marvel Comics (January, 2012)

WRITER: Greg Pak

ARTIST: Mirko Colak

COLORIST: Matthew Wilson

COVER ART: David Aja

LETTERER: Clayton Cowles

ASSISTANT EDITOR: John Denning

EDITOR: Alejandro Arbona

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BW’s Daily Video> Redemption Arcs Skipping The Arc

Okay, here me out before you press play. Yes, the host’s politics are blatant as are some of the insults, and there’s a lot more swearing on top of that than you get from your average BW posting. If that bothers you, come back later. I’m reviewing a comic followed by a full article later tonight. However, this is an otherwise good discussion of what makes a bad redemption arc with examples of both good and bad villain reforms, so I’m using it.

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