Helen Slater Talking Supergirl

If you’ve followed this website long enough, my saying “I really like the 1980s Supergirl movie shouldn’t surprise you. Helen Slater was great in the role, Faye Dunaway made a good villainess who’s in over her head in her pursuit for power, and the effects are as good as…most of the Superman movies from the Salkinds. Plus they did more with Jimmy Olsen in this movie than in all four Superman movies…not that he did much here, either. Poor Mark McClure never got to be as big as Christopher Reeve and Margo Kidder. It might not be a popular opinion on the internet…but when has that stopped me?

Slater would probably be more known for her role in The Legend Of Billie Jean, where she played a girl who grew two spines and told ACTUAL toxic men what to do with themselves, at least from what little I’ve watched of it. Today that movie would come off as intersectional feminist garbage but back then you were on her side. She wasn’t done being tied to Kara, though. She played Kara’s adoptive Earth mom in the Supergirl TV series, apparently played Kal-El’s space mom after I stopped watching Smallville, and she was at least acknowledged in The Flash for what little that crap was worth. Sadly we’ll be coming back to that.

First, our context: this interview with The Hollywood Reporter in which they ask her about the 2026 totally-not-James-Gunn version, her CG cameo, and her time making the 1984 movie. It’s another example of how actors do not approach stories the same way fans do, or she’s just trying to be professional. Possibly both.

Continue reading →

“Yesterday’s” Comic> Sesame Street: Grover Lends A Hand

“Oh, you already have hands.” Wait, is that Little Bird? I thought he died or something!

Sesame Street: Grover Lends A Hand

Oni Press (June, 2025)

WRITER: Joey Esposito

ARTIST: Austin Baechle

COLORIST: Alessandro Santoro

COVER ART: Erin Hunting

LETTERER: Shawn Lee

EDITOR: Megan Brown

Continue reading →

BW’s Daily Video> More Sony Diskless Fallout

Note: angry swearing British man

Catch more from HeelvsBabyface on YouTube

I don’t know if this info will be proven false by the time this post goes live, but if it’s true then it’s kind of suspicious.

Free Comic Inside> Sweetbee Visits Catra’s Treehouse

Free Comic Inside logo

It’s been a while since we visited the minicomic version of Etheria and the girly psycho that is the Princess Of Power version of She-Ra. We’ve seen her turn many beings into butterflies, cat men to stone, and make friends with someone who will make their enemies go into emotional shock over dress-up clothes buried in the backyard. Minicomics Etheria is weird.

In our latest outing our focus is on Sweetbee, the bee girl. We also get to meet the minicomics version of Entrapta, and if you only know her from the Netflix show, as I don’t remember her being part of the original cartoon that much, you’re in for a surprise. This is the girls division of Mattel trying to regain their #1 status when He-Man took the title from Barbie, which isn’t what Filmation was thinking when they saw all the girls who liked the strong women of planet Deathtrap Eternia and cheered them on. In the show it’s a battle to reclaim their planet. Here, Bow just got too close to Catra’s treehouse. It’s going to get very girly up in here.

I wonder if Sweetbee ever met Buzz-Off?

Princess Of Power series 2 #4

Mattel (1986)

“A Born Champion”

WRITER: Tina Harris

PENCILER: Jim Mitchell

INKER: Todd Kurosawa

COLORIST: Charles Simpson

EDITORS: Joan Dumbauld & Lee Nordling

no letterer credited

Continue reading →

“Yesterday’s” Comic> Police Comics #12

Don’t be too impressed. On his first try he broke the header logo.

Police Comics #12

Comic Magazines, Inc (October, 1942)

Plastic Man’s dominating the next few covers so we’ll just discuss one of the other characters. What happened with Chic Carter? Granted the Sword wasn’t much of a hero identity, though the idea of a fencing superhero could have worked. I have to wonder if the creator(s) wanted another superhero, couldn’t figure out what to do with him, and just gave up the costume thing and simply let Chic be another action reporter? They must have been doing okay with him since as Chic alone he’s part of this series and another future Quality Comics title, Smash Comics.

And yet, if DC bought him as well I don’t know of them doing anything with him or The Sword. The DC Database doesn’t even bother doing anything other than acknowledge he was part of Quality Comics when DC bought the rights to many of the characters. His story may be a mystery even he couldn’t solve. Anyway, let’s see what he and the other not-police characters do in Police Comics.

[Read along with me here]

Continue reading →

BW’s Daily Video> A Female Director Explains The Issue With Superheroine Movies

Catch more from JesterBell on YouTube

 

EA’s In-Game Advertising Versus Story Immersion

It’s the only Electronic Arts game in my site’s image library.

The video game industry, or to be more precise the so-called “AAA” industry, make decisions that tend to tick off the very audience they seek money from. Some come off as gambling, some come off as making it more difficult to survive in a multiplayer game. Advertising is the latest in a series of gimmicks from companies not satisfied with simply making profit. They want all the money, and they’ll shut down older games to force you to buy a remake or a new one. We saw that last week.

I’m not against advertisements themselves, or even product placement. I watched ads for products and services that were fun but still had no interest in those products. Even as a kid I watched Cap’n Crunch and Sugar Bear gain mecha and superpowers to protect breakfast and just treated it as more stories. If I use Crest now it isn’t because I saw the Crest Team fight Cavity Creeps but because it’s hard to find toothpaste that isn’t mint flavored, and cinnamon is my only option beyond flavorless, if I can even find that. In-world product placement means nothing to me because those same billboards, outfits, and magazines ads exist in my world, and it’s easier that making fake products to make the world feel lived in. I thought Shasta was a fake soda brand until I saw them in a local Dollar Tree. Never did try it.

So EA announcing they want to put ads in their games…no, I do actually have more concerns there. The main reason the dropping of banner ads on YouTube, which TV tried to steal for awhile, is that they distract you from the video, even covering subtitles and last-minute notes of something that only came up during the final edit with no time to record a new clip. It takes you out of the world, and in video games that’s a bigger mistake than other media forms. Characters stopping to extol the amazing flavor of Coca-Cola is just silly. Having an ad pop up out of world draws you out of the world, which isn’t an issue for some talking head show but in a narrative, seeing a knight of Camelot being covered by an ad for some sitcom ruins the experience. In video games, where immersion is part of the gameplay experience even when there is no narrative will ruin the fun, and that means nobody wants to play games from your company.

Does EA know how to work ads in right? Between their press release and an examination from Geeks & Gamers contributor Alex Gherzo that translates the corporate speak, let’s see.

Continue reading →