James Gunn’s DC Universe Is Already A Mess

Alternate title: Scrappy-Doo and Guess Who.

It’s the closest thing to a James Gunn image in my library. It still makes me happy. Sometimes I remember why I make a weekly comic strip.

However, it’s not Gunn’s treatment of my childhood nostalgia that is bugging me right now, unless you want to get technical. I did grow up with the DC Universe and their now abandoned takes on the aspirational hero with fun stories and adventures that could be done in one issue but still have ramifications in later issues. Of course I also loved the DC shows I grew up with because they followed the same formula. Sadly this is no longer the case.

That’s not what we’re here to talk about though. I’m not trying to trash Zac Snyder when I say it was a mistake for Warner Brothers to use him as their “Kevin Feige”, the only who was supposed to create their own DC Cinematic Universe. Snyder is good for the stories he tells but the stories he tells are not in line with the DC superheroes or why so many fans like those characters. His more cynical perspective on superheroes worked to adapt Watchmen but that book ran counter to the DC heroes as well so it was in good company. The “DC Extended Universe” bombed for the most part, and that included stuff he partly or entirely wasn’t part of with the exception of the first Wonder Woman movies. Even that film did stuff wrong, while the first Shazam movie was based on Geoff Johns’ re-imagining of the original Captain Marvel so I don’t even care if it was good or not. At any rate Warner Brothers was forced to end his “Snyderverse”, though some of the ways they did so wasn’t really fair to him no matter how happy I am he’s no longer ruining my favorite heroes.

Unfortunately James Gunn comes with his own issues, and right now he seems to be making the same mistake as the New 52. (By the way, someone next week remind me to go over the current Dan DiDio situation.) While Snyder kind of borrowed from that with his darker tone, Gunn is following one of their other mistakes: he isn’t committing to the reboot fully enough. Some of his statements are really confusing considering the direction he’s going, and what’s coming with him FROM the Snyderverse to the Gunnverse.

Continue reading

“Yesterday’s” Comic> The Phoenix #1 & #2: The Weekly Story Comic (Double Issue)

Fighting over who’s the cutest?

The Phoenix #1 & #2: The Weekly Story Comic (Double Issue)

Okay, here’s what I found. The Phoenix is a British comic magazine for kids…which is already one step above the US right now. It’s an anthology so we’re going to just race through this, which should be easy because the comics seem to be only a few pages.

I’m using the “Double Issue” that’s posted to ComiXology. Why did I add this to my library? I guess to support kids comics. I don’t even remember adding it, but it might have been there for years. I’m also going to work through the longer comics, not the really short strips because there’s going to be enough to review as it is and I’ll be doing this again on Saturday with Blue Beetle. So let’s zoom through this.

Continue reading

BW’s Daily Video> History Of Eclipse Comics

Catch more from Comics By Perch on YouTube

 

In Defense Of Pure Evil Villains

Skeletor’s original origin, as forgotten as He-Man’s original origin.

What happened to villains, anyway? I’ve written a few articles in the past few weeks or posted videos by other commentators about how in the quest to be either open-minded or complex, the purpose of the villain seems to have been forgotten. While you can have a sympathetic villain, good goals but evil methods, or have a sympathetic backstory about how they turned evil, sometimes people do just want to watch the world burn.

I still blame Wicked, the play that thought it would be fun to have the Wicked Witch of the Oz franchise with a sympathetic story. I still haven’t seen it and don’t plan to but I’m aware of the fallout. While DC having their villains in the position of having to save the day at least offers a potential for fun, watching Maleficent from Sleeping Beauty or a character literally named Cruella De Ville for a reason actually being the victims rather than just evil misses the whole point of why a villain exists. I went over this a bit last week with the current state of Autobots and Decepticons, that in order to make kids show villains more mature they have to not necessarily be evil, the same affliction that hit Skeletor in the recent DC run of Masters Of The Universe comics. This usually flies in the face of why these villains exist.

In the following video, Henry of The Closer Look defends the idea of the villain who is evil for evil’s sake and why some narratives need that kind of villain.

Continue reading

“Yesterday’s” Comic> Knuckles The Echidna #7

If they really have to do the “put the covers together to form a long picture” bit, at least it’s consecutive issues and not collecting all the variants of the same issue. I hate that.

Knuckles The Echidna #7

Archie Comic Publications (December, 1997)

“Dark Vengeance” part 1: “Deadly Homecoming”

WRITER: Ken Penders

PENCILER: Manny Galan

INKER: Andrew Pepoy

COLORIST: Barry Grossman

LETTERER: Vickie Williams

EDITOR: J. Freddy Gabrie

Continue reading

BW’s Daily Video> The Tale Of Red Kryptonite

Catch more from Casually Comics on YouTube

 

Even Spider-Fan Writers Aren’t Into Modern Spider-Man

Spider-Man is Marvel’s flagship character. That’s why they fought so hard to get him in the Cinematic Universe, even if he’s only Peter in physical design, with maybe a few good quips. That’s on Sony but that’s another discussion. Created by Stan Lee and designed by Steve Ditko, Peter Parker’s first appearance was in the last issue of horror anthology Amazing Fantasy, all the way back in the 1960s. Lee had tried to get his bosses to let him do the character but they weren’t into him…until Spider-Man got such a strong response that they suddenly loved the idea and Amazing Spider-Man #1 soon hit shelves.

However, there are a lot of problems with modern Spider-Man. There are some things you can trace back to the 1990s but it’s in the 2010s and 2020s that the characters has really started suffering. Recently, Avi Green of Four Color Media Monitor, a comic critique and commentary site that sometimes has articles on Bleeding Fool, located a commentary on the Spider-Man fansite Spider-Fan. At least it was a fansite. While still up as of this writing I can’t find a review after 2015 of the main books and the contributors (that’s plural) only seem to post something once a month to the blog. In June, contributor Adam Winchell posted a commentary entitled “Spider-Man Ends: Or Why It’s Time For Marvel To Hang Up The Webs”, which you can read here for full context as I go over the commentary. With a title I don’t think I have to tell you what it’s about, or how hard it was for someone who writes for a Spider-Man fansite literally called Spider-FAN to make such a statement. So what does he say and how much sense does he make?

Continue reading