My Transformers Universe #3> The Classification Complex

Yes, this is now an official article series. You’ll find all the previous chapters and one important sidebar in the BW Prose library. That’s also where I debuted the fancy logo above.

For new readers (hello and welcome) this started out as me combining the Primus and Quintesson origins into something more science-fiction in format. As I thought more about my issues with Cybertronian history in recent incarnations I started following up on that with a series about how I’d write the history of Cybertron, how and why the war started, and how Transformers functions as robotic lifeforms. None of that pseudo-organic stuff. In the second installment I went into how Cybertronian life works, with how Sparks are created and what components keep a Cybertronian functioning as a living being. No “organs” or “DNA” knockoffs here. Maybe with technorganics, but I’m hardly worried about that right now. We don’t even have a functional Cybertronian society.

To get there we need to dig a bit deeper into how Transformers work both mechanically and as lifeforms. I thought I was going to dig more into the various alternate modes the toyline has produced, since making the toys the source material is important to how I approach the lore. After rereading part 2, I don’t think that’s so necessary anymore. So instead I’ll play with other toy gimmicks and go over different types of transformation, size classes, and a basic overview of functionality that I’ll go over in more detail as we form Cybertronian and Autobot society. [Additional commentary outside of our Chronicler character will formatted this way.] So let’s return to the Chronicler as he tries to explain Cybertronian basic perspectives to his fellow organic beings.

Continue reading

“Yesterday’s” Comic> Yuki Vs Panda #7

I was going to make a bad breath joke for this one, but Yuki herself makes one in the story.

Yuki Vs Panda #7

Duskleaf Media (2023)

WRITER: Graham Misurak

ART/LETTERING: A.L. Jones

Continue reading

BW’s Daily Video> How We Consume Media Has Changed

I’m going to post the video as usual, but here’s a link to the YouTube posting itself if you want to comment (though copy/paste them here because I’d like to see it). It’s that interesting a discussion topic, and I’m not sure where I stand on it just yet. There’s a case to be made both ways. Also: obligatory some cursing warning.

Catch more from Comics By Perch on YouTube

 

How James Gunn Is Telling Us He’s Wrong For The DC Universe

Look, I’m not picking on James Gunn. Am I fan of his work? Not what I’ve been exposed to. I didn’t like his take on Scooby-Doo, the Guardians Of The Galaxy trilogy might have been good but it’s not my style of humor (did he do the supposed Christmas special? I don’t have Disney+), and nothing of what I’ve heard about his take on the DC universe has sat right with me. I have nothing against him personally, nor do I think he’s a terrible director or anything. However, I have said more than once that being good doesn’t mean you’re the right fit for every project. There are characters I love that I couldn’t write for. John Hughes scored a lot of success with The Breakfast Club and…wait, he did National Lampoon’s Vacation? Wouldn’t have called that but there is still the kind of heart deep down that he goes for. However, I wouldn’t call for him make the same movies as John Carpenter, nor the other way around. Some people are just not the right fit for certain projects.

What you have to also understand is that the DC Multiverse is very important to me…or was until Dan DiDio ruined everything. There’s a reason I have a “Death Of DC” category but not one with Marvel, despite Marvel Comics making the same mistakes and failures as DC Comics. DiDio and his acolytes, the latter still writing DC stories under Jim Lee, took everything that made me a DC fan over Marvel (and I still liked Marvel until Joe Quesada and his “lifestyle brand”, Spider-Marriage hating approach) and tossed it out. Heroes were no longer heroic, fought each other like they were Marvel characters (they’re doing their own “Contest Of Champions” nonsense now with DC K.O.! Let’s Be Zeroes event and Absolute Universe, a cheap and grimdark-ier knockoff of the Ultimate Universe), and just aren’t fun anymore. Trying to see it return properly, which I get more from Batman’s talking car show for elementary school kids over the My Adventures franchise, is something I hope to see. Instead we get Aztec Batman, where some of the most vicious people in history get the Maleficent treatment so we can make the Spanish the bad guys. I’ll leave that for the culture war commentators to tear apart. The point is I want the DC universe I grew up with, from the Bronze Age to at least the Super Powers years of Superfriends, back.

It’s debatable if live-action has ever been that, but it used to be good, used to at least feel like a version of the DC universe I could get into and accept. That’s not what James Gunn has been giving us, and a few interviews that came out during my Christmas push and break show exactly why he’s the wrong fit…from Gunn’s own words!

Continue reading

“Yesterday’s” Comic> Sonic Universe #5

“Good thing this comes with hazard pay.”

Sonic Universe #5

Archie Comics Publications (August, 2009)

“30 Years Later” part 1

WRITER: Ian Flynn

PENCILER: Tracy Yardley

INKER: Jim Amash

COLORIST: Jason Jensen

LETTERER: Teresa Davidson

EDITOR/MANAGING ED.: Mike Pellerito

EDITOR IN CHIEF: Victor Gorelick

Continue reading

BW’s Daily Video> Why The Virtuous Hero Is So Important

Catch more from Sonic Theory on YouTube

 

Public Domain In 2026: Who Joins The Free?

featuring new versions of public domain Golden Age heroes Captain Midnight, Commander X, and the Blue Beetle, renamed Blue Scarab to avoid DC copywrite.

It’s a new year and that means new old works have entered the public domain. Now understand there’s a difference between copyrights, which under US law every 95 years older works enter public domain but that doesn’t mean the trademark, which only expires if the owner doesn’t update their trademark, is available. Last year, for example, Steamboat Willie entered public domain. That means the version of Mickey Mouse, Minnie Mouse, and Pete featured in that short and that short alone entered public domain but Disney still owns the characters and you can’t use any other version of them and must make it clear it’s not a Disney product. Or something like that. Law is not my strong suit.

Sound recordings have a longer time period. While other works from 1930 are now free and clear, sound recordings in public domain only go back to 1925. This isn’t counting works that copyrights weren’t protected for. That’s how I do the Golden Age comics on Fridays, because when the company died the stories went into public domain, and in some cases even the characters if they didn’t get bought by someone else, like DC doing the acquisition game long before Disney.

Duke Law’s Center For Public Domain celebrates “Public Domain Day” every year and posted a list of everything now available for use by everyone with caveats and a better explanation of public domain, copyright law versus trademarks. How much of it will be turned into slasher movies by unimaginative childhood haters we’ll have to wait and see. The first link goes to their list, but if you want a more entertaining video with a guy who swears pretty often but not obnoxiously so, the following video by Steve Shives goes over everything available. Famous movies, another member of Mickey’s team and one of his contemporaries (both with asterisks…and both involving dogs), well known kids character  (probably the first slasher addicts’ choices I unfortunately bet), well known music, a tale of war’s ugliness, and more are now free for use. Is something you like on this list?

Continue reading