Jake & Leon #657> Silly Ol’ Serial Killer

Don’t worry. The honey pot is empty.

Hey, I have my priorities.

For example, in this week’s Clutter Report my friends were the priority, and I still found time to do some of my digital declutter. I’m hoping to get this and if I’m lucky one more goal project done before the giant ball comes down in Times Square.

This week brings us more double chapter reviews of Tom Clancy’s Op-Center: Mirror Image and more of the CBS Saturday morning Transformers we never got. As for the rest of the week? With a doctor’s appointment for both me and my dad this week (more priorities), and probably getting more tests done to see what I’m dying from this season, I’ll be glad to make all three posts every day. If I miss something, I have no choice. Hopefully I can finally build the filler buffer once I can stop shopping and seeing doctors for awhile, but regular content is also a priority. That’s the theme for this week.

Also, good news for me, but it might alter Malibu Monday going forward in “Yesterday’s” Comic. You know how I keep complaining about the suggested reading order list I’ve been using? I’ve been really annoyed that it’s keeping me from reading titles with too much waiting time in favor of some alleged chronology-approved reading order I can’t even confirm matters outside of crossovers. It’s been getting on my nerves. Well, I tried again to find a release order list instead, and finally found the Grand Comics Database can give you the proper release order of an imprint instead of reading order. The Ultraverse imprint can be found independent of the other Malibu imprints and titles under their brand, so now I can see when they were released, not just what some person thinks you should read them in.

I’m going to use this to start getting caught up on issues like I’ve been doing with the Friday Golden Age comics, reading comics release in a given month. The week of release might be off as a result but at least I’ll get to read certain comics again. We’ll be playing catch-up the next bunch of weeks until I’m caught up, and will be following their release from here on out. This makes me happy. I’ll try to adjust for crossovers and stuff to get them in the right order, but otherwise I get to read Prime again soon! As for the flipbooks, I’ll read one side one week and the other the following week, in keeping with how I’ve been doing it. Since I’m not buying them, who cares? So maybe I’ll get to actually enjoy THIS reading order!

Have a great week, everyone!

Saturday Night Showcase> Kamen Rider ZEZTZ episode 1

Okay, we’re putting my planned Showcase on hold again, but this time it’s because I get to show you Kamen Rider ZEZTZ!

I previously reviewed the pilot episode when it was simulcast on the TokuSHOUTsu YouTube channel, but that was an unsaved livestream. Now they’ve started putting the episodes up properly like they’re doing for other Kamen Rider shows they have permission to. I don’t know for how long, but as of this writing the first four episodes, the ones that have already streamed in the US, are available to watch. I’m only going to drop the first episode. While the revelations all start with the next episode, the usual two-ep arcs start with episodes 2 and 3. Episode 4, which aired last week, is also there, and episode 5 will stream on Saturday at 7:30 Pacific Time per usual. Or so I imagine. Then again, by the time some of you read this more episodes will be out or they took it down or something. It’s the internet. As for the plot, I’m going to copy/paste from my review:

He is the invincible agent Code Seven, who rescues the famed Japanese idol Nem with rubber bullets (because it’s a kids show in Japan), cool moves, and a cowlick that doesn’t want to go away. He’s amazing…in his dreams. When he wakes up, Baku Yorozu is a loser. Not by choice. He tries to help people all the time, but for whatever reason he keeps getting hurt when he tries, to the dismay of his sister, Minami. This latest attempt, stopping a kidnapping at the job center he’s hoping will find him work, leads to him getting hit by a car…without a driver, and ending up in the hospital. In the hospital, Baku is attacked by a monster formed from a gun…the gun nightmare!

Something strange is happening in this city, not that the police’s paranormal division veteran detective Kenta Mishima can convince the new girl, Rina Onuki. Kenta calls them “nightmares”, monsters formed from dreams with the goal of killing those dreams in the real world by destroying them in his sleeping dreams. Unfortunately for the bad guys, Baku is really good at lucid dreaming, and is given a device by his spy boss in the dream, Zero, gives him a device that transforms Seven/Baku into Kamen Rider Zetez, with the mission to stop the nightmare. What does this all have to do with Nem, and the mysterious Nox that sent the car and the monster after Baku in the first place?

Slight error on my part. The nightmares fulfill the dreams by making them affect the real world, and then take over the host. We learn that in the second episode. Also Zero isn’t just his boss but his motorcycle. There’s a joke there I’m not going to try to figure out. Enjoy the first episode!

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BW’s Saturday Article Link> A “Voyage” For More Episodes A Season

I remember when you had to have at least 16 episodes a season for a kids show. Apparently adult shows got more per season, but streaming has given us seasons with episode counts in single digits and years between seasons. That’s not to a show’s benefit, as showrunner Brendon Braga, whatever you think of his takes on Star Trek, told a Voyager panel during a gathering of Trekkies in Las Vegas recently. It’s part of the reason why fans can’t connect with any recent show very well, because there isn’t enough time to connect to the characters.

CBS Transformers> The First Pitch part 2: The New Decepticon Concept

I would be remiss in my role as chronicler if I didn’t bring up a counterpoint to a previous perspective on why this first pitch, and presumably the one after it, is so far removed from the show we already had with the miniseries and continued to have with the show we finally got. In the comments of part one the owner of the Sunbow/Marvel Archive wrote in to challenge Chris McFeely’s take (which he quoted from Marvel Comics’ Jim Shooter) on why Sunbow and Marvel Productions went with such a radical change. It was his statement (or her–this is the internet and I wasn’t given a name so I’m covering my rear) that Marvel Productions “simply did not have the legal right to look at development work Marvel Comics created for their client Griffin-Bacal, until Griffin-Bacal contracted them to create this network pitch”. So what Jeffrey Scott was doing was doing the best he could with what he got.

I’m not so convinced, mostly because that would have been a really dumb decision on someone’s part. You’d think you’d want your client to see the story they approved for the toys used in the pitch to the network. That same backstory was on the packaging and promotional material already out in stores, plus Sunbow and Marvel already worked on the miniseries, so unless the timeline is really weird they should already know what happened in the first miniseries. This could explain why the second pitch is closer to what the toys were doing, and one change we’ll start seeing here was CBS’s fault, but whose to say Shooter had all the information when he made the quoted comment? I wasn’t there, but I have to at least acknowledge this new data in the name of fairness. In the end you’ll have to decide. We’re here to talk about Deceptions.

Speaking of part one, the backstory tells us that the Decepticons are now all dead, possessing machines on Earth like Starscream did in season 3. I’m not going to compare it to his mutant spark, an idea that started with Beast Wars while season 3 just called it his ghost (his namesake in the early episodes of Transformers Energon also got to be a ghost), and I made my comparison last time to other uses of the idea. The Decepticons would have been the “villain of the week”, which I guess would be their way to get the other toys in despite the Decepticons at the time being fewer in number than the Autobots even without packaging goofs like the red Bumblebee or the car that was neither Bumblebee nor Cliffjumper. (Fans named him “Bumblejumper” for years until Dreamwave officially named him the shortened name “Bumper”, which is a better name in my opinion and now I want one because he was a fun character in that comic.) That’s not the only thing different about the Decepticons in this story. Remember than cannon that was stolen from the Russians in the backstory?

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“Yesterday’s” Comic> Pep Comics #1

How does he get out of that thing when has to use the bathroom?

Pep Comics #1

M.L.J. Magazines (January, 1940)

The future Archie Comics decided to debut their own superhero anthology series. More recent comic fans may recognize a couple of characters from The Mighty Crusaders, namely The Shield and The Comet. I’m not sure what happened to the other characters.

[Read along with me here]

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BW’s Daily Video> Explaining The DCAU Bat-Villain Redesigns In-Universe

NOTE: The video came out in 2023. Teased videos might have come out but the contest is long over.

Catch more from Watchtower Database on YouTube

I’m more bothered by the Riddler’s outfit than the Joker’s redesign, thought that just needed the red lips. The Penguin is an improvement. I hated Burton’s design for poor Danny Devito to be shoved into. He looks closer to his comic counterpart now, and the original character model for him.

l) Penguin’s original design |  r) the awful Burtonized version.

The rest I’m neutral to mixed about.

Being Kenough

Photo by Tara Winstead on Pexels.com

I was hoping to save this in the currently nonexistent buffer I’ve been trying to put together since things settled down but…let’s just say I’m having a bad day and move on.

I am not the target audience for the Barbie movie because I’m a man who used to be a boy. That doesn’t mean I don’t have respect for it as a story fan and toy collector, though. I only played with Barbies once with a neighbor (oddly not with my cousins or even their kids), but I do respect that there’s some serious history behind this toyline created in 1959 by Ruth Handler. Barbie is supposed to be a model/actress/occasional musician, with fellow model Ken as her beau. We’ve seen celebrities date and marry co-stars before. The girl has a whole history with friends and little sisters.

And Greta Gerwig ignored all of it.

Instead she decided to make a story that treats the dreamworld as a problem, pushing for Barbie to enter the real world and learning to be her own person. That kind of ignores the various animated movies, specials, comics, Little Golden Books (they actually used pictures of the dolls for the images), games, and other media that existed for years. It’s a shame because the franchise who once bore the tagline “we girls can do anything” opted to reject Barbie’s world in favor of what appears to me as a weaker message. I could almost get myself to watch prior Barbie content if the story is good. The movie just doesn’t appeal to me and, not surprising for modern Hollywood, seems antagonistic to what your average militant feminist sees in Barbie’s world.

However, some defenders of the movie has actually looked to Ken’s story arc. Instead of the fun-loving boyfriend he and the other Kens (because Gerwig also didn’t notice that Barbie’s world includes guys not named Ken, as if every doll is supposed to be all of Barbie’s world and not just an excuse to sell a new outfit for as much moolah as Mattel can get out of the parents) are basically the purse puppies of the Barbies. That is until he undergoes an actual character arc. It’s not surprising that fellow Y chromosome bearer Literature Devil would focus on Ken’s journey. It does sound interesting, but not enough to get me to watch the movie. Enough out of me, though. Let’s hear from LD.

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