Saturday Night Showcase> Batman Ninja

My dad recently decided to add HBO Max to our limited paid streaming mostly due to the shows he used to watch on the various Discovery channel networks but also some of the older movies they got with TCM. I like some of those as well, but for me it’s the DC shows (since in his lack of wisdom, David Zaslav has opted to take out most of the kids shows, even from his own Discovery offerings, and license a handful to MeTV Toons despite having a poorly scheduled Cartoon Network and the Cartoon Rewind binge streaming channels at his disposal) I’m more excited for. I’ve been watching the Kids WB The Batman at lunch and it’s really underrated.

They also have the direct-to-video movies, some of which is also available on YouTube for me to make Saturday Night Showcase fodder out of. Oddly, while Batman Ninja Vs  The Yakuza League is there, the original Batman Ninja is only up on YouTube and not HBO Max. As I prepare to watch the sequel I thought rewatching the original movie would be fun.

Batman Ninja finds a science experiment transporting the Batman Family and their villains to a feudal Japan world…or actual feudal Japan? I wasn’t quite clear, but these are people from the future of a comic book world. Now our heroes have to collect the villains and find a way back to modern day Gotham City. The odd thing is Batman takes on more of a samurai flavor than a ninja. Perhaps they’re following that one episode of Batman: The Animated Series that tried to say all ninja are dishonorable and the samurai were totally honorable, so Batman is more samurai than ninja. Truth is there were good ninja and evil samurai as well as the opposite. It depends on the clan. That’s really the only hiccup if you’re okay with the animation style.

Apparently the video is currently age-restricted, so by YouTube rules for some reason I can’t embed it here directly. The video as of this writing is more like a link than an actual video. Sorry about that. I don’t get it. It’s not porn, not graphically violent, and I’ve posted videos with more swearing than this movie has. Oh well. Enjoy anyway.

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BW’s Saturday Article Link> A Better Superman/Lois Interview Scene?

One of the scenes disliked by people who saw James Gunn’s Superman By James Gunn is the scene of Lois interviewing Superman about his actions in a foreign country stopping a war but causing an international incident that Lex Luthor used to his advantage in discrediting Superman. The scene in the movie has Superman getting too emotional for critics of that scene. However, recently surfaced was David Coresweat’s audition, which includes doing the same scene with a script reader, played with a more toned down reaction. Would this have been better in context? Because the more I see of this the less I want to actually watch the movie myself.

Meanwhile, a bonus article link. The sequel has been announced talking about a 2027 release date and teaser images (by comic artists) showing Lex in a version of his power suit appearing to be allies with Superman. According to this article, Gunn is saying this is a Superman-centric ensemble piece rather than a direct sequel. Considering that’s what James Gunn’s Superman By James Gunn appears to be, I’d say it actually is a sequel.

Avengers: Doomsday Literally Working Without A Script

Catch more from Web Of Stories on YouTube–and no, it’s not a Spider-Man pun

Why am I starting with this video? This was the so-called “Marvel Method”, though I don’t know how many other Marvel writers worked this way. It’s not a method I could go along with, but it seemed to work for Stan Lee at least. His artists I’ve only seen Jack Kirby talk about, and it was describing it alongside Stan. It does call for a lot of trust between your writer and your artist, or at least the penciler. Then you have a separate inker you have to hope he or she goes along with it. This is an odd way to make a comic. That’s with two or three people.

A movie requires many, many more than three people.

Tell that to Kevin Feige. He’s calling what his people have done in recent Marvel Studios productions as the “Marvel Method”, also referred to in the movie business as “plussing”. The short version from Google AI is “In essence, the Kevin Feige Marvel Method is a dynamic and collaborative storytelling technique that uses ongoing script refinement during production to create the best possible film, and it remains a core component of Marvel’s creative process”. This is no way to run a railroad.

Now comes Avengers: Doomsday, made by the Russo Brothers because it was a requirement to get Robert Downey Jr. to return to the MCU as a completely different character instead of the one we want him to play. According to many of the people spoken to, like the actors, there is no set script yet. The movie is already filming scenes…and there’s no script, or at least not one the actors have seen. Many times the actors aren’t even speaking to the other actors in a scene even if the bit isn’t involving some sci-fi communication method. This is no way to run a railroad, and we can already see the train wreck coming.

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“Yesterday’s” Comic> Fight Comics #1

Well, the cover certainly matches the title.

Fight Comics #1

Fight Stories, Inc (January, 1940)

Another new comic and the only think I know to expect are no superheroes but still fights. At least if the title is honest. I’m going to assume every story will have at least one fight in it. Might make for Four Color Combat fodder, but we’ll see as we get into the nine stories in this comic.

[Read along with me here]

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BW’s Daily Video> The Wizard Of Oz’s Production Hell

Catch more from The Critical Drinker on YouTube

 

A YouTube Clip Does Not A Movie Make

“Hey, I found a clip of Ironheart fighting a giant fire-breathing gorilla.”

“I saw it. Don’t know the context though.”

“Who cares? Giant fire-breathing gorilla!”

“Yeah, I’m rooting for him, too, but how was he muted from Rocket Raccoon?”

“Does it really matter?”

Yes. Yes it does. Before I go off on the latest stupidity from Marvel Studios I wanted to put this rant together not just for added context but because I might want to refer to it in the future. I’ve mentioned this as a problem with comic writers, but it seems to be worse in movies. I can’t even call it new. Jon Peters wanted to have a giant spider because he saw a documentary about how deadly a predator a spider is. When he couldn’t get Superman to fight it, he got race-swapped Jim West to find it. (The worse crime isn’t Will Smith playing Robert Conrad’s character, it’s replacing Dr. Loveless, a little person recurring villain in the show, with an exaggerated Southern racist jackass stereotype in a steampunk wheelchair. Michael Dunn should be insulted.) Michael Bay probably only took on Transformers to live his dream of cutting a bus in half. (Yes, he actually said he always wanted to film that scene.)

I’m not even going to do my own exaggeration and say something stupid like “the majority of movies out there seem to just be movie clips with a framing device”. The Epic Movie franchise is only that in parody form, because someone decided to make a parody movie franchise out of movie trailers and it’s as dumb as it sounds. That doesn’t mean it isn’t happening, or that other media is doing the same thing. It’s like they’re forming a whole movie around one particular scene they want to make. This is a stupid way to make a movie.

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“Yesterday’s” Comic> The Circus #1

“How much do I get paid for this?” “Money. You’re hilarious.”

The Circus #1

Markosia Enterprises (2019)

WRITER: Joseph Browder

ARTIST: Juan Manuel Almirón

LETTERER: Ian Sharman

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