Today’s Comic> Monarch Of Manhattan #1

“He was wrong. I can’t see my house from here. Then again my house is in another dimension.”

Monarch of Manhattan #1

Visionary Comics (2025)

“The Arrival book 1: Enter The Hero”

WRITER/CREATOR: C. Edward Sellner

PENCILER/LAYOUT: José Avilés

INKER: Rudi Sucipto

COLORIST: Paul Little

COVER ART: Azim Akberali

LETTERER: Jacob Bascle

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BW’s Daily Video> Marvel Can’t Keep Making Movies Like This

Catch more from Disparu on YouTube

No BW Feature Article Tonight

Well, looks like everything that’s been going on this month finally got me. I just couldn’t put together an article for tonight. We’ll try to keep the rest of the week going, I still have to write one more comic review, and the daily videos are all set. Tonight putting something up wasn’t an option for me. Sorry, but priorities exist above the site right now, and I used up all my buffers.

It did show me that the “evergreen topic” buffers are a great idea, and I’m going to have to try to build them up again, with commentaries and article series that aren’t controlled by current events, and like the old filler comics or filler episodes I can have a bit of clearance to put out better content.

Hopefully we’ll do the commentary/review thing tomorrow.

“Yesterday’s” Comic> Sonic The Hedgehog #105

“Umm…he went that way. Really, REALLY big guy. If you hurry you might catch him. I’m a little girl.”

Sonic The Hedgehog #105

Archie Comics Publications (March, 2002)

EDITOR: J.F. Gabrie

“You Say You Want A Revelation?”

WRITER: Karl Bollers

PENCILER: Ron Lim

INKERS: Pam Eklund & Andrew Pepoy

COLORIST: Josh & Aimee Ray

LETTERER: Jeff Powell

Downunda Freedom Fighters: “Myth Taken Identity” finale

WRITER: Michael Gallagher

ARTIST: Nelson Ribeiro

COLORIST: Frank Gagliardo

no letterer credit

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BW’s Daily Video> How Powerful Is Plastic Man?

Catch more Trick Theory on YouTube

Godzilla’s Heroes (or the “guardian monsters” of the Showa era)

I come from a time where Godzilla being one of the good guys was nothing new. The movies primarily produced in the “showa” era of Japan’s history owes a bit to business decisions. Kids really enjoy giant monsters smashing buildings and fighting each other. So that’s what Toho gave them, using their most popular monster to do so. However, they reasoned Godzilla should become a good guy, a guardian monster for the kids to cheer on, as definite good and evil forces were created, usually aliens from space and one undersea kingdom. And one terror group we never seem to remember because their monster was a giant crab.

A lot of newer Godzilla fans hate this. “Godzilla should be the bad guy, the threat to Japan inspired by the atomic and now nuclear explosives or payback for Japan’s sins.” Well, Godzilla was a threat but not necessarily evil. With a few exceptions in later continuities, Godzilla’s biggest issue was that he didn’t like walking around things, joined by his willingness to fight to retain his “king of the monsters” title. He didn’t hate humans so much as he didn’t care unless they started shooting at him or using his dead relatives as giant robots. Then he hated them.

Just for some interesting filler I wanted to put together a full list of the showa period guardian monsters. I don’t think they necessarily formed a battleline outside of their battles with Ghidorah, not a lot of team-ups. Still, when it came to protecting the earth from space monsters and robots from a black hole, these were the kaiju you called.

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“Yesterday’s” Comic> The Peacemaker #3

I want to make a joke but I just heard about what happens at the start of season 2, and I don’t do that kind of gag.

The Peacemaker #3

Charlton Comics Group (July, 1967)

WRITER: Joe Gill

“Our Future World”

ARTIST: Patrick Boyette

EDITOR: Dick Giordano

The Fighting Five: “Special Prisoner”

PENCILER: B. Montes

INKER: E. Bache

LETTERING: A Machine

[Read along with me here]

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