“Yesterday’s” Comic> Prototype #9

My money’s on Prototype.

Prototype #9

Malibu Comics/Ultraverse (April, 1994)

“Prototype Unplugged”

WRITERS: Tom Mason & Len Strazewski

ARTISTS: Roger Robinson & Jeff Whiting

COLORING: Keith Conroy & Violet Hues

LETTERER: Tim Eldred

EDITOR: Roland Mann

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BW’s Daily Video> How Comic Books Are Made

Catch more from INDUSTRIA on YouTube

They lean heavy on the traditional, but that’s basically how it’s done. Unless you’re making a webcomic like I do. Then you find a place to upload the images (if you’re doing it on a webpage or an online reader, depending how that works) or PDF/CBR file (your preference for the digital download) and get your comic out. Personally I never use a script or the thumbnails because the story runs in my head until it’s laid out, but I haven’t done a full length comic in years. Also, the tablet (I use a Parblo A610 currently) is the tool. Clip Studio Paint (which I also use, though other some artists use other programs) is my program of choice since it was Manga Studio 5 before the addition of limited animation tools. Finally, the video seems to put blame on the letterer for blocking the art than the artist leaving room for the word balloons and sound effects. Both are a mistake, but it’s not always the letterer’s fault.

BW Programming Note> We Might Be Spotty For A While

So no comic this week. I’m just not in a (what passes for) comedic mood at the moment and I have distractions taking priority. That’s why I took time off from The Clutter Reports this month because I have places besides BW HQ to be for a while. I’ll be lucky if I can keep up with content here, and I still had to use up a couple of buffers before I really build that up. So don’t be surprised if there’s a day without one of or all three of the weekly posts missing. Comics will return when I get a chance to come up with something, write it down before forgetting it, and then making the comic. You wouldn’t think four panels would take long to make, but it depends on the comic and how tired I am the days I have something to make.

I should at least get the next chapter of Tom Clancy’s Op-Center: Mirror Image. (Just one this week after all, which right now is good for my time crunch.) When I finish this I’m going to clear out my filler video backlog just so I don’t have to worry about that (there’s more there than the filler article buffer) and work to get comic reviews and some kind of content out. I’m really hoping everything gets better this week because for all I wrote here, I’m not the one actually suffering right now, hence my vagueness in this sphere, though I’ve been through it and thankfully his isn’t as bad. Prayers welcome. I’d like to get him home this week.

So apologies if there’s a day without a post, but priorities rise above the site. I’ll do what I can if only to distract myself, but I miss a post or a full day, there’s nothing I can do about it. I’ll hold on and build a buffer the best I can. Also, I found out what my next pre-production story bible series is going to be, so when things stop being crazy that will come up. I might have a preview this week from another source. In the meantime, have a great week, everyone!

Saturday Night Showcase> The Three Doctors (Who)

Just because they’re available and it’s easy for me to drop them in now and deal with other distractions, the next three weeks will show off the three anniversary Doctor Who crossovers. I don’t have “Time And The Doctor” from the new series available to me and the charity crossovers are either short, a parody, or whatever the hell Dimensions In Time was.

Of the three official crossovers, you’ll note that they all have the second Doctor, Patrick Troughton, reprising his role. This is interesting given his adventures take place as he was on the run from the Time Lords still, but the later Time Lords were somehow able to find him and recruit or kidnap him into the story.

Tonight’s story is where it began, the 10th anniversary special “The Three Doctors”. At the time, Jon Pertwee was the active one, the Third Doctor. It’s also the first appearance of Omega, a lost Time Lord who basically created the power source Time Lords use to travel through time. You might think you remember him from Ncuti Gatwa’s recent stories, but as you watch the episode you will realize you don’t and Russel T. Davies screwed the depiction up royally. This would also be the last appearance of William Hartnell as the first Doctor, trapped in a time eddy because the same health issues that caused him to leave the show were still in effect, if not worse, so advising his future selves was all he could do. It set the standard for future crossovers in different media. Enjoy

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BW’s Saturday Article Link> The International Manga Recruitment Competition

Have you always wanted to work for a Japanese comic/manga company but aren’t Japanese and have never been to Japan? Well, thanks to the slow suicide of low birth rates in the Land Of The Rising Sun and the dwindling talent pool that comes with it, Kadokawa is taking advantage of fans who love to draw and write comics in the Japanese style and format to create the International Wordless Manga competition. The winners will get money and a chance to work with one of the biggest manga publishers in Japan through the power of the internet. It works for US comic companies, so why shouldn’t comics that actually sell try to recruit new creators that way?

[Filler Video] Why Girl-Bosses Suck

Look around this very site and you will find numerous of strong female heroes I grew up with. These heroines range from superheroes to sci-fi to the lone post-apocalypse story I actually enjoy. I have nothing against strong women taking the lead and kicking butt in their own way. It’s when they do it like a man would, or rather a poorly written male hero, that I get disappointed. I like seeing what they bring to the table that separates her from the guys.

We live in a time when writers are either afraid to make a female character struggle because of backlash from certain groups, or refuses to have them struggle because they’re part of those groups. This leads to a character so strong that she’s boring to watch, which when done with a male hero is still that boring.

In the following video, which if you’re reading this means I needed to get something out there due to no article ideas of not being able to work on anything in time for posting due to life, Literature Devil on YouTube digs into the evolution of the Mary Sue into a “girl-boss”, why they make for terrible or boring heroes, and gives us examples of heroines who did it better by being great characters instead of power fantasy stereotypes meant to represent the entirety of womanhood…ignoring those women both creative and in fandom who hate those characters. The video is an hour long, with some mild swearing, so have a seat and send the kids out, then read my own thoughts, with my own examples of this done right.

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“Yesterday’s” Comic> Fantastic Comics #2

That’s not how the Heimlich maneuver works.

Fantastic Comics #2

Fox Publications, Inc (January, 1940)

I was rather neutral towards the previous issue. Some stories were okay, and only a few were actually enjoyable. I’m hoping things improve with this issue, but it just be more of the same thing. After all, I had to double check my review, so nothing was all that memorable off the top of my head. Will that take it out of the review cycle or is there something that will keep me coming for the next issue? Let’s take a look.

[Read along with me here]

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