“Yesterday’s” Comic> Funny Pages vol 4 #1

Like I said, archers are a requirement in superhero universes.

Funny Pages volume 4#1

Centaur Publishing (January, 1940)

I don’t know if any of you actually do read along with these reviews (stats are not promising on that front) but it should be noted that this one is not in the best condition at Comic Book Plus as of this writing. These are old comics and the fact that someone saved enough of these to make sites like Comic Book Plus and the Digital Comic Museum is amazing. Imagine losing these comic history artifacts. So if anything is missing, like a page or a panel or a bit of text, the fact that it exists is still pretty darn cool. I haven’t read the comics where I know something was taken out for whatever reason, but I’m hoping there’s enough here to do a proper review. Just wanted to give you guys a heads up if you wanted to check these out yourselves.

[Read along with me here]

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BW’s Daily Video> The Rise And Fall Of Comico The Comic Company

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I always pronounced it more like “Comic-O”, because it was a comic company.

Disney’s “Man Problem” Isn’t DEI, It’s SEECA

With the distractions I’ve had this month, I’m late to the game in discussing the recent Variety article that made the rounds, “Disney’s Boy Trouble: Studio Seeks Original IP to Win Back Gen-Z Men Amid Marvel, Lucasfilm Struggles“. (The continued belief that younger audiences have all the money and none of the sense.) Of course, everybody who’s anybody has already dissected this article and it’s questionable statements. Some came from the culture war conspiracy angle, others from a more creative or business perspective, but there’s one think they all agree on: Bob Iger’s people done screwed up, son.

Of course it’s easy to blame the Diversity, Inclusion, & Equity crowd for the failings to hold onto male audiences. While this primarily means the straight white males, it also includes males of color who see more about themselves than what crayon God colored them with, gay males who don’t attach the totality of their identity to whom they love/sleep with, and even the women they claimed to be going after who also have more going on in their lives than the militant feminists who attack femininity and actually like being women. I just complained about them, and this isn’t even a culture war blog, but the activists have forced their way into conversations about making cupcakes by this point. “Why are the black cupcakes ‘devil’s food’ and the white ones ‘angel cake’?” Even a lousy ad for pants or the usual corporate logo nonsense are touch points in the culture war, and sadly before this article is over I will have to delve into that.

On the other hand, while everyone in my circles are up in arms about DEI, ESG, BRIDGE, and every other far left acronym out there, I’d like to propose a new one at the risk of being part of the problem: SEECA. As Disney was seeking a brand to attract male audiences, they sought to take over Marvel and Star Wars. First, let’s be honest. While Disney is primarily known for Mickey Mouse and company as well as princesses, it’s not like they never made anything that targeted boys. Pete’s Dragon, The Black Hole, Gargoyles, a good chunk of The Disney Afternoon‘s lineup, and Toy Story featuring more boys toys are good examples. There are also stories that tried to give both genders a good showing so they could watch together, and most of Disney’s productions in the 20th century were made for families, not just kids. We could easily separate Disney’s properties pre-Iger alone, including TV movies only I remember existed. (You can keep Jack Sparrow; I’d rather see Black Jack Savage again.) However, “girls brand” is how Disney is perceived and why they went after Marvel and Lucasfilm…and then proceeded to make them girl brands for girls who aren’t interested in the original product because entertaining the women who already liked it would mean still catering to boys.

So what does this SEECA acronym stand for? Let’s go over it one letter at a time, and if you’ve been here long enough you may already figure out where I’m going the moment you see the name.

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Today’s Comic> Monarch Of Manhattan #1

“He was wrong. I can’t see my house from here. Then again my house is in another dimension.”

Monarch of Manhattan #1

Visionary Comics (2025)

“The Arrival book 1: Enter The Hero”

WRITER/CREATOR: C. Edward Sellner

PENCILER/LAYOUT: José Avilés

INKER: Rudi Sucipto

COLORIST: Paul Little

COVER ART: Azim Akberali

LETTERER: Jacob Bascle

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BW’s Daily Video> Marvel Can’t Keep Making Movies Like This

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No BW Feature Article Tonight

Well, looks like everything that’s been going on this month finally got me. I just couldn’t put together an article for tonight. We’ll try to keep the rest of the week going, I still have to write one more comic review, and the daily videos are all set. Tonight putting something up wasn’t an option for me. Sorry, but priorities exist above the site right now, and I used up all my buffers.

It did show me that the “evergreen topic” buffers are a great idea, and I’m going to have to try to build them up again, with commentaries and article series that aren’t controlled by current events, and like the old filler comics or filler episodes I can have a bit of clearance to put out better content.

Hopefully we’ll do the commentary/review thing tomorrow.

“Yesterday’s” Comic> Sonic The Hedgehog #105

“Umm…he went that way. Really, REALLY big guy. If you hurry you might catch him. I’m a little girl.”

Sonic The Hedgehog #105

Archie Comics Publications (March, 2002)

EDITOR: J.F. Gabrie

“You Say You Want A Revelation?”

WRITER: Karl Bollers

PENCILER: Ron Lim

INKERS: Pam Eklund & Andrew Pepoy

COLORIST: Josh & Aimee Ray

LETTERER: Jeff Powell

Downunda Freedom Fighters: “Myth Taken Identity” finale

WRITER: Michael Gallagher

ARTIST: Nelson Ribeiro

COLORIST: Frank Gagliardo

no letterer credit

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