BW’s Daily Video> How Hollywood Silences Criticism & Why We Need To Speak Up

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Jake & Leon #646> Uneasy Fix

To fix it or because she has a spaceship?

Over at The Clutter Reports this week the digital declutter continues I started clearing up my browser bookmarks. So many redundant links and a mess of a layout. I fix.

This week, outside of the Independence Day posting, should be like any other. We have the next installment of the Chapter By Chapter review of Tom Clancy’s Op-Center: Mirror Image and the second half of the Doctor Who early background notes, which will be a day early because discussing British media on the day celebrating our break from the British seems odd for this American. Otherwise, it’s the stuff you expect to see.

Have a great week, everyone!

Saturday Night Showcase> Shinsei Galverse

Gyaru, pronounced like the English word “gal”, is a subculture that began in the 1990s to challenge traditional beauty norms in Japan. It leads to a very tanned look (some more than others from what little I’ve seen) and a lot of make-up. I’ve nothing against the culture as a whole but let’s just say some looks work for me more than others.

1990s is also considered a peak time for anime, at least for the nostalgic. Some of my favorite anime came from the 1970s and 1980s, like most of my US nostalgia, but there were some good 90s anime. This was before computers became a tool, and many older “otaku” (which carries less stigma in the west than it does in Japan) look at the cleaner lines of today’s anime and don’t really care for it. I’ve discussed this in the past. The question is whether or not 90s style art and writing could be done in the 2020s.

Enter artist Ayaka Ohira. Coming from fashion circles and 90s nostalgia, she decided to blend the two in order make Shinsei Galverse, a crowdfunded OAV style animation that recently dropped on YouTube. It tells the story of Planet Mother, the center of peace in the galaxy, that was destroyed because it was too peaceful and the bad guys hate peace because 1990s inspired. 8,888 (I’m not sure if that number is significant) sharda form into Gyaru adorned women called “Galverse”. One of them arrives on a planet in the middle of a war without her memory. So someone she meets there (the press material goes with “they” and since the Galverse are all referred to as female someone either forgot to list Ring as male or Ohira wanted Ring to be nonbinary or something…I don’t really know) gives her the name Zero. In turn she helps protect the children…even from one of her own kind and the evil organization behind Planet Mother’s destruction.

I’ll have a few more notations after the video, but for now check it out. Note that you’ll have to turn on closed captions and set them to your preferred language for subtitles, as it’s in Japanese with no dubs. Enjoy.

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BW’s Saturday Article Link> The Unfaithful Mirror Of Malicious Storytelling

There’s good storytelling, bad storytelling, and malicious storytelling. I love one line that author Caroline Furlong quotes in this article on how malicious storytelling highlights the limits of writing something off as “just a story”, when she refers to the “unfaithful mirror” of some modern young adult novels (and a few DC graphic novels I could point to by some of the same novelists looking for a resume, new audience, or a paycheck). She also points to good and bad stories for adults and the difference between bad stories and malicious stories.

Doctor Who 1963 BBC Reports & Notes> Background Notes On Dr. Who part 1

There’s a longstanding debate on whether “Doctor Who” is just the name of the show or the proper name of the Doctor. We won’t get into that this week.

We will, however be looking at the characters’ original concept. In our last report we saw the archetypes for what characters to have in the show, something that we kind of got for most of the Third Doctor’s run as I came to realize while writing the previous installment–just as I realized a few minutes ago I wrote the name of this article series wrong on the series title card. I’m not a professional, but I try to act like one!

Anyway, much like the Star Trek pitch, character names in this early concept on what has finally gotten the proper show name do not match what we got. I’m not sure how far into production these notes came together and I still don’t have access to a proper writer’s guide for any season of the show. This report, “DR. WHO” General Notes on Background and Approach, is the closest we’re going to get. And it must be really early because Sydney Newman has “handwritten” notes for pretty much everything. The TARDIS Fandom wiki has the proper timeline of events for production in 1963, or at least I hope they do. If I follow the information, this came out in May and was prepared by Head Of Serials Donald Wilson, staff writer C.E. Webber, and Head Of Drama Sydney Newman, submitted to Donald Baverstock.

Baverstock is a new name in this production chain, controller of BBC Television at the time. And somehow it doesn’t surprise me that “controller” is a title at the BBC. Apparently he really wanted this show to happen, despite previous reports either seeming to be against science fiction altogether (media snobs have looked down on sci-fi for decades) or going against a bunch of things that are Doctor Who staples, like the young girl, time travel, and the focus on the monsters. He also controlled the budget, and I get the feeling we’ll be talking about him more in the wrap-up article.

For now, though, let’s read the report, Newman’s notes on pretty much everything, and look into the Doctor Who that might have to see if we’re living in the better timeline. Again, check the prologue to see how to pick these up for yourself. As you can guess from the headline, this is not going out in one goal. The original full article was almost 5000 words and I’m not going to take up all that time. YOU don’t have a TARDIS. I assume. So let’s start our journey by seeing what the cast would have looked like.

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“Yesterday’s” Comic> Smash Comics #5

This is when Hugh knew Bozo was watching too many old Crocodile Hunter episodes.

Smash Comics #5

E.M. Arnold (December, 1939)

I’d be surprised in an anthology comic like this was 100% amazing. With different stories barely sharing a genre you know something is going to fall off. On the plus side that means if enough stories work by shere numbers you win. On the downside, if there are only one or two stories you get into you end up losing those stories because the rest don’t live up to the price when there are a bunch of other comics, some of which aren’t public domain and I’m not even doing every series Comic Book Plus has. Back then there were a bunch more options begging to take that shiny dime off of you when 10¢ was actually worth something.

So far this series has had more hits than misses. Time to see if they end the cover year continuing that trend. This probably didn’t come out in December thanks to weird cover dating comics still does today, so I’m not expecting any Christmas stories. We haven’t had any from the December dated comics so far.

[Read along with me here]

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BW’s Daily Video> The Dalek Conspiracy

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This was before Disney Who, which didn’t have Daleks in Ncuti Gatwa’s time as the Doctor.