Chapter By Chapter> Tom Clancy’s Op-Center: MIrror Image chapter 48

Chapter by Chapter features me reading one chapter (or possibly multiple chapter for this one) of the selected book at the time and reviewing it as if I were reviewing an episode of a TV show or an issue of a comic. There will be spoilers if you haven’t read to the point I have, and if you’ve read further I ask that you don’t spoil anything further into the book. Think of it as read-along book club.

I wonder if the next Tom Clancy book I do shouldn’t be done in chunks. I’m not sure it’s the format, where unless they’re short I only do one chapter at a time, but for a book this long it feels like it takes forever. In this format I already take a few months to review a book but I started this book in August of last year and here we are in June of this year and I’m still not finished. I’m already long out of ways to intro these chapters without spoilers and I think I’m losing interest, what with all the padding.

Last chapter we checked in with Capitalist Op-Center and now it’s back to Commie Op-Center. Will Orlov continue to be the hero Russia needs? Let’s just get on with it.

Tuesday, 5:29 PM, St. Petersburg

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“Yesterday’s” Comic> The Strangers #11

The cover includes the text "the end of the world"...

…and it turns out I don’t feel fine.

The Strangers #11

Malibu Comics/Ultraverse (April, 1994)

“Detour”

WRITER: Steve Englehart

PENCILER: Rick Hoberg

INKER: Tim Eldred

COLORING: Moose Baumann & Prisms

LETTERER: Dave Lanphear

EDITOR: Roland Mann

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BW’s Daily Video> Hollywood Girl Bossed Too Close To The Sun

Catch more from Nerdrotic on YouTube

For those of you who didn’t watch, he does acknowledge the days when female heroes and female led action, sci-fi, fantasy, and crime stories were actually good before the current era of flat-persona women who maybe trips once and that’s called a flaw or struggle. You know, what would be weak if it were a male character. Turns out it’s weak for everyone. I have lists of my favorite heroines on this very site if you don’t believe that. Hollywood is too afraid to make a “girl” struggle even when the creators aren’t socially and politically motivated out of fear of women who aren’t going to see the movie anyway, and losing both the men and women who liked it the way it was and don’t want these replacements.

Jake & Leon #645> Spaceballed

I’m wary, but I want to be hopeful for something.

We’re about to find out if modern Hollywood has ruined Mel Brooks and this scares me. We’ve lost too many heroes.

Over at The Clutter Reports this week, I didn’t come up with this comic until late in the week, after the teaser dropped, so I managed to do some minor digital decluttering while getting the above done.

This week we have another chapter of Tom Clancy’s Op-Center: Mirror Image to review, and the Doctor Who BBC Notes & Reports starts getting to the good part with the early concept notes for the show we came to know and used to love. We get to see how this show evolved behind the scenes. I’m not sure if I can do this all in one go, and there’s two more reports to go after this.

Have a great week, everyone!

Saturday Night Showcase> The Storyteller

Jim Henson should be known for more than the Muppets, as much as we love Kermit, Big Bird, and the friends who remain with Jim Henson Productions. The “show Muppets” are now the prisoners of Disney while the Sesame Street Muppets are now owned by Sesame Workshop, the former Children’s Television Workshop.

The show Muppets used to be part of another show on NBC, The Jim Henson Hour. Hosted by Jim Henson and his lion friend, Muppet Television took the Muppet Show concept to a TV show. However, this was only one half of the show. The other half was usually filled by The Storyteller, originally a series of specials on NBC, the show followed the tales told by the titular Storyteller, portrayed by John Hurt in heavy makeup, as he told tales based on lesser known European folklore to his talking dog, simply known as Dog. Originally the Storyteller was going to be a puppet as well, but the makeup apparently looked better. The show had been inspired by Jim’s daughter and his son performed the dog, making this a family affair.

The was less like the Muppets, with the wacky comedy, and more like other works he tried to push the boundaries of puppetry with, like The Dark Crystal and Labyrinth. It’s a shame such productions are rare as he really showed how a well told story would make you forget these aren’t people, but are still operated by people. There was another story that I thought was part of this series, but apparently Monster Maker, a modern day story of a boy inspired by one of the puppets his mentor made, was not part of this series, but a stand-alone tale for The Jim Henson Hour. I’d like to see that again.

While I usually start with the first episode, I’m going to the third, as it gave Hurt a chance to do more than narrate. “A Short Story” is a tale from the Storyteller’s own life…allegedly. A beggar who made a living telling stories, a bit of con artistry gets him in trouble with the chef. Becoming the king’s storyteller for a year was his only chance at salvation…but what to do when you run out of stories on your last day? The Storyteller would also have a cameo appearance in story for the episode “Hans My Hedgehog”, but while that’s the first episode I thought this would be more fun. Enjoy.

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BW’s Saturday Article Link> Bad Superman Choices In Comics

None from me, either.

While this article from The Superman Homepage includes a video with the same wording, the video’s volume is so low that I went with the article. The writer goes over “Superman’s 5 Biggest Comic Book Story Failures (And Why They Matter)”. This includes Jon Kent, giving up his secret identity, and giving up his US citizenship, all things I’ve complained about multiple times. The writer and video host also goes into WHY these and the other two were bad ideas and how they negatively affected Superman’s stories. Prepare to hear “DC eliminated years of potential storytelling” quite a few times. Make it a drinking game.

Doctor Who: 1963 BBC Reports & Notes> The Follow-Up Sci-Fi Report

The examination of the first of the reports that led to the creation of Doctor Who took two articles [PART 1|PART 2] I think we can get this one in one shot.

Following the supposedly incomplete timeline at the TARDIS Fandom wiki, in late May Donald Wilson (Head Of Serials at the BBC in case you forgot) asked Alice Frick to do a follow-up report, this time working with John Brayborn. I have no information on who that is. Eric Maschwitz, Head Of Light Entertainment and the one who pushed for the first report, requested a follow-up. I don’t know if it was Wilson or Maschwitz who asked for a review of potential sci-fi works to adapt but that’s what the report was.

I don’t know that any of the stories in this report ever were adapted for the BBC but after skimming it I found it interesting how many elements made its way into the Doctor Who we know and love, if not at first then certainly as the original show went on and it went from using mild sci-fi horror to get kids interested in history and science to just a way to scare kids like an early Goosebumps. There’s also a comment that’s always been credited to Sydney Newman that makes its debut here. You know, the one that would have killed the show’s biggest villain had they followed it. Let’s start reading, and remember the link to all of these are in the intro article to this series.

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