You could always call the Ghost Busters. Except the first ones won’t show up until 1975.
Captain Atom vol 2 #82
Charlton Comics Group (September, 1966)
“Captain Atom Vs The Ghost”
WRITER: Dave Kaler
PENCILER: Steve Ditko
INKER: Rocke Mastroserio
LETTERER: Jon D’Agostino
no colorist or editor credited
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That Park Place has a summary of Daily Beast‘s early review. Is it a sabotage attempt? Maybe. That doesn’t mean I’m not going into this movie with my own concerns, and I’m certainly no defender of the Snyder movie that doesn’t even want to use the name “Superman” at any point in the movie. However, with so much focus on James Gunn’s directing in marketing, Gunn stating that he never really understood Superman, leaked plot points pointing to his career and issues with critics framing the focus, saying The Flash was a great movie, his general directorial style, working with Tom King to adapt his questionable take on Supergirl, stuff I’ve seen in the trailers, and even breed swapping Krypto to his dog, I’m not going into this with a positive attitude. Which was also what happened with Man Of Steel. At best I expect to say the same thing about Superman: Legacy that I did about Man Of Steel: a decent superhero movie but a bad Superman adaptation. I hope to be proven wrong, but we’ll see.
In our last installment we checked in with the Op-Center crew as they tried to figure out how Striker can save the world without causing an international incident.
Speaking of Striker, we’re checking in with the undercover pair. We know the bad guys know they’re there but our heroes don’t know their cover is already blown. That tends to be a problem for the good guy agents in this story. I would question whether or not the bad guys are responsible, but they’re killing people instead of capturing them and deporting them back to whatever country they’re spying for, and Fields-Hutton wasn’t there to kill anyone. He was just investigating Commie Op-Center, so they could have sent him home. I don’t even think they sent the body home as a “warning to others” or something. So they’re evil at any rate.
As for George and Peggy, will they go home and how? Will Peggy get payback for Fields-Hutton? Probably not in this chapter, but let’s check in with them and see how they’re doing.
This is the part where some reviewers claim they won’t kink shame people. I’m not one of those reviewers.
The Night Man #5
Malibu Comics/Ultraverse (February, 1994)
“Alone”
WRITER: Steve Englehart
PENCILER: Kyle Hotz
INKER: James Minor
COLORING: Tim Duvar & Foodhammer!
LETTERER: Dave Lanphear
EDITOR: Roland Mann
At least I have something going for me.
Over at The Clutter Reports this week I had things other than writer’s block getting in my way but I did manage to complete my browser bookmark reorganizing. Now I just need to go through the various links on my browsers for a deeper dive. I hope to work that into my current routine, as I finally seems to have the beginnings of a routine. Now if I can avoid dealing with medical stuff, mine or my dad’s, for awhile I might get into a proper routine. Guess what’s not happening anytime soon!
Somehow I’ll try to get all the comic reviews in, since they’ll be missing for my birthday week despite my goals, the Chapter By Chapter review of Tom Clancy’s Op-Center: Mirror Image, and looking at the last of the documents for the Doctor Who 1963 notes and reports. Otherwise I’m hoping to save my buffer for the birthday week if I need it and not have to do anything. Maybe I should have made it this week, but it’s too late now. Maybe I’ll even have comic reviews for next week. We’ll all find out next week. At least we have the full schedule this week.
UPDATE: So it turns out I’m done with December, 1939 when it comes to Golden Age comics. This week begins January, 1940 based on the Comic Book Plus “virtual newsstand”.
Speaking of which, have a great week, everyone!
Yesterday was Independence Day. If I waited until next year it would be right on Saturday Night Showcase, but who knows what I’ll be doing next year?
Liberty’s Kids is a 2002 PBS series made by DIC Entertainment. It was rare that a major animation company (there are so few of those left as all the only big name studios of the pass still around are Disney and Warner Brothers, and Disney is barely an animation studio these days) produced something for PBS. Usually it’s the smaller studios, which isn’t a slam. Some of those are quite good but DIC was one of the biggest TV animation studios of the time. Their library is now owned by Cookie Jar Entertainment…or I guess Wildbrain now? I can’t even track of all these acquisitions anymore.
The show focuses on three kids working for Benjamin Franklin’s printing company as the Revolutionary War takes place. The focus character is Sarah, a British girl who slowly begins to agree with the colonies’ desire for freedom. Her proper ways clash with would-be journalist James, who is protective of his friends. The last member is the obligatory “happy go lucky” member, Henri, a young French boy. The show lasted one season and featured a few celebrity voices. For example, newsman Walter Cronkite voices Benjamin Franklin.
In this two-episode pilot, the war begins just as Sarah comes to the colonies to meet up with her father. What is the biggest war: colony versus King George or Sarah versus James? Find out and enjoy.
The Clutter Reports (my other site) Atop The Fourth Wall Crisis On Earth Prime Lean Into Artcast Bully Says “Comics Oughta Be Fun” Siskoid’s Blog of Geekery
Cartoon Hero’s Lair SF Debris Four Million Years Later
BW Media Spotlight 
BW’s Daily Video> Agendas, Comics, And More Agendas
NOTE: Perch swears quite a bit in this one.
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Posted by ShadowWing Tronix on July 7, 2025 in Comic Spotlight and tagged comics, commentary.
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