I’m still trying to fathom how Nolan never considered an “Iliad” adaptation before jumping to this one. I’d think today’s audiences would be interested in a moral quagmire war where principles are constantly being questioned and compromised in irrevocable ways.
Also, I bought a translation of Iliad/Odyssey recently, and leafing through the somewhat scholarly introduction, the point is repeatedly made that the versions of these stories we read are interpretations of long-standing oral traditions that were themselves fundamentally altered every time they were told by oracles of old. Little surprise that Nolan would feel compelled to support his own vision.
I’m still trying to fathom how Nolan never considered an “Iliad” adaptation before jumping to this one. I’d think today’s audiences would be interested in a moral quagmire war where principles are constantly being questioned and compromised in irrevocable ways.
Also, I bought a translation of Iliad/Odyssey recently, and leafing through the somewhat scholarly introduction, the point is repeatedly made that the versions of these stories we read are interpretations of long-standing oral traditions that were themselves fundamentally altered every time they were told by oracles of old. Little surprise that Nolan would feel compelled to support his own vision.
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I think someone already did the Iliad without the goddesses forcing a dude to judge their beauty contest and then bribe him to be declared the winner.
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