CBS Transformers> The Second Draft part 5: The New Old Decepticons part 1

Too many parts.

So we already looked at the Autobots and last time we checked out the humans. Now it’s time to check in on the villains of our story, the Decepticons.

In the original draft the Decepticons were all dead, basically existing as orbs of energy that possess vehicles. Now they not only survived the war, they succeeded in conquering Earth, and by the time of the pitch have held it for five years. In the actual show, or rather the movie in that universe, the Decepticons would conquer Cybertron by 2005 while the Autobots had two moon bases and Earth. The show would focus on a handful of Decepticons as the villains instead of the entire toyline like we got in the show.

This section, continuing the computer printout style format, started with this information being classified unless you knew the password: freedom. We then get an introduction to the Decepticons from the computers that CBS didn’t think the robots needed.

AUTOBOT MILITARY DEFENSE FILES
SUBJECT: DECEPTICON OPERATIONS AND PERSONNEL
TIME FRAME: APROX- 1988
THE DECEPTICONS ARE AN EVIL RACE OF TECHNOLOGICALLY ADVANCED ROBOTS. THEY CAME TO EARTH LOOKING FOR A NEW ENERGY SOURCE AND FOUND A MEANS TO CONQUER THE UNIVERSE. THE INNATE ABILITY OF A DECEPTICON ROBOT IS TO TRANSFORM FROM ITS BASIC ROBOT FORM TO THE FORM OF A “DECEPTIVE” MECHANICAL OBJECT: JET, TANK, BATTLESHIP, OR EVEN THE MORE MUNDANE FORMS OF A JUKE BOX, STEREO, OR COMPUTER.

The first Transformers battleship was actually an Autobot. The main line never gave us a jukebox or computer, and the stereo was a boom box Autobot. Jets and tanks were the only things both groups would have, getting their tanks at the same time, with the Decepticon getting a triple changer and the Autobot a “minicar” sized tank.

THE ABILITY TO MECHANICALLY TRANSFORM HAS A TWO-FOLD PURPOSE: FIRST IS DISGUISE, THUS GIVING COVER IN TIMES OF DANGER AND THE ABILITY TO SPY WITHOUT DETECTION; SECOND IS TRANSPORTATION. IN THEIR ROBOT FORM, DECEPTIONS CANNOT FLY, BUT HAVE ONLY THE POWER TO TAK£ LARGE LEAPS AS WOULD BE POSSIBLE WITH
THEIR SUPER-STRONG, NUCLEAR POWERED HYDRAULIC LEGS. BUT IN THE FORM OF A TRAIN OR JET OR SHIP, THEY CAN FLY, SPEED ACROSS THE GROUND, OR STREAK ACROSS THE SEAS.

And yet in the show both sides could fly in the pilot (it was Marvel) but in the series it’s a plot point that only the Decepticons could fly in robot mode without a jetpack. You’d think with the “seeker” toys having jets on their feet at least they could fly but I don’t know if they planned to redesign the characters besides Muffler. After a reminder that these files are top secret (despite being information about your enemy and not your ally), we start with the Decepticon leader, Negator. Everyone remembers Negator, cruel leader of the Decepticons, right?

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“Yesterday’s” Comic> Thrilling Comics #1

Turned out “Cash” was the name of the tiger. It was not a good prize.

Thrilling Comics #1

Better Publications, Inc (February, 1940)

We’re getting near the end of this month of comics. March might actually start some time in March…if that makes sense to you. We have another new comic, and one I’m going into completely blind. This could be a mistake, it could be amazing, or somewhere in between. For the record, this is not the debut of either Doctor Strange you’re thinking of, though to make the connection stronger his real name is Thomas Hugo Strange. Is he the strange one or just the adventures he has? We’re about to find out and see who he’s sharing the comic with, and whether or not I’ll be checking out any further issues.

[Read along with me here]

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BW’s Daily Video> Transformers: More Than Meets The Eye–In Stop Motion

Don’t worry, we have part two.

I was going to save this for a Saturday Night Showcase, but I got anzy and I have a backlog. Consider this a bonus. Also, Cool Toy Play is up to the second episode on YouTube. Too bad they missed the scene where Optimus is revived and jumped to the Autobots active.

Pilot Review> The Muppet Show (2026)

Sorry, it was the best recording I had available when I started the article. Pretend someone recorded it from the audience…though how they got some of those views would be beyond me. [UPDATE 3/1/2026 found a better copy…for now]

So on Wednesday ABC aired the pilot for a new version of The Muppet Show, as well as streaming it on Disney+, and given how long it was since they had a movie about saving the theater (I need to watch that one but I’m assuming they did because happy ending) it’s about time they got things started again. Unfortunately, this show had a lot of things going against them when this aired:

  • It would have been airing opposite The Masked Singer. Fate stepped in because Fox’s coverage of a NASCAR race ran an hour long, pushing the other fabric covered performers to an hour later. We watched part of it because my dad and I really enjoy The Masked Singer and I’m guessing the rain-covered speedway had something to do with it. I’ve seen longer driveways than the race track they were using. We ended up watching How It’s Made until the show finally came on. Called who was going home but not who the celebrity was.
  • One of the executive producers was Seth Rogan, the same guy who screwed up The Green Hornet and gave us one of the cringiest Christmas specials possible.
  • It’s produced by Disney, who bought the “performer” Muppets while Sesame Workshop (formerly the Children’s Television Workshop but now all they do is Sesame Street related stuff) bought the “street” Muppets. Disney’s history of ignoring what the previous owners did and wanted only to screw everything up has been chronicled from Lucasfilm to Marvel Studios, and they already fired Jim Henson’s chosen successor as Kermit because he dared to expect the character be done correctly. Meanwhile, Facebook has a story going around about how Frank Oz, Jim Henson’s friend and employee, called him out on a sketch that wasn’t authentic to the Muppets, and Jim agreed with him. Disney doesn’t not seem to follow that logic.
  • Disney’s handling of the Muppets lately has been controversial. In addition to the successor firing, the Muppets showing at Disney parks hasn’t wowed anyone and they shut down an attraction Henson himself worked on. Meanwhile, the only major appearance they’ve done lately are ads for travel site Booking.Com.
  • Also controversial is general Disney content. Their take on the Muppet Babies lacked the edge of the Saturday morning cartoon and put Gonzo in a dress, which is what Disney does these days. They play too safe in the wrong areas and push social engineering over their stories, and people are picking up on it that aren’t in the culture war discussion field.

So I was expecting not to like this new take, but I had to give it a fair chance anyway. How was it? Well, I’m not joining Statler & Waldorf, so they must have done something right.

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“Yesterday’s” Comic> Fathom: Dawn Of War #0

I’d make a marionette joke but this looks rather gruesome.

Michael Turner’s Fathom: Dawn Of War #0

Aspen Comics (January, 2011 digital copy)

WRITER: J.T. Krul

PENCILER: Talent Caldwell

INKER: Jason Gorder

COLORIST: Christina Strain

LETTERING: Dreamer Design

DIGITAL EDITORS: Frank Mastromauro & Vince Hernandez

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BW’s Daily Video> Why Magic Systems Don’t Feel Magical

Catch more from Tale Foundry on YouTube

Thinking About Systems Of Science And Magic

If you’re looking for amazing and helpful advice about how to use magic systems, and their science counterparts, in your stories, you’re reading the wrong article despite some of the tags. I am in no sense an expert. If anything, this little string of consciousness is me trying to think about how such systems work, and I welcome any discussion from people who understand it better than I do. I’m the one asking for tips on this one. Any design of magic system I’ve used to this point has been more dumb luck than any actual thought put into it. I want to do more complex stories than my Christmas superhero minicomic and four-panel gag strip in the future, so it’s worth thinking about. Popping “magic system” into Google gave me this term description from Laterpress:

 

What is a magic system?

Magic, in the realm of fantasy novels, is essentially a catch-all term for non-scientific, non-physical feats. This usually includes things like ultra-realistic multisensory illusions, teleportation, instantaneous creation or destruction, and similar tricks that aren’t possible in the real world. When we talk about a magic system, we’re talking about the way that magic works in a particular setting and how it interacts with the story. I’ll go into more detail in a bit, but for now, it’s enough to say that magic systems answer the who, what, when, where, and how of magic in a fictional setting.

Why do you need a system for magic?

Because magic is so inherently unrealistic, it almost necessarily makes writing harder. If your characters have magic, why do they have any problems at all? Couldn’t they just snap their fingers and will it all go away? Shouldn’t they be living in a utopia full of dragons and fireballs?

Magic systems impose rules on the magical power in your setting so that your reader can understand why there are problems in the narrative at all. They make it possible for you to include magic without breaking your setting or making your story really boring. To put it simply, magic systems prevent the presence of magic alone being a deus ex machina.

In addition to that, having a system for your magic means you can up the ante by breaking out of that system. Establishing a rule and then breaking it can, if done well, introduce an element of intrigue and make your reader desperate to uncover why that rule isn’t holding up and what the characters are going to do about it.

So let’s discuss.

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