Jake & Leon #665 1/2> The Observation part 3

What? It’s Christmas time. I’m not using…that number. Maybe if I had gotten more comics out this year the number would have shown up earlier, but at this time? Not risking that.

Odds are she’s asking another Holiday question.

Next time: the observers’ identities revealed!

Well, I need to get Captain Yuletide done on time, and events put me behind schedule. To take some of the pressure off I won’t be doing the daily comic reviews until after the Christmas break. Luckily none of the cliffhangers (mostly in the Malibu comics) would have been resolved this week and next week would have been Christmas break starting anyway. The Friday Golden Age anthology comics take up more time to review than you realize. So if there are going to be any articles this week before I shift to all Christmas specials and still have a chance of getting my comic in on time, the comic reviews are ending early.

Meanwhile I already have the final CBS Transformers featuring the production notes ahead of the second pitch attempt auto-scheduled for Friday. We’ll still have that and the next installment of the Chapter By Chapter review of the Doctor Who: The Rescue novelisation, and I’ll try to get something interesting in the rest of the days before I take time off.

Have a great week, everyone!

Saturday Night Christmas Showcase> Spidey & His Amazing Friends Save Christmas

Looks like Captain Yuletide actually has some help this year.

I’ve mentioned Spidey & His Amazing Friends before, usually mentioning how Miles Morales gets to have a superhero name of his own instead of white boy hand-me-downs. Sure, “Spin” isn’t exactly scarring the bad guys but this is a show for little kids. We don’t want to scare them either, especially at Christmas.

This episode, made during Season 7, the “waterwebs” themed season. They get a pirate ship because somebody doesn’t understand what pirates are. They also get Hydro-Man. Sort of. Look, if you’re expecting heavy action you chose the wrong show. This is about deaged versions of Spider-Man, second back-up Spider-Man, and Ghost Spider being turned into Spider-Kids to fight troublemakers. Episode 4 contains two Christmas themed episodes, and while of course religion has nothing to do with a special about the recognized day of tribute to Christ’s birth (this is 2025’s Disney Junior–I’m surprised they even SAY “Christmas” as often as they do and don’t try to shoehorn Kwanzaa in there somehow or even Hanukkah, which ISN’T Jewish Christmas) there are some Christmas themes in there, plus a “save Santa Claus” story.

First is “The Candlelight Walk”, in which Miles’ dad gets to walk a candy from the festivities to the Christmas tree in the park as part of a unity event. Since this is the LITTLE kids show, Green Goblin, Rhino, and Hydro-Man just want to ruin the festival by putting the candle out. Then we have “The Santa Trap”, only it’s deaged gender-swapped Trapster (still modern Disney) trapping Santa and the Spiders…and maybe learning a little something about helping others. Enjoy. Or maybe a little kid in your life will enjoy. I’m good either way. It’s on the Christmas special playlist despite the annoying ad watermark. No, that’s not a “waterwebs” reference. You’ll see.

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BW’s Saturday Article Link> The Mystery Of The Mystery Box

A mystery box is not a good mystery. So says author Brian Newmeyer and basically everyone who has seen the trope employed, rarely if ever making a good story with it. In this article, he goes over what a mystery box is and why it’s such a terrible storytelling tool. The goal to me is setting up a situation it won’t deliver on to trick you into watching the story they really want to make, which is lying to your audience.

CBS Transformers> The Production Notes part 4

We’re halfway through the production notes that led to the second draft of making a Saturday morning Transformers for CBS in the 1980s, after the same parties minus CBS already made a syndicated three episode miniseries for weekend airing. I still don’t get why, with everyone still there, they had to start from scratch. The work was already made. They had the backstory. They had the previous stories, meaning they had the cast and the history. I have my theories–infighting for various reasons, as I’ve stated–but it feels like a lot of work that could have gone into just making the stories, which they ended up doing with a syndicated series.

So far we’ve seen what went into the first draft, but now it’s time for Hasbro and for CBS to add their own notes. Sunbow and Marvel Productions weren’t doing this alone. The network has to deal with parent groups, hence some version of the Bureau Of Standards & Practices, and what they could and couldn’t get away with, as well as what marketing “genius” thought would sell the show to the kids versus whatever show it was put up against, or in some cases dump something into the slot that’s going against a juggernaut show and hope to get some of the stragglers who weren’t into that show. That’s usually the death knell for a show, especially in Prime Time but also in the SatAM slot. Plus they’re going up against sports, parents who make their kids play outside instead of watching TV (so the parents can watch TV), family parties, and other activities with the weekend off from work and school. Why make a tough battle worse?

Then there’s Hasbro. Their main goal is to sell toys to kids (or was back then–it’s up for debate now with the adult collector market and kids getting the shaft and blaming it on video games and tablets). Confusing kids isn’t a good idea, and they already paid Marvel a bunch of money to create lore, characters, and ideas that were all over the toys and other merchandise. The picture and coloring books were already telling the story of the Transformers (sorry, Rad) and what we saw in the first draft matched none of that. So we’re starting with Hasbro’s notes on what they didn’t like  So what were Hasbro’s concerns?

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“Yesterday’s” Comic> Mystery Men Comics #7

“I have this sudden kink in my neck!”

Mystery Men Comics #7

Fox Publications, Inc (February, 1940)

Well, thus far this comic hasn’t brought me down. This is back during the good years of rookie patrolman Dan Garret, and the other stories have at least been okay. After that “Supergirl” trailer I could use some good superheroing. So let’s see what we get this time.

[Read along with me here]

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BW’s Daily Video> Villain Retellings & The Hero Problem

Catch more from the MJ Tanner twins on YouTube

 

Supergirl New Movie Trailer Drops

That’s right. While the comics have tossed out “The American Way” and the movies have ignored it altogether, pushing a Supergirl movie on Superman fans with “whatever” as a replacement for “A Better Tomorrow” was somehow considered a good idea. Just a silly bit of fun that feels more like a slap in the face to people who grew up with the Kryptonian heroes and made them popular enough to be around to be turned into…this. It’s only going to get worse from here. Someone on X fixed it with one line change.

Sadly, that’s the mildest problem that needs fixing. Our last two movie Supermans (Supermen?) were great castings given a terrible script and questionable costumes. Now add Kara Zor-El to that list. Milly Alcock looks the part normally, but she isn’t wearing the suit and she definitely isn’t being given the attitude, or rather Ana Nogueira is using the wrong comics as a guide. Ever since the New 52 our sweet little heroine has been rude, angry, a drunken party girl, and just a horrible version of the Girl Of Steel. Our heroine deserves better than this. Sadly, DiDio’s Darker DC is not only still in effect in the DC Universe even though he’s moved on to ruining Defenders Of The Earth (yes, put Flash Gordon, The Phantom, Mandrake, and Lothar on trial for Mongo being decimated while fighting Ming…typical DiDio–why does he keep ruining my childhood!), but Tom King’s Woman Of Tomorrow has her going off to get drunk on her birthday and ignoring the Superman family rather than being the amazing and loving heroine I grew up with. Sadly, this is the story they’re using as their role model, which I’ve already complained about recently. Both Kara and Billy Batson deserve better than we’re getting.

Today the first trailer for the Gunniverse take on Supergirl hit the internet, with a Kryptonian punch to the privates in just how depressing it is. It’s a Gunn style trailer, with obnoxious heroes, desaturated colors, and a very unheroic superhero. It took 15 seconds in for me to pause and facepalm while watching it. I’m sorry for what you’re about to watch, and it’s not even my fault.

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