Free Comic Inside> The Sectaurs’ Waspax Has One Of Those Days

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Kind of interesting that two of the Nacelleverse’s recent acquisitions are currently next to each other in my old pack-in minicomic list. It’s also the only other one currently on the list. Last time we checked in with the classic Robo Force, and now it’s back to Symbion…one of the continuities that shouldn’t fit into a shared universe because it takes place on Symbion, a planet where technology has been lost and thanks to a plague accidentally created in a lab (sound familiar?) the planet all mutated into bug people with telepathic giant bug friends. The question of how they got to Detroit can, as of this writing, only be told in a joke at Detroit’s expense.

Nacelle put out their Sectaur toys last year while I wasn’t paying attention. However, we’re going back to 1985 (cue Bowling For Soup song) and the original Coleco toyline. They actually had minicomics, which we’ve look at before thanks to the website Sectaurs.com. (Please don’t hit them, Nacelle. I have reviews to write and this isn’t a toyline for me to collect even if I had money. Plus these are old, out of print minicomics and shouldn’t affect you.) It’s the fifth comic in the group, focusing on the Dark Domain’s elite warrior Waspax and his loyal companion Wingid. Wingid is not one of the rideable puppet bug but a smaller giant insect, like his own puppy pal if the puppy were a giant insect. Most dogs aren’t.

Sectaurs comic E (as listed)

Featuring: Commander Waspax & Wingid

Coleco (1985)

It’s too bad there are no credits in these comics. The art is pretty good for not using DC, Marvel, or Dark Horse. Unfortunately I’m not working with the highest quality scans. Just to read them I had to open them in a new tab and zoom in. You can try to read along but that’s what I’m working with when it comes to the images.

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“Yesterday’s” Comic> Fantastic Comics #1

“There’s a door two feet to your left!”

Fantastic Comics #1

I’ll be the judge of that. 😀

Fox Publications, Inc (December, 1939)

We have a new title to catch from the beginning, and this time it’s actually starting with a #1. We have 23 issues, since the 24th issue isn’t in public domain. It was done by Image Comics as part of something I wasn’t aware they did. Might be interesting to look more into someday. There will be a few origins here, but since none of these characters made it past this series outside of the Image special, or at least not out of Fox Features Syndicate comics that I’m currently aware of (that might change in the comments), so we get to find out why over time. Blue Beetle was the only one to make it, and even he didn’t exactly come out the same way he went in.

[Read along with me here]

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BW’s Daily Video> What Is Killing Comic Conventions?

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Writing Clips Versus Writing Movies

This a clip from The NeverEnding Story, my all-time favorite movie. Yes, I acknowledge it’s an inaccurate adaptation of the Michael Ende novel and I probably wouldn’t enjoy the book because it has a counter message to this movie. I didn’t know that at the time I saw this movie, or for many years later. I don’t “deserve” my version but I will enjoy it since it’s here. That’s not being a hypocrite. I believe the fans of the book and the author have the right to be upset and I’m not against a proper translation. Sorry, where was I?

It’s also one of my favorite scenes in movies. It goes into why I enjoy stories so much, not just books. We’re with the heroes on their adventures, whether it’s winning a true love, conquering a mountain, or defeating a great evil. However, the clip only works because I did live the adventure through the movie, following Bastian as he was drawn into the story of Fantasia, then with Atreyu as he searched for the human child, and then Bastian again as he restored Fantasia through wishes and imagination, to dream of something better. The second movie does note that wishing isn’t enough. You have to make it happen and follow through rather than just wishing everything to happen. The third movie is not worth existing.

I’m seeing a growing trend that writers now seem to be more interested in scenes than full stories. They want people talking about the clip on social media, sharing that big moment with everyone, as a sense of personal validation perhaps. Perch of Comics By Perch even has noted that writers in comics talk about wanting to tell a particular scene, like Superman having lunch with Lex Luthor, and just want to do that rather than Superman doing some superheroics. They want to write scenes people talk about, but I don’t think they understand why those scenes work.

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“Yesterday’s” Comic> Dr. Blink: Superhero Shrink #0

“Around the same time some pencilneck started asking me stupid questions.”

Dr. Blink: Superhero Shrink #0

Dork Storm Press (April, 2004)

John Kovalic

Christopher Jones

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BW’s Daily Video> 3 Things Disney+ Did Wrong

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The Slow Death Of Long-Running Franchises

I was checking the news sites to see if I could come up with a good article topic for today. Clearly I need more news sites, but sometimes they’re hard to get through. Some have very politically motivated writers, others had way too many ads. I used to have one for Variety but between glitches in the email, the RSS feed not even working, and ruining which celebrity is demasked on this week’s The Masked Singer when I’m a week behind meant I had to drop that one. I keep looking for openings to expand.

One of today’s articles came from Bounding Into Comics, who posted on poor Peter Parker getting hit with the retcon bomb. From what they’re saying, Peter’s history has been altered so that at least at one point another kids kept pulling him towards pranks, robbery, and nudie magazines before he was even a teenager. This is a terrible and unnecessary addition, and I even did an Art Soundoff V-Log about the dangers of the retcon bomb. Retcons have been a big problem, but like with activist writers is only a symptom of a larger problem. I was going to write about that “addition” to Peter’s history until I realized something important.

I don’t care.

I haven’t cared about main universe Spider-Man since even before One More Day due to all the annoying stuff being done to him. There’s a random story I might be interested in, but it’s possible being more DC than Marvel, I like Peter Parker but overall I just haven’t gone through the trouble of grabbing a lot of his adventures. I’ve enjoyed him more on television. Even Iron Man I finally stopped following when Tony Stark became Secretary Of Defense, as that series didn’t seem to know what to do with him. That was long before “woke” meant anything other than no longer being asleep rather than people who clearly went crazy from not getting enough.

And I’m not alone in no longer caring about franchises they like. I’m use to having a version of it I wasn’t into. Voyager and Enterprise were Star Trek shows I never got into while Deep Space Nine wasn’t as interesting as the similarly premised Babylon 5. I dropped out of professional wrestling in the early days of the “attitude era” for the WWF (now WWE for stupid reasons) and WCW lost me before it lost itself. I don’t even watch wrestling anymore, though I have tried the occasional smaller promotion out of curiosity. Star Trek hasn’t gotten me excited in years. I don’t need new Trek when there’s so much old Trek I still haven’t explored or revisited in years. That’s just some of the many things I grew up with that I don’t care for new versions of, and data shows I’m not alone in that.

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