BW’s Daily Video> Redesigning Iconic Marvel Covers

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Why I Say Batwheels Is The Most Accurate Current Batman Adaptation

Please note the terminology. “…Most Accurate Current Adaptation”. I’m not calling it better than your favorite or even your favorite among the three currently active, the other two being Amazon Prime’s Caped Crusader and the Reeves movie and The Penguin spinoff. This is about accuracy, not quality. Then again, as preschool shows go, Batwheels is actually quite good. Created for Cartoon Network and Max’s “Cartoonito” lineup,  we all assumed the show would be something like Pixar’s Cars when it was first announced, a world where vehicles are alive and humans aren’t. Instead we got Batman’s various vehicles coming to life and fighting crime.

It sounds silly, and I’m curious how many of you actually read the article before telling me I’m crazy and apparently missed the other times I’ve stated this (sometimes in chats of other people’s videos and streams, but I’m sure I mentioned it here a few times). Folks, there is a method to my madness. Batwheels is the story of Batman’s various vehicles coming to life initially to protect the Batcomputer from an evil and jealous AI called Badcomputer. The team, which we’ll only be focusing on briefly, consists of the Batmobile (Bam), Robin’s car (Redbird), Batgirl’s motorcycle (BB or Batbike for long), a VTOL version of the Batwing (Wing), and a monster truck I don’t remember Batman having (Buff), plus other vehicles that join along the line. The show is just entering its third season and I don’t have access to Cartoon Network anymore. I can see clips and shorts of the new show on YouTube but that’s it.

Still, it must seem odd that even the guy who occasionally watches Paw Patrol and Bluey would say that this show has a better understanding of the Bat-Family and their adversaries than other programs out there. You know I’m going to make a case because (1) it’s me and (2) there wouldn’t be an article otherwise. While the vehicles take center stage, the humans do put in appearances, and the people behind it did put effort into this show. From the Batwheels Fandom wiki because of course there’s one:

While writing the series, Stern wanted to avoid “kiddifying” the characters, as he felt children should be introduced to the characters through faithful portrayals and was also requested to respect the characters. For Batman, he wrote the character to stay faithful to most interpretations, with only his violence being toned down. He also wrote the villains with “a lane” that stayed faithful to their classical portrayals while still fitting the target audience, such as portraying Harley Quinn as a fun-loving prankster. When creating The Batwheels, the writers wanted them to be perceived as “lovable” and “fun” characters for the audience, in order to avoid the children only watching the show for Batman. In order to accomplish this, they tested the personalities for each character with a test group, who received the characters positively. The writers also wanted to avoid portraying The Legion of Zoom as mere copies of their owners, to which they gave each vehicle their own characteristics, such as portraying Prank, the Joker’s van, as “a surfer dude”.

See, I’m not…okay, I’m a little crazy, but allow me to prove my words aren’t.

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“Yesterday’s” Comic> Judomaster #96

“Did we have this fight last issue?”

Judomaster #96

Charlton Comics Group (August, 1967)

“The Final Phase Of The Plot To Destroy Judomaster”

WRITER/ARTIST: Frank McLaughlin

Sarge Steel: Case File 112: “Case Of The Village Moneyman” part 2

WRITER: Steve Skeates

ARTIST: Dick Giordano

LETTERING: A Machine

[Read along with me here]

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BW’s Daily Video> Comic History Is Still History

WARNING: Some swearing

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Chapter By Chapter> Tom Clancy’s Op-Center: Mirror Image chapter 30

Chapter by Chapter features me reading one chapter (or possibly multiple chapter for this one) of the selected book at the time and reviewing it as if I were reviewing an episode of a TV show or an issue of a comic. There will be spoilers if you haven’t read to the point I have, and if you’ve read further I ask that you don’t spoil anything further into the book. Think of it as read-along book club.

A short chapter this week, but given time and how chapters are going to go for awhile I’m okay with this.

Last time our heroes showed more intelligence in one chapter than I saw in most of the first book, as they begin to put pieces together in Dogin’s little jigsaw of a plan to overthrow the new Russian government and restore communism.

This chapter is only about five pages, but I don’t have as much time as I’d like so I’ll work with it. The next few chapters will be combos but right now I’m not sure how that combination is going to be going. The way chapters here continue to bother me. At least you can make the case that scene are ending in the right spot thus far, but I think not understanding where to put chapter breaks is one of the reasons I never got into writing novels. I’m still hoping one of the authors who stop buy will talk about how they do chapters in their stories, but right now I’m out of stuff to intro with. So let’s get into this one and see if they got it right.

Chapter 30: Tuesday, 11:20 PM, Moscow

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“Yesterday’s” Comic> Prototype #8

“Buy this comic or I’ll kill YOUR dog.”

Prototype #8

Malibu Comics/Ultraverse (March, 1994)

“Get Ready To Rumble!”

WRITERS: Len Strazewski & Tom Mason

PENCILER: Roger Robinson

INKER: Jeff Whiting

COLORING: Robert Alvord & Family Fugue

LETTERER: Tim Eldred

EDITOR: Roland Mann

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BW’s Daily Video> Amazon Disables Kindle Downloads

Catch more from Jared Henderson on YouTube

This doesn’t surprise me. When Amazon took over ComiXology they did the same thing. You lost the ability to download a digital copy to your computer. Frankly I’m surprised it took this long. They want to control your media, not thinking that less moral people than themselves will happily change things not to promote their other stuff (Amazon is so busy making shows they forget they started as an online bookstore) but to change our literature. Right now it’s just business, but whose to say someone down the line won’t have their own agenda? I shouldn’t have to be online to gain access to my stuff.

This is why I promote physical media, folks. However, in the name of fairness, here’s a counter view.

Catch more from One Man Book Club on YouTube

The problem is we’ve already seen movies being edited for “modern sensibilities” on digital platforms. Books would be easier to change, so let’s not overlook the possibility, like I said above. Again, even if current Amazon isn’t planning this, who’s to say in the future someone else wouldn’t? I’m telling you, I’m not against digital media but for the stuff you really like, get the physical copy.