BW Programming Note> Working While Sick

Unfortunately my duty suffered. On the plus side it’s the comic, the thing on the site with the least amount of readers, and I did get halfway through it. I should be done by next week, but I’ve seen sick the past few days. Probably a cold, but my uncle did get the 2020 plague (not sure if we can use the proper name without some note telling us all about it) after visiting. He’s okay, though, but the only symptom I had came from what I usually deal with, sinusitis and Crohn’s Disease. Dad got nothing, but I think we’re supposed to sequester for two weeks in case we’re asymptomatic and don’t want to spread to anyone else. I should check that. Then again, what’s fact or fiction with this thing has been suspect from the start, making the threat worse as a result. CDC says 14 days according to Google, just to make sure we’re not carrying. Six days down.

Anyway, over at The Clutter Reports this week I reviewed the Mega Man model kit I finished two weeks ago, just barely within 2024 and completing one of my declutter goals at least.

This week DC Heroes United is back with a new episode…meaning I did not have to rush a bonus before my break since I got back to work before they did. We continue the final section of the Star Trek writer’s guide with some more lore dumping, and the next chapter of Ton Clancy’s Op-Center: Mirror Image also awaits. That gives me two days for…whatever. Have a great week, everyone!

Saturday Night Showcase> Kojak’s Book & Record Cases

Peter Pan Records’ “Power Records” put out a series of book and records that were actually comic books. In past articles on this site we looked at Superman: City Under Siege and Star Trek: Crier In The Emptiness. These and a Bugs Bunny large LP and 3 comic special are part of my collection, and I heard of more DC, Marvel, and Star Trek comics, essentially audio dramas with a comic book adaptation you can read along with. However, I didn’t know Kojak was among the listings.

Theo Kojak, or as my dad calls him the “bald-headed lollypop-sucker”, was played by Telly Savalas for a series and a few TV movies. A remake with Ving Rhames came out in 2006, and he also had a bald head and sucked lollipops, but Rhames version probably wasn’t Greek. The series followed the tough as nails New York cop as he went up against organized crime and other criminals, and aired from 1973-1978. It’s not exactly what I’d call a show for the family, so making a book and record, typically made for kids, is kind of strange to me.

Tonight I bring you two stories from that set. Like with Star Trek, none of the original cast reprise their roles. Come to think of it, the only book and record that had any cast, comic or other wise, from the show was a Scooby-Doo one as far as my collection went. This is a bit out of the norm for Saturday Night Showcase, but it’s a bit out of the norm for 1970s book and records, given that this one has a body count above zero. Enjoy.

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BW’s Saturday Article Link> Defending The Supermarriage

Clark Kent and Lois Lane are the longest lasting romantic coupling in comics. Since the early days Lois went after one identity or the other but while Clark (or Superboy, depending on the continuity) dated Lana Lang and there are a few other names for both of them (ask Sasha of Casually Comics on YouTube), it’s always been Lois and Clark. Of course there’s always that small group who hate any superhero being married and will push back on any pairing, usually for very dumb reasons. Right, Peter Parker? And so Fansided’s Bang Smack Pow! contributor Mark Lynch is running defense on the Supermarriage before someone turns it into the Spider-Marriage…and it’s been tried. Look up “Superman 2000” some time.

Defending The So-Called “Haters” Of The 2020s

First, I should note that the sample videos in this article may contain swearing, “blue” comedy, and opinions counter to yours–all but that last one not typically what I do here in PG land. They are here for flavor and to break the text wall, thus they are not necessarily a requirement to follow this article. I also picked them out at random from their most recent posts, while choosing some of my favorites, both big names and somewhat smaller. However, people like the ones in the below videos are the topic we’re discussing.

Well, here we go again kids. While I’m sure I’ve covered this before, now people whose opinions I usually support have decided that some of the biggest reviewers on YouTube are “grifters”, just in it for the hate clicks, and don’t really believe modern Hollywood is as bad as they say it is. We have creators wondering “oh why don’t they talk about what they like instead of trashing our glorious works”, and that’s not as much of an exaggeration as it should be. The fact that other YouTube media commentators are joining that side is what gets me.

Look, I’m not saying that nobody does the angry rants just to get noticed. That’s been going on since James Rolfe’s reviewer persona was called the Angry Nintendo Nerd. It’s funny, it’s popular, and people love to ride the coattails of something popular without putting in the same effort in creating something new. Hollywood’s done it for decades, and so have many other entertainment sources. It happened before and it will happen again. Thus is life. The majority of commentators and their fanbase, however, are exactly what they appear to be, normal people who are tired of what they’re given, remember what they used to have, and want to know they aren’t the only ones on the internet disappointed with what they’re getting. That’s what the samples are for, and why I’m here to debunk claims against this new wave of reviewers.

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“Yesterday’s” Comic> Speed Comics #1

featuring Shock Gibson, the "human dynamo" lifting a tank on the battlefield, in this 1939 comic book

I can accept a lot of strange superhero outfit choices, but somehow that helmet is on the line.

Speed Comics #1

Brookwood Publishing Company (October, 1939)

Coming in on a new comic, and it isn’t using someone else’s numbering to continue. The Grand Comic Database is where I got the publisher name from, but Comic Book Plus, where the link below goes to so you can read along, calls it Harvey Comics. According to Wikipedia (question the source), Harvey bought Speed Comics from Brookwood at some point. I can’t find out a lot about it, but the Hey Kids, Comics wiki states: “Brookwood Publications owned by J.A. Rosenfield and Frank Temerson. Named after a suburb of Temerson’s hometown of Birmingham, Alabama. Titles were eventually acquired by Alfred Harvey.” That’s all I know. I think this was their only comic. There’s apparently a Brookwood Global, which makes tutorial books and ebooks but I don’t know if they’re the same company, since Harvey only bought their comic(s), not the whole company.

[Read along with me here]

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BW’s Daily Video> History Of The Dalek’s “TARDIS”

Catch more from the Terry Nation Army via Dalek 63•88 on YouTube

 

How Christopher Nolan Altered How We See Batman…For The Worse

I’m not exactly silent on my issues with Christopher Nolan’s “Dark Knight Trilogy”, an attempt to create a more grounded Batman. Points for some of the clever ways he did so, and two of the three movies are loved by fans, including Batman fans. I just happen to not be one of them. Batman Begins has the least amount of notes from me, The Dark Knight gets a lot more, and the more I hear about The Dark Knight Rises the less incentive I have to ever see it.

I’m also not silent on the current state of Batman adaptations as well as the comics themselves. Batman has gotten too dark, too violent, and that’s on top of a few other “too”s I could mention. Grimdark “I don’t work with others despite being on two or three teams at the same time” broody boy Batman gets on my nerves. Far too often I feel like I’m alone in both areas, especially given the reactions to Absolute Batman and the Matt Reeves continuity of The Batman and The Penguin, two versions I’ve seen just enough of to know I don’t want see any more. That’s not a comment on the quality. Longtime readers know that quality is only one part of any one person’s enjoyment or lack of same of any given story, franchise, or genre. They don’t feel like Batman too me any more than the Nolan movies do. But is Nolan responsible for the current state of Batman in media?

Video essayer Anthony Gramuglia seems to think so, but I don’t think the problems start there. While we agree on many points, we also disagree. The video is about an hour, and reading my responses probably less so, but it is a topic worth exploring.

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