Filler Video> What Each Best Picture Winner Tells Us About Hollywood

Photo by Mirko Fabian on Pexels.com

The Academy Awards have become quite controversial lately. If they aren’t burying animated movies getting a Best Picture nod because of the media pecking order and whiny celebs, they’re nominating a French produced movie about a Mexican drug cartel chief who want to transition to a woman that manages to piss off pretty much everybody they claim they’re trying to champion. Learning the star and director may have a few controversial statements in their past isn’t helping them, either. Then again most of us think the collective Hollywood mindset, even if they aren’t based in Hollywood, is a big joke anyway. It’s a bunch of elitist media snobs ordinarily, but add in modern ideals of “playing to the cool kids” and false inclusion by way of laziness and proving how out of touch they are with the average human being and they’ve become something of a joke to the average human being, who used to watch just to see celebs and get mad that their favorite film didn’t get an award in a particular category.

I’d put it to you that all awards shows are something of a joke. Even awards shows that claim the audience chooses the winner, they didn’t choose the nominees, the industry did. So if your favorite movie wasn’t nominated but a rather boring or garbage movie did, of course you see the awards as something of a failure, the industry finding another way to pat itself on the back whether they actually deserve it or not. I don’t think there can be an actually fair and accurate process for choosing what was the best picture of that year. What they choose may not be what the audience chose, or what failed in the theater (which doesn’t seem to matter anyway) may be more successful on TV, streaming, or home video. Or it might get a cult following years later who got past the bad marketing of the original theatrical release and found a nearly lost gem of a movie.

Since my next intended article needs time to be written properly by post time and there’s nothing current I want to discuss, I’m grabbing a video by YouTube channel All Talking Pictures. In a video titles “What Each Best Picture Winner Tells Us About Hollywood”, the host goes over why the award and the Academy Awards/Oscars exists, and tries to figure out why each choice was made from the start of the Oscars to today. This came out two years ago post time so I don’t expect them to explain why Emilia Perez got nominated when everybody hates it and it became so controversial that they’re trying to figure out how to bury it without annoying the people they actually like (as in not the actual groups the movie is supposed to champion as they all hate it). I do think this will be an interesting look at past winners and what they were thinking, as well as the controversies of some of their choices. See if you can see the host’s own biases in his discussion. Also, he does drop a bit of swearing as he goes on.

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“Yesterday’s” Comic> Sonic The Hedgehog #80

Not going to give me anything to work with this issue, eh?

Sonic The Hedgehog #80

Archie Comic Publications  (March, 2000)

Beginning the Sonic Adventure tie in proper, except they still seem to be trying to reconcile the two continuities.

COLORIST: Frank Gagliardo

EDITOR/STORY OUTLINE: J.F. Gabrie

Sonic: “If Wishes Were Acorns”

WRITERS/ARTISTS: Karl Bollers & James Fry

INKER: Andrew Pepoy

LETTERER: Jeff Powell

Knuckles: “Landfall”

WRITERS/ARTISTS: Ken Penders & Steve Butler

INKER: Pam Eklund

LETTERER: Vickie Williams

Big The Cat: “Swallowing Trouble”

WRITER/INKER: Ken Penders

PENCILER: Jim Valentino

LETTERER: Vickie Williams

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BW’s Daily Video> The Rise And Fall Of Time Trax

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I used to like that show. Kung-Fu: The Legend Continues disappeared the same way and I had to be reminded while double checking that Pointman even existed. Only Babylon 5 made it out of PTEN to any real success, first on its own and then finished by TNT.

The New Thunderbolts* Trailer: Signs Of Improvement (by marketing)?

Going over the real Thunderbolts is a waste of time as I’m pretty sure Marvel Comics already screwed up their own concept around the time of Civil War. I heard what they did to Jolt, my favorite of the team, and it makes me sad. Besides, Thunderbolts* is not that team. Taking the basest version of the concept, former villains trying to be heroes, and using Bucky and a bunch of MCU namesakes nobody cares about in place of the real team isn’t winning them any rewards. The movie isn’t out yet, so we can only guess at how bad the movie will be based on recent history and what they slapped the name onto.

It’s the trailers I want to talk about. Marvel Studios recently dropped a new trailer for this movie, a full trailer this time. While it hasn’t won me over or anything, the job of marketing is to get butts in seats to watch the movie or show, read the book or comic, or play the game. Marketing these days has been kind of weak on all these fronts, so understand that I’m grasping the tips of the straws here, but the new trailer…actually didn’t suck. If I didn’t already know they ruined the whole thing with the characters they chose, already ruined by the MCU by directors who couldn’t care less about what they’re adapting in a studio run by a man who cares even less no matter what shills and documentaries try to tell me (watch Icons Unearthed: Marvel sometime), would I think this movie could work? Not from the original teaser, but the more recent trailer? Maybe?

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“Yesterday’s” Comic> Judomaster #94

“Don’t worry. I met a guy named Midas.”

Judomaster #94

Charlton Comics Group (April, 1967)

“Tiger Hunt”

WRITER/ARTIST: Frank McLaughlin, though the only credit I found was on the first page and it was just his last name on the splash page

Sarge Steel: “Case Of The Devil’s Wife” part 2

WRITER: Joe Gill

PENCILER: Bill Montes

INKER: Dick Giordano

LETTERERING: A Machine

no colorist credited though apparently someone colored the story

[Read along with me here]

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BW’s Daily Video> Batman Needs HIs Bat-Family

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Chapter By Chapter> Tom Clancy’s Op-Center: Mirror Image chapters 27 & 28

Chapter by Chapter features me reading one chapter (or possibly multiple chapter for this one) of the selected book at the time and reviewing it as if I were reviewing an episode of a TV show or an issue of a comic. There will be spoilers if you haven’t read to the point I have, and if you’ve read further I ask that you don’t spoil anything further into the book. Think of it as read-along book club.

Two chapters but together they add up to 8 pages and a paragraph, so it’s fine. Last time we saw more of Orlov trying to keep control of his assignment. These two chapters also focus on the bad guys.

I have to admit, Orlov the senior is the only thing keeping these guys out of mustache-twirling. Everybody around him, even his own son, are opportunists or trying to restore the USSR or both. Orlov is the only one who has any kind of positive view. He’s a patriot, but more and more he seems in the dark about what Dogin is up to when this is supposed to be Dogin’s pet project. It makes me wonder whether or not he’s going to make it to the end of the book. Twenty plus chapters in and we still don’t know what the guys on the road at the start of the book did wrong, and one of them was on Dogin’s side personally if not officially.

So let’s check with the Russkies for a couple more chapters and see what else we can learn about our adversaries.

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