Star Trek: Pitch & Guide> Guide part 7–Terminology part 2

Like I mentioned last time, knowing the terminology of your world is important, especially if there are a bunch of writers who need to keep a coherent and continuous reality between them. Science fiction and fantasy has more rules to worry about than a lot of other genres because the audience needs to believe it’s a reality that could exist with a few alterations from our own rules here in the “real world”. (I’m not convinced the butterfly isn’t having a nightmare.) Your technobabble, magic systems, and whatever are important to make the unrealistic believable. Comedy can change a rule if it’s funny, but you still have to know which rules to break before it becomes obvious you care about events rather than stories.

In part one of this look into the…eight pages? And I only got through a page and a half last time? This is going to be a few parts. The point of going over this is to see officially what words had been used to describe what, and how that’s changed or remained the same not only in the last two seasons of this version of Star Trek but the shows and movies that would follow. Does what it mean here match up to how we’ve come to use it? Granted I have little exposure to the current “Prime” timeline because I don’t have Paramount Plus and when CBS did show Discovery I found it devoid of much of what sets a Star Trek show apart from any show about traveling around space or matching that world, and most of what’s come out since seems to have the same issue in tone or presentation. However when I did Next Generation‘s writer’s guide I needed four parts to go over terminology/technobabble.

Always remember, the geekier/nerdier your intended audience. There’s some truth to that old Saturday Night Live sketch of Trekkies asking William Shatner what he thought Kirk’s favorite breakfast is. When we use call something a boat, a television, an apple, those are words used to describe things. Calling them something else without being silly or speaking a foreign language would confuse anyone. These are normal words to people living in the Star Trek timelines, and not using them right would be us calling a boat a submarine. Unless it actually is a submarine or can function as both you wouldn’t call it that, because we’ve all agreed to call the boat a boat and the submarine the submarine. Words mean things and that shared naming system for things they have that we don’t helps enforce that sense of believable fictional realities. The fact that we call teleporters “teleporters”, and Star Trek’s teleporters “transporters” while on Doctor Who they’re “transmats” shows the nature and importance of fake words seeming real by everyone agreeing to use those words unless the character specifically disagrees for whatever reason matters to the characters. With that, let’s check out the next batch of old Star Trek terms to see if they still hold up.

Continue reading

“Yesterday’s” Comic> Sonic The Hedgehog #76

I hope you’re going to “say more”, or this will be a short comic.

Sonic The Hedgehog #76

Archie Comic Publications (November, 1999)

COLORIST: Frank Gagliardo

LETTERER: Jeff Powell

EDITOR: J.F. Gabrie

“Business As Usual”

WRITER: Karl Bollers

PENCILER: Fry

INKER: Andrew Pepoy

Tales Of The Great War: “Another Point of  View”

WRITER: Ken Penders

PENCILER: Chris Allan

INKER: Jim Amash

Continue reading

BW’s Daily Christmas Video> The Captain & The Kids’ Christmas

 

DC Heroes United: Episode 3 Analysis

It’s time for part two of “Friend Or Foe”. Last time we looked at part one.

I wasn’t going to mention this until after the episode posting, allowing people to decide things for themselves. However, since I can’t think of a good opening, I’ll just ask why this is “Friend Or Foe”? In part one it made sense, since it was about trust issues. Outside of Clark and Lois, that’s not as much of a factor here. Unless the title refers to wondering what is going on in the tower. The theme here is more about destiny, secrets, and learning more about why Fate Tower is in downtown Gotham City.

Black Canary doesn’t show up until the last few seconds to just stand there, but Barbara Minerva and Cyborg get to do more, while the current Blue Beetle makes his debut. And before the episode is over we will meet the cause for the Tower’s appearance. Let’s watch the episode, see what I think of it, and then go over the one choice path for this episode and the various choices to ponder where this story is going and could have gone.

Continue reading

“Yesterday’s” Comic> Sarge Steel #6

No, YOU are supposed to catch the PLANE, not the other way around!

Sarge Steel #6

Charlton Comics Group (November, 1965)

“Case Of The King’s Assassin”

WRITER: Joe Gill

ARTIST: Montes & Bache

martial arts teaching section written and drawn by Frank McLaughlin, and featuring Judomaster instead of Sarge this time. I wonder if they mixed up the back-up in the two comics or if this was some attempt at cross promotion, given that Judomaster was about to get his own comic soon?

[Read along with me here]

Continue reading

BW’s Daily Video> Re-examining Robin’s Reckoning (DCAU)

Catch more from Implicitly Pretentious on YouTube

One of my favorite takes on Batman is that he’s using “Robin” to keep Dick from becoming as angry and bitter as Bruce himself is. So when he says “I thought he might take you, too”, he may not just mean “your life” but “your soul” if Dick were indeed to attempt to kill Zuko.

Chapter By Chapter> Tom Clancy’s Op-Center: Mirror Image chapter 19

Chapter by Chapter features me reading one chapter (or possibly multiple chapter for this one) of the selected book at the time and reviewing it as if I were reviewing an episode of a TV show or an issue of a comic. There will be spoilers if you haven’t read to the point I have, and if you’ve read further I ask that you don’t spoil anything further into the book. Think of it as read-along book club.

Well, we had two chapters last time as we focused on Op-Center. We’re overdue to go back to Commie Op-Center so it looks like that’s where we’re headed this time.

I really did poorly time when I’m going over this book. I didn’t know that there would be a Russian/Ukraine element before I started reading. Obviously I knew this would be one of those “the commies want to restore the USSR” stories because the Cold War made for more interesting bad guys. Not everyone is Russia was a bad person. It’s just the government was being run by bad people. The US press back in those days fawned over Mikhail Gorbachev, which is why I find it interesting they hate the guy currently trying to restore the Soviet Union. I have theories, but that’s getting even more into politics, and while going over this novel means current event discussion is kind of inevitable, I’m still trying to keep it out of discussions, harder as it is with activists playing storyteller and failing.

Plus we live in a time where being patriotic has sadly become less celebrated even on Independence Day. When this novel came out it was still considered a good thing, as was fighting against communism as an enemy of the people. Communism claims to be for everybody but forced equality is a lie because you can’t force equality and expect growth, and because there is still inequality. The people in charge enjoy more freedoms and better lives while the workers have terrible lives. “Bread lines” in the old Soviet Union wasn’t a joke, it was a reality guys like Gorbachev and Putin never worried about. You have no rights, no chance for personal advancement for you and your family. Fighting against that is a good thing, and you can see that the trio behind Commie Op-Center and the various planned attacks are not working in Russia’s best interest, but their own. Like most elitists they can even fool themselves into believing it, but ask someone who grew up during those days or the modern commie countries, and they’ll tell you why they left.

With that padding done, it’s time to get back to the book and see what the bad guys are up to.

Monday, 8:00 PM, St. Petersburg (Russia)

Continue reading