Assassin’s Creed: Shadows Is The Shovel That Keeps Digging

All the people who worked on Assassin’s Creed: Shadows. An endless sea of white people making a game about a black man in Japan.

I’m just waiting to see how long it takes before UbiSoft gets France into a war with Japan.

That’s kind of sad given the various French/Japanese co-productions going at least as far back, if not further, than Mysterious Cities Of Gold to today’s Miraculous: Tales Of Ladybug & Cat Noir. However, UbiSoft continues to tick off the entirety of Japan. For a country accused of being cowards during World War II now having a group that keeps pissing off the enemy from that war, they better be glad Japan is only allowed to have a defensive military (someone needs to tell Marvel Studios that, but American’s ticking off Japanese creators is hardly news anymore).

I wasn’t going to go over this subject again. I thought I said my peace. That was before the next time they screwed up. With the latest act of stupidity it seems that the history/religion-ignorant creators making Assassin’s Creed: Shadows have made another big blunder. On its own I could write it off as just video game mechanics, and I’m not saying anything we’re about to discuss was done on purpose beyond turning the “caddy” into “Tiger Woods”. Unfortunately for UbiSoft it’s been mistake on top of mistake for this latest installment in the franchise, and that’s got them in hot water not only with Japanese gamers but the Japanese government. If you thought the US government going after “violent video games” anytime someone connects a slapfight to Mortal Kombat or something is bad, here’s your roller coaster ticket because the ride is starting.

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“Yesterday’s” Comic> Alpha Gods: Betrayal #1

Seriously, where are these characters running to on covers? Are they trying to catch the latest episode of MacGyver or something?

Alpha Gods: Betrayal #1

Orang Utan Comics (2009)

“Do You Want A Riot?”

WRITER/LETTERER: Ian Sharman

COVER ART: Azim Akberali

ARTIST: Ezequiel Pineda

COLORIST: Mauro Barbosa

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BW’s Daily Video> “They Worked Hard On It”

WARNING: some swearing

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Kathleen Kennedy Steps Down From LucasFilm… And?

 

Catch more from Heel Vs. Babyface on YouTube

News came early yesterday that Kathleen Kennedy would be stepping down as president of Disney-owned LucasFilm. This is after years of rumors that she would be fired or her power diminished because some how Bob Iger, who has his own history of legacy destroying, were proven false in the past. Of course, the people you’d expect to celebrate threw a celebration…but I found this time a few more people tempering their celebratory natures by realizing something I’ve been noting for a few years now: it’s not the victory you think it is…if this indeed comes to pass this time.

To say that Kennedy’s reign over Star Wars and other properties created or signed off by George Lucas, LucasFilm, the video game arm LucasArts, and the various tie-in novels, comics, audio dramas has been controversial is a huge understatement. Her “Sequel Trilogy” is still used as examples of bad filmmaking. The Acolyte is one of the biggest jokes in Star Wars discussion. The “High Republic” only had one interesting story and it was the preschool show that actually taught kids how to be a good person in a show about kids who can fly through space in their own starships and fighters despite not even hitting puberty yet. It certainly wasn’t the book about a creature that looked like a rock and followed Weeping Angels rules when it came to moving, “The Force is female”, or any of the other errors during Kennedy’s time.

So now that she’s gone all fans’ problems are over, right? The lady parodied by South Park with “put a chick in it, make her lame and gay” is finally going away. This will make up for everything done to Star Wars, Indiana Jones, and Willow. Oh wait, this doesn’t solve anything. It might not even stop things from getting worse. Have we learned nothing?

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“Yesterday’s” Comic> Sonic Super Special #12

“Also, check out my new art museum!”

Sonic Super Special #12

Archie Comics Publications (2000)

COLORISTS: Josh & Aimee Ray

EDITOR: J.F. Gabrie

“Turnabout Heroes

WRITERS: Ken Penders & Karl Bollers

ARTISTS: James Fry & Andrew Pepoy

LETTERER: Jeff Powell

“Zone Wars: Giant Robotno”

PLOT: Dan Slott

WRITER: Karl Bollers

ARTISTS: James Fry & Nelson Ribeiro

INKER: Jim Amash

LETTERER: Vickie Williams

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BW’s Daily Video> Redesigning Iconic Marvel Covers

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Why I Say Batwheels Is The Most Accurate Current Batman Adaptation

Please note the terminology. “…Most Accurate Current Adaptation”. I’m not calling it better than your favorite or even your favorite among the three currently active, the other two being Amazon Prime’s Caped Crusader and the Reeves movie and The Penguin spinoff. This is about accuracy, not quality. Then again, as preschool shows go, Batwheels is actually quite good. Created for Cartoon Network and Max’s “Cartoonito” lineup,  we all assumed the show would be something like Pixar’s Cars when it was first announced, a world where vehicles are alive and humans aren’t. Instead we got Batman’s various vehicles coming to life and fighting crime.

It sounds silly, and I’m curious how many of you actually read the article before telling me I’m crazy and apparently missed the other times I’ve stated this (sometimes in chats of other people’s videos and streams, but I’m sure I mentioned it here a few times). Folks, there is a method to my madness. Batwheels is the story of Batman’s various vehicles coming to life initially to protect the Batcomputer from an evil and jealous AI called Badcomputer. The team, which we’ll only be focusing on briefly, consists of the Batmobile (Bam), Robin’s car (Redbird), Batgirl’s motorcycle (BB or Batbike for long), a VTOL version of the Batwing (Wing), and a monster truck I don’t remember Batman having (Buff), plus other vehicles that join along the line. The show is just entering its third season and I don’t have access to Cartoon Network anymore. I can see clips and shorts of the new show on YouTube but that’s it.

Still, it must seem odd that even the guy who occasionally watches Paw Patrol and Bluey would say that this show has a better understanding of the Bat-Family and their adversaries than other programs out there. You know I’m going to make a case because (1) it’s me and (2) there wouldn’t be an article otherwise. While the vehicles take center stage, the humans do put in appearances, and the people behind it did put effort into this show. From the Batwheels Fandom wiki because of course there’s one:

While writing the series, Stern wanted to avoid “kiddifying” the characters, as he felt children should be introduced to the characters through faithful portrayals and was also requested to respect the characters. For Batman, he wrote the character to stay faithful to most interpretations, with only his violence being toned down. He also wrote the villains with “a lane” that stayed faithful to their classical portrayals while still fitting the target audience, such as portraying Harley Quinn as a fun-loving prankster. When creating The Batwheels, the writers wanted them to be perceived as “lovable” and “fun” characters for the audience, in order to avoid the children only watching the show for Batman. In order to accomplish this, they tested the personalities for each character with a test group, who received the characters positively. The writers also wanted to avoid portraying The Legion of Zoom as mere copies of their owners, to which they gave each vehicle their own characteristics, such as portraying Prank, the Joker’s van, as “a surfer dude”.

See, I’m not…okay, I’m a little crazy, but allow me to prove my words aren’t.

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