Saturday Night Showcase> Firearm

I’m going to be honest with you guys. I’m always honest with my readers, snarky exaggeration aside, so understand that if this wasn’t tied in to what I’m currently reviewed in “Yesterday’s” Comic, I would not be bothering with this riff fodder of a garbage short film. According to my reading list for the Ultraverse I’m reviewing on Monday’s this is where the Firearm film should go in the reading order…not that you can tell from watching it, because it tells you nothing and it’s only Ultraverse ties is the mention of Ultras and mentioning Hardcase. He also gets his own thankfully shorter film that the poster shoved in here so I don’t have to deal with it, and the intro for the only good live-action Ultraverse production apparently, The Night Man. The moral is get Glen Larson to adapt your work instead of Darren Doane. Otherwise, this is not very good. I can see why the only other out-of-comics adaptation was the short-lived low-budget Ultraforce cartoon that was still better than this schlock.

The Ultraverse reading list I’m going by places this before issue #0 of Firearm but one site said it actually came with the first issue. We’ll be taking a look at issue #0 on Monday, so this is the place to put it. Actually the place to put it is the shredder because this low-budget 90’s cheese…moldy cheese, not the good kind…is just terrible, and I’m not sure it’s a good introduction to Alex Swan, doesn’t really explain his connection to the bad guys, or explains why he’s called Firearm outside of a gun that can hurt demon-possessed killers or something. If you can figure anything out from this movie without going into the comics, I’d love to have a better explanation than the following summary.

Okay, so Swan is a private investigator hired to find blackmail evidence so his client can be free from blackmail. We see some over-the-top cop acting when a demon Ultra shoots up the police station because that makes no sense when even one of the cops has to point out how stupid the Swan-hating cop is acting when they let a man with a gun into a police station without being checked. Why is “Felix” killing people, including his own client? What does he have against the man he calls Firearm when everyone else calls him Alex? Darned if I know. I’d say enjoy, but I know better. If it wasn’t tied to current review material, I’d probably spare us both.

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BW’s Saturday Article Link> Graphic Novels ARE Books

The show Boy Meets World and its spinoff, Girl Meets World (following the daughter of the first show’s protagonist back when that could still lead to good storytelling–I actually like it more than her dad’s story), both have episodes in which a literature teacher has to fight to make a graphic novel part of their curriculum. I’m not a fan of the choices (for Cory it was God Loves, Man Kills, the X-Men story, if I remember correctly, and for his daughter Riley it was The Dark Knight Returns, both before Disney bought Marvel if memory serves) but they aren’t terrible ones to go with. It’s just not what I would have chosen. It does highlight the problems comics still have when it comes to being accepted as literature and art.

In an article by Ashley Skorld for Fansided’s “I Prefer Reading” site, she runs into someone at a bookstore suffering the same issue with her son, trying to get him to read something other than a comic. There’s nothing wrong with that, mind you. I love reading both, but she then claims that graphic novels aren’t “real books”, and the writer takes issue with that point of view.

What Today’s Disney Could Learn From Walt Disney

Recently History Channel had a miniseries as part of their “Built America” franchise going over the history of Walt Disney’s early years, how he turned a small animation studio into one of the biggest animation studios of all time. While “Uncle Walt” would make live-action movies, he never forgot his animation roots, and despite almost spending too much money to stay in business, he took risks that mostly paid off. The films under his tenure and multiple years after up through the “Disney Renaissance” are some of the most beloved pictures and even TV shows in pop culture history.

Then you have the current Disney period, where costs run wild, the end results aren’t worth it, buying all the competition and pop culture avenues they see as profitable, then forgetting why they were profitable and blowing tons of money for little reward. That’s ignoring the culture war crap that’s more a symptom of a larger problem than anything else, but it’s a problem as well.

So where did Walt Disney succeed and Disney fail? I actually took notes while watching the miniseries, and the first five episodes were quite an eye opener into why current Disney is doing so bad that two different Film Theory hosts on YouTube were able to put their business up as how Disney and it’s absorbed subsidiaries could stop screwing up. Maybe they should watch this miniseries and see what they’re doing wrong? For example:

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“Yesterday’s” Comic> Blue Beetle #51

You have to respect a villain who worked his varsity sweater into his costume. That takes effort.

Blue Beetle #51

Charlton Comics Group (August, 1965)

“Mentor The Magnificent”

WRITER: Joe Gill

PENCILER: Bill Fraccio

INKER: Tony Tallarico

no colorist, letterer, or editor credited…sucks to be those guys!

[Read along with me here]

 

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BW’s Daily Video> The Turtles/Naruto Crossover Early News

Catch more from Just Some Guy on YouTube

 

Sing Me A Story> Leader Of The Pack

logo for the Sing Me A Story article series

The 1950s are not loaded with narrative songs. At least most of the ones I’ve heard were more moments in time, usually involving some teenager seeking love, losing at love, or learning some weird named dance. It was also a decade where the parents and the entertainment code got stricter. Teen movies usually had some rebel punk either getting his horrible end or fighting giant irradiated animals and blobs. The 1950s are kind of weird.

The Shangri-Las were a quartet of two groups of sisters, Mary & Betty Weiss and Marge & Mary Ann Ganser. One of their two most well-known hits, “Remember (Walking In The Sand)”, was about a girl whose boyfriend was suddenly leaving and she couldn’t figure out why. Their most famous song, and one that was even covered by Twisted Sister of all groups, was “The Leader Of The Pack”, the title single from the 1965 album.

In this tale, Betty takes the lead and is even namedropped in the story as her friends try to learn whether or not she was dating a local bad boy, a motorcycle rider that lead…supposedly a biker gang, but isn’t stating that from what we hear in the song simply making the same mistake as her parents?

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Today’s Comic> Heroes Unleashed #2

They gave Wonder Woman a sword and shield, and now all the superheroes want them.

Heroes Unleashed #2

PD Comics (the date is missing from my digital copy, the downside of using layers in a PDF file, perhaps)

Captain Midnight: “The War To End All Wars” part 2

WRITER: Bryan Augustyn

ARTIST: Jay Piscopo

Commander X: “Allies”

WRITER/ARTIST: Jay Piscopo

Sword Of The Blue Scarab

WRITER/ARTIST: Jay Piscopo

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