BW’s Free Comic Day 2024 Pull List (if I go)

Think how the store owners feel.

May the fourth is once again Free Comic Book Day. Tomorrow as this goes out comic book stores will have special free comics (don’t be like that guy) available. The intention is to get more people reading comics by showing comics are great…though given some of the offerings lately it sometimes feel like they used to be great. Let’s just say under writers, artists, and editors who actually care about what they’re doing comics have been great and could be again if we ditched the activists and the people who think Cocomellon needs to be more grimdark, more violent, and less for kids because @#$% kids, they want gore and titties! Except breasts are evil these days or something.

Remember, your local comic store pays for those free comics they make no money off of. This is why I encourage any of you going each year to BUY SOMETHING! Bags and boards for your free comics, something off the shelves, something out of the back issue bins, the dollar bins, the collectables…just try to make this day profitable for the comic stores, dang it! They’re hurting right now because there is so much mediocrity to crap they’re having trouble selling. It’s like the video game burst of the 1980s. And just like those games, the corporations who see these as nothing more than IP to the “important” media of movies and television/streaming don’t really care. So give your local comic store–if you have one anymore–a helping hand this Saturday.

Which is why I’m not sure if I’m going to go given my current lack of finances. If I go it will be more to get advice on selling the comics in my Clutter For Sale list over at The Clutter Reports and just getting out of the house for something other than a doctor. Still, I have gone over this year’s Free Comic Book Day catalog, which sadly has fewer previews than usual, and while the list of what I’m interested in is short, here’s what I’ll try to get if I go.

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“Yesterday’s” Comic> Blue Beetle #59

Dan’s side gig as a home renovator did not work out very well.

Blue Beetle #59

Fox Feature Syndicate (June, 1950)

The penultimate issue in this run. It’s too bad because since the comic’s return it’s been more like what I was hoping for when Fox regained the license last time. Not perfect, but the doc is back (with the wrong name but Kranz is meant to be our long missing pal Dr Franz, who gave Dan his superstrength), Dan’s powers aren’t all over the place, and the trio is still together. No Sparky/Spunky. No “true crime” segment. And no Otis, which means the stories were fair to actually good. I’m all for that. Let’s see if this issue continued that trend.

[Read along with me here]

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BW’s Daily Video> TARDIS Vs Police Box

Catch more from We Travel By Night on YouTube

I posted the previous video they mentioned, the Police Box’s actual history.

Star Trek’s Prime Directive Vs Real World Cultural History

Let’s be honest: Starfleet General Order #1 is nothing more than a cheap plot device, a way to restrict the writers and cause moral drama. As we’ve gone over in previous explorations (which sadly did not include the above novel as it really didn’t cover it, and I found that depressing in my Chapter By Chapter review), there are two reasons listed for the Prime Directive to be ignored: the needs of Starfleet, which can be interpreted in different ways to work around the spirit of the Directive, and the safety of the ship, which suffers the same problem.

In universe and in the mind of Gene Roddenberry, the goal of the Prime Directive is to push back against a colonialist action, intentional or otherwise. Colonialism may not have been the best thing for the indigenous people and in some cases didn’t do the colonizers much good, either. In practice, however, is it possible that in fact the Directive is part of an outdated view of culture and other civilizations based on a self-interested view of culture and our own hubris?

This is the argument made by the host of YouTube channel Trekspertise in the following video. By looking at the actual history of colonialism in the real history of the real planet Earth, the host goes into why the Prime Directive is based on outmoded views of human culture and cross-cultural interaction in the past…and might be a bit racist, or at least culturalist, as well.

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“Yesterday’s” Comic> Retropunk #1

I haven’t seen enough of Appleseed to make what I’m sure are obvious references.

Retropunk #1

Markosia (August, 2014)

“Stray Cats And Tin Men”

WRITERS: James Surdez & Matthew Ritter

ARTIST: Jhomar Soriano

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BW’s Daily Video> Iceman Vs Canon

Catch more from Comics By Perch on YouTube

 

Sopranos’ Creator Complaints About “Dumbing Down” Prestige Television

I’ve never been interested in The Sopranos and that boils down to personal preference over any issue with the show. Watching a mobster having a strained family life and seeing a therapist is not something I care about since we’re talking about people who shake other people down for money, promote crime, shoot each other and anyone they consider a “problem”, and are generally evil to everyone, including itself at times. I don’t want to feel anything for these guys except happy when they reform or get locked away for a very long time. No matter how good a show it is, and apparently it is a good one, I just don’t care.

I have no qualms with the creator of the show, David Chase. He saw something that makes for good drama, went with it, and was rewarded for his hard work. No problems here. The question is whether or not he’s right when it comes to Hollywood wanting him to dumb down his work, something he discussed in a recent interview with The Sunday Times. That link is to the Wayback Machine because that’s the link Bounding Into Comics used when discussing the article for whatever reason they had and considering the piece is kind of old I’m not going to go crazy trying to reach the original version.

The interview (and we’ll ignore the unnecessary election talk at the end…no, writer Jonathan Dean, you DON’T have to ask every American you interview about politics and how Hollywood hates Trump because I doubt anyone in the UK cares!) goes over the trouble Chase had getting his mobster show on television the way he wanted it until HBO picked it up, and how “prestige” shows are in trouble because the studios and TV networks don’t want to make it. Much of his statements don’t surprise me, since Hollywood thinks we’re all stupid since that makes the demographics easier. I do have a few notes of my own, though.

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