Star Power #23
(May, 2018)
“The Choir Of Doctor Hymn” part 3
WRITER: Michael Terracciano
ARTIST: Garth Graham
COLORIST: Rebecca McConnell
COVER ART: Kristilyn
Star Power #23
(May, 2018)
“The Choir Of Doctor Hymn” part 3
WRITER: Michael Terracciano
ARTIST: Garth Graham
COLORIST: Rebecca McConnell
COVER ART: Kristilyn

So this advertisement was recently all over the place. I’m not sure why it stopped.
The song is performed by Drew Love, who appears in this and other versions of the ad campaign. He is not, however, the original performer of the song. A single from the album Colour By Numbers, “Karma Chameleon” was originally produced in the 1980s by Culture Club, with one of the songwriters being front man Boy George in his “random items I got from the clearance racks” fashion phase. While not as strange as some other choices for songs (there was that one to promote schoolteachers by using a song trashing the school system as propaganda, back when that claim came from the left instead of the right), it’s one of those songs that, in context, makes you wonder what they were thinking. Love’s version may have more of a party feel to it, but the song doesn’t really scream “party on the ocean”.

No colors, very dark…now I’m worried this cover will convince them to let Zack Snyder make the movie.
X-O Manowar #2
Valiant Comics (June, 2012; digital edition)
“Escaping Eden”
WRITER: Robert Venditti
PENCILER: Cary Nord
INKER: Stephano Gaudiano
COLORIST: Moose Bauman
LETTERER: Dave Lanphear
ASSISTANT EDITOR: Josh Johns
EDITOR: Warren Simons
You can tell this is from 2021 because Disney was trying to save money making films and their theme parks were doing well.
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This is one of those shows where I split off from “the group” as I just never got myself into this show. Granted, some of this is a personal lack of connection as it came at a bad time: my first hospital stays, thanks to Crohn’s Disease, that started the events that led to this website you’re reading now. However, it also features some of my personal issues with modern Spider-Man adaptations. It features teenage Peter Parker because they want to tell the origin story, but starts just after Uncle Ben’s passing AND uses the supporting cast Peter shouldn’t meet until college since they want their cake and eat it, too, even when it isn’t properly baked. It shows you that for all the talk about wanting Peter back in high school he didn’t truly peak as a hero until he graduated and went to college. Not that the comic was bad before that or Pete would never have made it to Empire State University, but that a lot of his villains and supporting cast came when he went to college.
It also altered a lot of the characters. Harry’s a dweeb and pining for Gwen Stacy, who is designed to be geekier than Peter and yet both Liz Allen (did they change her race because I don’t remember her skin being that dark…though it does make her look cute) and later Mary Jane are both into Peter, who is only interested in Gwen. Flash…is still Flash, but credit where it’s due. When this show did their version of the symbiote storyline Flash is actually the voice of reason. It may be the version with the most character growth without tossing out the usual cast, which is a credit to co-creators Greg Weisman and Victor Cook, but it also changed the characters quite a bit.
Still, I may not have watched a lot of this show, which interestingly came from Kids WB long before Disney bought Marvel and Fox, because of my situation and lack of connection, but this may be one of the better intros of this series, if not the best.
Apparently I missed a Sonic Super Special somewhere along the line. My Sonic section is apparently still a mess. This will factor in the back-up story. Also the credits are a bit messed up in this issue. Both sets are credits are listed in the first story, one at the beginning, one at the end. So these are the people who worked on the comic, but I don’t know which story they’re attached to for certain. Even the Grand Comics Database wasn’t helpful. Sorry.
Sonic The Hedgehog #58
Archie Comics Publications (May, 1998)
WRITERS: Ken Penders; Clayton Emery
PENCILERS: Manny Galan; Art Mawhinney
INKERS: Jim Amash; Ken Penders
COLORIST: Ken Penders
LETTERER: Jeff Powell
EDITOR: J. Freddy Gabrie