Sing Me A Story> The “El Paso” Trilogy

logo for the Sing Me A Story article series

It’s amazing the things I’ve learned just from researching this article series. Maybe it’s because I started Sing Me A Story I never really thought about music as storyteller, just something to dance to or have on in the background, usually the latter. Since that time I’ve seen country songs based on Norse mythology, bouncy tunes about serial killers inspired by a ballad opera, and learned that songs can have sequels, sometimes by the original artist and sometimes not.

We last saw Marty Robbins in this article series with a standalone tale, “Big Iron“, telling the story of an Arizona Ranger with a gun Dirty Harry would be proud of. This time he brings us three songs telling the story of a lovesick fool who shouldn’t have broken out his gun. “El Paso” is a song I mostly heard the first few bars of during one of those compilation album ads but knew there was a story behind it. I decided this round to look into that story and found two sequels. “El Paso” comes from the same album as “Big Iron”, Gunfighter Ballads And Trail Songs from 1959. Both appear to be the first album on their side of the record according to Wikipedia (question the source).

What I wasn’t expecting looking into this was that this song had not just one but two sequels, one from the point of view of the “Mexican girl” at the heart of the story and the third…wait, it’s a MODERN RETELLING? Are you messing with me, Wikipedia? Well, let’s dive into this trilogy and find out what’s what, starting with the original take, told from the point of view of the young fool in love with a dancer at a cantina.

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“Yesterday’s” Comic> Fraggle Rock #2 (Star)

It could be worse. She could have Afro Samurai coming after her. And that’s all I know about that show.

Fraggle Rock #2

Star Comics (Marvel; June, 1985)

“#1”…wait, #1 was last issue? Oh, that’s the title.

WRITER: Stan Kay

ARTIST: Marie Severin

LETTERER: Rick Parker

EDITOR: Sid Jacobson

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BW’s Daily Video> The Stagnation Of Doctor Who

Catch more from Harbo Wholmes on YouTube

I wrote the following in the comments:

I wonder if the villain problem is tied to the format and run time. Classic Who had multiple episodes per story, time to further examine a villain, while the typical New Who, despite being double in length, really only got that chance if the showrunner created them (Sleevin and Weeping Angels for example) and really liked them. The cliffhanger also set them up as a serious threat at times. New Who doing the whole “season long subarc building to the finale” isn’t the same thing and it doesn’t give a villain a chance to be that menacing, especially the episodes where our heroes were more into making gags (“Tooth And Claw” is my least favorite episode of Davies’ run for that reason while at least “Love & Monsters” was stupid with original characters most of the time and it’s only the epilogue I hate). They need more time to make a threat menacing enough that fans want to see it again to further challenge the Doctor.

As for the settings, that’s bothered me as well. You have access to all space and time, but you don’t do anything with it. Is building a space set really that much harder for a show with modern special effects and presumably a larger budget than the original series that managed to put most of their episodes off world?

I added in a different comment’s response:

I do like that he (Steven Moffat) tried to set an episode in the TARDIS itself, though I don’t see the point of a room that’s just a cliffside with a giant waterfall. I do like the bigger wardrobe than the one in Classic Who, but we don’t see enough of the TARDIS in New Who while in the classic show we’ve seen bedrooms, the Zero Room, and a swimming pool and heard about rooms with a turkish bath and I think a library. I’d like to see the TARDIS be more than an RV.

Chapter By Chapter> Star Trek: The Vulcan Academy Murders chapter 20

Chapter By Chapter (usually) features me reading one chapter of the selected book at a time and reviewing it as if I were reviewing an episode of a TV show or an issue of a comic. There will be spoilers if you haven’t read to the point I have, and if you’ve read further I ask that you don’t spoil anything further into the book. Think of it as a read-along book club.

Last time the power was out but now we’ve got fires. Whether that was intentional on the hacker’s part or some side benefit of shutting down the Academy computer we can’t currently say. It’s not like the murderer cares who else gets killed.

Thus far this has been a good Star Trek story but it has taken awhile for the mystery to finally take center stage. It’s not like we have a huge list of suspects and we can eliminate (pardon the expression) anyone from the show. We set up some potential motivations but we’re about to see how they come into play, or at least we will if all the new distractions don’t slow the mystery down. The story itself has been fine and doesn’t feel slowed down, but the murder mystery promised hasn’t really had a chance to be at the forefront. Now with the murderer slowing the investigation I have to wonder how much of the murder story the author came up with before starting this story. Her various Star Trek novels are all I’m aware.

I am enjoying the story. It’s a good story. It’s just for a murder story there’s more character than murder. Then again, I’m not much of a murder detective novel reader and only picked this up because I enjoyed the sequel book, so maybe this is how things usually go. Maybe some of the novelists or detective novel readers in the readership can tell me where I’m being a moron to fill out the homepage. That’s accomplished and I think the fire’s out, so let’s see what our heroes come up with next.

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“Yesterday’s” Comic> Prototype #3

I will not be covering the Rune preview story chapter because I care that little about Rune. Sorry.

“Hey, I just had this washed!”

Prototype #3

Malibu Comics/Ultraverse (October, 1993)

“Hero And The Terror”

WRITERS: Tom Mason & Len Strazewski

ARTISTS: David Ammerman & James Pascoe

COLORIST: Rob Alvord

LETTERER: Dave Lanphear

EDITOR: Chris Ulm

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BW’s Daily Video> Modern Gaming Vs Femininity

The Critical Drinker now has a gaming channel on YouTube

 

Jake & Leon #595> Legacy Of Darkness

It really is like he never left…though I really wish he would.

I have nothing against Dan DiDio personally, but I don’t like what he did with DC Comics or Transformers. As I wrote about recently, DiDio may be gone but his changes and many of the writers he brought in are continuing to follow in his mistakes. At least now he’s working on an original continuity with Frank Miller. Miller lost his connection to proper Batman storytelling when he made All-Star Batman & Robin and he never got Superman right. I just wish the legacy of DiDio’s Darker DC wasn’t still in effect.

Over at The Clutter Reports this week I just messed with my back-up files hard drive so I told the tale of three projects my dad did this week. May it still inspire declutterers who stumble upon it.

I’ve got more medical tests this week because apparently I’m not allowed to stop being sick from something. So I’m not sure at this time what disruption that’s going to cause. We should get the next chapter of Star Trek: The Vulcan Academy Murders for Chapter By Chapter, and the last Aliens: Space Marines minicomic that doesn’t actually feature any space marines but does have Predators. Beyond that we’ll see what I’m able to get out on time. Have a great week, everyone!