Jake & Leon #568> Sidekicked: MCU Edition

My two favorite versions of the animated Incredible Hulk had Rick in long hair and cowboy attire. The 80s one also gave him a hat.

There hasn’t been a single version of The Incredible Hulk in live-action that has included Rick Jones even when he was an important character in the comic at the time it was produced. Rick has also been a Bucky, did the “switch realities” thing with both Quasar and Captain Mar-Vell, been a help to the Avengers, formed the Teen Brigade to help the Hulk, and been the only friend both identities have had without complications beyond a mild-mannered scientist with mental trauma turning into a rage machine or a gray mobster. The cartoons have rarely not used him however. This is another point in favor of the cartoons.

No Clutter Report this week due to family emergency, the same reason I missed Saturday Night Showcase this week. Thankfully that all seems to be resolved, praise God! So it’s time to get ready for a whole new week with hopefully less problems…and I still don’t know what to do on Friday since I’m out of physical comics outside of the two series on Monday and Wednesday. With any luck I’ll come up with something or else Blue Beetle is going to move to Fridays and that’s still a pain to review given the anthology format and Holyoke slowly edging Dan Garret out of his own comic. Plus there’s the next Chapter By Chapter installment of Batman: Knightfall as we get closer to part 3 of the novelization.

Have a great week, everyone!

“Yesterday’s” Comic> The (New) Blue Beetle #21

I’m sure Dan Garret is in one of those planes. Maybe.

The (New) Blue Beetle #21

Holyoke Publishing (May, 1943)

I have to give this comic an odd sort of credit. Just when I think I’m about to beat a dead horse with a complaint it turns up a different problem. Right now that problem is that the original Blue Beetle is being shoved out of his own comic in favor of anybody else. In this issue the Blue Beetle’s adventures bookend the supposed guest cast. It’s like Holyoke is trying to turn The New Blue Beetle into the name of the anthology comic rather than the title of it’s main character. It’s rather disappointing really.

Read along with me at Comic Book Plus.

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The Many, MANY Intros Of Teenage Mutant Ninja Turtles: The Best (part 1)

 

Between two separate comic companies and the cartoon there were already a number of different iterations of the “heroes in a half-shell”. Throw in the live-action movies and series, the latter of which may or may not share the movie continuity, the “Coming Out Of Their Shells” musical Turtles, and what they were doing in Japan with manga and anime and somehow the original concept was getting lost. The first movie relatively faithful to the comics within the limits of a kids movie, but it did keep angry Raphael, the origin of the characters (though Oroku Saki and Oroku Nagi were merged into the same character without the dying part), and Casey shows up far earlier but maintains the same personality. They still managed to use enough of the regular show iconography to be recognized by fans who didn’t know about the comics, even as the later movies started doing their own thing, so even then the cartoons were the influence and kids were the target.

2003 brought a new incarnation of Teenage Mutant Ninja Turtles, airing on the Fox Box and brought to life by Dong Woo Animation while being produced by the bane of anime purists, 4Kids Entertainment! 4Kids, as I’ve gone over numerous times, were not a dubbing studio. They produced kids shows for kids in the United States, and that’s how they approached their shows. Complain all you want about jelly donuts but how many kids were introduced to Japanese animation and shows that could bridge the gap between kids and adults, what we used to call “all-ages”, outside of the DCAU at that time in TV history? My favorites of theirs were the American-produced ones like this show, Kamen Rider Dragon Knight, and WMAC Masters. In fact my calling this period “the best” of Ninja Turtles is admittedly me showing all the bias because this is my favorite version of the Ninja Turtles. The first episode starts with a re-enactment of the “trash-strewn alley” that started the first comic. Then the intro begins.

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“Yesterday’s” Comic> William Shatner Presents FCBD

The last of the physical comics without a category and it’s a Free Comic Book Day preview. Ah well, here we go:

So that’s what the Big Floating Head looks like normally. (That’s a Third Rock From The Sun reference, not about Shatner’s ego.)

William Shatner Presents Free Comic Book Day preview

Bluewater Productions (2009)

STORIES: William Shatner

LETTERER: Wilson Ramos Jr.

LOGO DESIGN: Patrick Foster

EDITOR: Craig Nevius

PRODUCTION: Chand Jones

This is a preview of the three comics that Shatner was putting together for Bluewater, two of which I have reviewed in the actual release here on this website. I took a look at this back when it came out for Free Comic Book Day (that review if you’re curious). This is a fresh look having seen two of the stories presented here.

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BW’s Daily Video> Why Are Western “Adult” Cartoons So Childish?

Catch more from Fionapollo on YouTube

The Blockbuster Buster’s Retrospective On The Best Ninja Turtle Show

Admittedly that’s out of personal bias. It’s more accurate to say that the 2003 Teenage Mutant Ninja Turtles is my favorite version. I’m only now getting familiar with the comics thanks to the “Yesterday’s” Comic reviews but this is probably the most faithful version in tone and characters. The live-action movie may have used a more accurate origin and Casey but was still filled with the changes from the show, like April O’Neil being a reporter instead of a scientist. However, with limited exposure to the Mirage comics at this point what really drew me to this show was that it was less about the comedy and more about the action. CBS may have adjusted the original cartoon back to what we saw in the original miniseries, with less emphasis on fourth-wall breaks having just the right level of camp to take it seriously while still feeling like the same show, but they overcorrected during the “red sky” years.

This series made me feel like I was watching a bunch of ninja crimefighters. It had some great uses of science fiction, as well as plots and sometimes full stories lifted from Kevin Eastman and Peter Laird’s comics. This even included the Donatello special that was a tribute to Jack Kirby. I’m not the guy who champions something just because it’s darker. Darker doesn’t make it better, but it was a benefit to this show. It also introduced more superheroes than just Bug-Man, who looks like the Symbion patent zero, including Silver Sentry, the RIGHT way to do “black Superman”, and “Nobody”, a superhero with ties to Casey Jones, who gets to be more a part of the story than the occasional Dirty Harry impersonator of the original show. I could go on about this show for quite a while, but I don’t have time for that so I’m taking the easy way out.

Before discussing the intros from the Fox Box period I present to you the following retrospective by ERod, the Blockbuster Buster, into the history of the show, followed by my own thoughts on the shows. Enjoy.

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“Yesterday’s” Comic> Star Trek Alien Spotlight: Borg

“Resisting our volleyball team is future. Prepare for humiliation.”

Star Trek Alien Spotlight: Borg

IDW Publishing (January, 2008)

WRITER: Andrew Steven Harris

ARTIST: Sean Murphy

VARIANT COVERS CO-ARTIST: Zach Howard

COLORIST: Leonard O’Grady

LETTERER: Chris Mowry

EDITOR: Chris Ryall

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