Jake & Leon #653> Royal Reward

Then again, do we know this king is noble?

Would a King be a nobleman, or even a former nobleman? I’m not up on my Medieval European terminology.

Well, as we head into September I’m hoping to get back to decluttering and The Clutter Reports. However, it depends on my schedule. My plans of having an article buffer proved to my benefit, as during this month I only missed one feature article without shirking my responsibilities to my dad during his surgical recovery. I’m all out of those, but he’s healing up pretty well. I’m hoping to have time to make a real buffer, so if I need time off you won’t know it unless I miss the comic reviews. Maybe I can even buffer those, but my priority is feature articles, then daily videos and weekly article links, then the comic reviews, and finally the Jake & Leon comics. With the buffers done I want to get back to video content and that Let’s Play series/channel I’ve wanted to do for years. It all depends on what happens next.

So this week we have the next Chapter By Chapter review of Tom Clancy’s Op-Center: Mirror Image, and I’ll definitely replace that with a shorter book. All I’ll say now is I know what series, but not which individual book. I’ll also have something besides Doctor Who for this week’s Saturday Night Showcase, though we will come back to the time-traveling spaceman and his magic box in the future. As for the rest, it depends on what time I have and what events inspire me.

Have a great week, everyone!

Saturday Night Showcase> The Two Doctors (Who)

If I were to have done this in order of favorite Doctor Who crossovers rather than airdate, the list would be:

  • The Five Doctors: It’s the debut of my favorite console with my favorite classic Doctor, and seeing four of the five Doctors working together is just fun for me. It’s too bad Tom Baker didn’t take part, but supposedly he had scheduling conflicts. Given his disinterest in Companions or working with other Doctors in Big Finish, part of me wonders if that’s the only reason.
  • The Three Doctors: Probably the best written of the classic team-ups, watching Patrick Troughton and Jon Pertwee play off each other was a delight. It’s a shame they didn’t get to team up more. I’m letting the fanboy choose this list, not the story critic.
  • Time And The Doctor: Not available for Saturday Night Showcase as of this writing, David Tennant and Matt Smith (the latter being my favorite New Who Doctor because I seem to choose the one after the popular favorite) has the same chemistry and it’s a great story, though forced to introduce the War Doctor because Christopher Eccleston wanted nothing to do with BBC Wales while the same people were involved. I would love to see the trio team up in Big Finish at least. Too bad they broke the crossover name pattern.
  • The Two Doctors: Tonight’s finale in the Doctor crossovers. John Nathan-Turner wanted to do another crossover, and for whatever reason chose the Second Doctor. Seeing the two Bakers play off each other might have been frustrating, as both tend to be the more confrontational Doctors, I suppose they could have gotten Hurndall back as the First, it was probably too soon for the Fifth, and I’m not sure Pertwee’s Doctor and Colin’s would have gotten along any more than the two unrelated Baker Doctors. Plus it would be Troughton’s final appearance as the Doctor before his passing, and the two apparently appeared together before, in a children’s show called Swallows And Amazons Forever!, though I don’t know if they shared the screen.

I do like how in tribute the episode opens in black and white, as that’s what the entirety of Troughton’s main run was in. Not having the console from that time, they did have the previous console, which stood in to make it look like the older–well, I guess it would be newer depending on perspective–TARDIS, though they had to use the same walls and monitor that was in use from Tom Baker to the end. I would have liked more with Troughton and Frasier Hines as Jamie, since they’re probably the best Doctor/Companion pairing of the classic era. Meanwhile they name drop Victoria to set a time frame, but it would still be a time in which the Doctor was still on the run from the Time Lords. Fans have tried to come up with an explanation for how it could be happening, but officially this is a plothole.

As for the present team, Sixth is teamed with Peri, my choice for the cutest of classic Companions, and an American…in character, as Nicola Bryant clearly wasn’t. Consider it payback for all the fake British accents some American actors try to pass off. It works for the show’s homeland but not the character’s. Their opposition are the Sontarans, and two member of the Androgum, writer Robert Holmes (a vegetarian) doing for meat eaters what the creator of the Ferengi tried to do for capitalists by making them over the top in their meat eating habits. Fortunately for the Ferengi they had other writers and directors come along and tone them down and make them less silly. The Androgum will not get that chance. Still, you can tell what Holmes thinks of anyone who enjoys a hamburger, and I found the part with the Doctor and one of the Androgum, Shockeye, to be a rather uninteresting sequence. There’s even a swipe at butterfly collectors if you pay attention to how he’s written.

Otherwise the episode isn’t terrible, but clearly a step down from the other crossover. Still worth enjoying for the performances and Troughton’s last turn as the Doctor.

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BW’s Saturday Article Link> The State OF Novelizations In 1981

I enjoy a good novelization. Novelizations are adaptations of movies, and follows the reverse of movie adaptations. You need to pad out the story for proper book length just as you take stuff out to fit a movie run time, so you add information that wouldn’t be in the movie. Scenes that were cut either during filming or editing may still be in the latest draft the author had available to get the book out on time, so we get to see what might have been in there. The author tries to fill in gaps or explore characters, hopefully with information from the creative process to not be too far off from the director and screenwriters’ intentions. They’re quite fascinating and any movie buff who also enjoys reading should try them out.

So for trivia I’m grabbing this article from the Movie Novelizations fan site going over what was out there in 1981. Did you know you could read one of your favorite movies?

What Sony’s Studio Business Group Should Learn From Concord’s Failure

Ah, Concord. Such hope. Such dreams. Such abject failure.

The live-service “hero shooter” (a term I have issues with for another discussion) was intended to challenge the Overwatch franchise. It was supposed to be the big game for Sony game studio Firewalk Studios and blow gaming away. Amazon even did an episode of their gaming anthology Secret Level exploring the origin of the outlaw Freegunners that the game is centered around. Instead the game that was in development for eight years and cost $400 million to produce died in under two weeks due to low sales and player numbers, leading to the studio being shut down in 2024. That means the game dies before the Secret Level episode hit Amazon Prime. What was the problem? Working with notorious consultant firm Sweet Baby Inc, a group known for caring more about politics than gameplay, was most likely a huge part of it. Sony even refunded the players who bought the game and it may be one game Stop Killing Games wouldn’t even try to save.

Sony would probably love for this to die, but Concord is one of those cautionary tales that seems to persist. Hermen Hurst, Head Of Sony’s Business Group, recently gave an interview where he stated Sony’s game division would be a lot more cautious in the future, as they also bought into the company’s hype. Unfortunately, studios like Firewalk and distributors like Sony keep making the same mistakes by listening to the wrong people. Like I was saying yesterday with Hollywood, people who don’t really care about what they’re making get into the “right” positions and steer a company based on the “cool kids” and the latest cause du jour rather than the people who actually play video games. And it’s rather easy to listen to gamers to find out what they think. They run blogs and YouTube channels that aren’t there to kiss the rears of the developers in exchange for early access they believe will draw a readership and viewership. You just need to get past the shill access media and see what your actual customers believe, a proud function of the internet.

So what did they say about the game? Let’s look at a handful of videos and try to figure out what the players actually said about Concord. Note that some videos will contain swearing, but the only violence we’ll see is the level of the T for Teen rated game.

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“Yesterday’s” Comic> Funny Pages vol 4 #1

Like I said, archers are a requirement in superhero universes.

Funny Pages volume 4#1

Centaur Publishing (January, 1940)

I don’t know if any of you actually do read along with these reviews (stats are not promising on that front) but it should be noted that this one is not in the best condition at Comic Book Plus as of this writing. These are old comics and the fact that someone saved enough of these to make sites like Comic Book Plus and the Digital Comic Museum is amazing. Imagine losing these comic history artifacts. So if anything is missing, like a page or a panel or a bit of text, the fact that it exists is still pretty darn cool. I haven’t read the comics where I know something was taken out for whatever reason, but I’m hoping there’s enough here to do a proper review. Just wanted to give you guys a heads up if you wanted to check these out yourselves.

[Read along with me here]

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BW’s Daily Video> The Rise And Fall Of Comico The Comic Company

Catch more from Strange Brain Parts on YouTube

I always pronounced it more like “Comic-O”, because it was a comic company.

Disney’s “Man Problem” Isn’t DEI, It’s SEECA

With the distractions I’ve had this month, I’m late to the game in discussing the recent Variety article that made the rounds, “Disney’s Boy Trouble: Studio Seeks Original IP to Win Back Gen-Z Men Amid Marvel, Lucasfilm Struggles“. (The continued belief that younger audiences have all the money and none of the sense.) Of course, everybody who’s anybody has already dissected this article and it’s questionable statements. Some came from the culture war conspiracy angle, others from a more creative or business perspective, but there’s one think they all agree on: Bob Iger’s people done screwed up, son.

Of course it’s easy to blame the Diversity, Inclusion, & Equity crowd for the failings to hold onto male audiences. While this primarily means the straight white males, it also includes males of color who see more about themselves than what crayon God colored them with, gay males who don’t attach the totality of their identity to whom they love/sleep with, and even the women they claimed to be going after who also have more going on in their lives than the militant feminists who attack femininity and actually like being women. I just complained about them, and this isn’t even a culture war blog, but the activists have forced their way into conversations about making cupcakes by this point. “Why are the black cupcakes ‘devil’s food’ and the white ones ‘angel cake’?” Even a lousy ad for pants or the usual corporate logo nonsense are touch points in the culture war, and sadly before this article is over I will have to delve into that.

On the other hand, while everyone in my circles are up in arms about DEI, ESG, BRIDGE, and every other far left acronym out there, I’d like to propose a new one at the risk of being part of the problem: SEECA. As Disney was seeking a brand to attract male audiences, they sought to take over Marvel and Star Wars. First, let’s be honest. While Disney is primarily known for Mickey Mouse and company as well as princesses, it’s not like they never made anything that targeted boys. Pete’s Dragon, The Black Hole, Gargoyles, a good chunk of The Disney Afternoon‘s lineup, and Toy Story featuring more boys toys are good examples. There are also stories that tried to give both genders a good showing so they could watch together, and most of Disney’s productions in the 20th century were made for families, not just kids. We could easily separate Disney’s properties pre-Iger alone, including TV movies only I remember existed. (You can keep Jack Sparrow; I’d rather see Black Jack Savage again.) However, “girls brand” is how Disney is perceived and why they went after Marvel and Lucasfilm…and then proceeded to make them girl brands for girls who aren’t interested in the original product because entertaining the women who already liked it would mean still catering to boys.

So what does this SEECA acronym stand for? Let’s go over it one letter at a time, and if you’ve been here long enough you may already figure out where I’m going the moment you see the name.

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