Was It Really That Bad? (An Experiment)

Forgive the clickbait-style title. I’m in a bit of a hurry today.

There are times I wonder if a good or at least decent production is thrown off due to one detail that gives the wrong impression. Obviously a bad adaptation can ruin a good story for fans of the source material that should have just been an original idea, but that’s something I admit too. Let me give you an example, Robert Townsend’s The Meteor Man was the first actual all-black cast superhero movie. It’s actually a pretty good movie. So why didn’t it do any better?

My theory is that Townsend around this time was known for his movie Hollywood Shuffle, which is still a praised movie, and a series of HBO comedy specials. Both were known for social commentary, mostly the treatment of black actors and characters forced to play their stereotypes, as well as rather raunchy humor. The Meteor Man has neither of these. Instead he wanted to give black kids a superhero they could look up to in a story that bypassed those stereotypes in order to raise inner city black kids up. This caused Townsend’s usual supporters to give the movie a pass and in my opinion this unwillingness to let Townsend do something other than raunchy commentary may be why the film never got a decent chance. It’s like when Seth MacFarlane created The Orville without the humor he uses in The Family Guy. the difference is MacFarlane got a better chance as Star Trek fans looked for something closer to the franchise they loved and weren’t finding it in CBS’s offerings.

So I want to try something with a certain Saturday morning cartoon that also is only known for one thing, this time being something it added that is the only thing mentioned. The actual story seems ignored by most internet critics, but I’m not going to say what it is just yet. I’m not going to list the character until I talk about the premise first. Then decide if my theory in something like The Meteor Man has some merit and we can be biased over silly things. (And no, screwing up the source material isn’t silly. There are reasons this material was popular enough to get an adaptation in the first place.) As a friend of mine used to say: “let me pitch it to you”.

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“Yesterday’s” Comic> Star Trek: Voyager–Splashdown #2

“I told Neelix to clean this pool!”

Star Trek: Voyager–Splashdown #2

Marvel/Paramount Comics (May, 1998)

WRITER: Laurie S. Sutton

PENCILER: Terry Pallot

INKER: Al Milgrom

COLORIST: Matt Webb

LETTERER: Chris Eliopoulos

EDITOR: Tim Tuohy

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BW’s Daily Video> Can Aspirational Heroes Kill?

Catch more of Professor Geek on YouTube

“Batman needs to learn…”

What did you think Bruce was doing all those years traveling the world? Learning how to punch? Why is so hard to believe that in searching for new ways of stealth combat and otherwise useless information about the world he wasn’t learning about people, too? For I think the reason he gives ex-cons a job so they won’t go back to being Penguin’s henchmen or something is that when studying criminals he realize that not every criminal commits crimes because they’re evil but because they’re fighting to survive. That’s why some ex-cons go back into crime, because they can’t adjust to a society that won’t give them a second chance. So he gives them that chance.

Sing Me A Story> Coward Of The County

logo for the Sing Me A Story article series

In a previous Sing Me A Story I looked at Kenny Rogers’ “The Gambler“, a short story about a man who meets a gambler and gets some advice before he cashes in his last chip. This is not the only example of a good musical narrative, and it may not even be the best. Rivaling “The Gambler” is “Coward Of The County”, a single off his 1979 album Kenny. This was his second album and one of his crossover hits outside of country music.

As I’ve noted in quite a few previous Sing Me A Story articles covering country music there’s just something about this style that allows for a full on traditional narrative. Rather than just scenes from an incident or a series of incidents with a common theme this is a story on it’s own, which may be why, along with “The Gambler”, “Coward Of The County” had a movie. In both song and movie, Rogers portrays the uncle of a boy named Tommy, whose father dies in prison. Wanting his son to avoid his mistakes he makes the boy promise not to follow in his footsteps, but that promise is challenged when…well, let’s let the song tell the story.

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“Yesterday’s” Comic> Spider-Man: The Manga #22

Yu tries to recreate The Scream.

Spider-Man: The Manga #22

Marvel Comics (December, 1998)

WRITER/ARTIST: Ryoichi Ikegami

TRANSLATION: Mutsumi Masuda

RETOUCH/PRODUCTION: Dano Ink Studios

EDITOR: Dan Natrosis

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BW’s Daily Article Link: What The Highlander Sequels Got Wrong

Considering where this franchise went I could see this happening.

Highlander is a cult classic movie that maybe should have never been a franchise. Only one of the three TV series made gets any praise while the others are a convoluted mess with a continuity that makes little if any sense and contradicts itself like a Geoff Johns series. Sticking to the live-action American theatrical films and ignoring the anime and TV shows when he can, Slade Hale at Bounding Into Comics goes over each of the Highlander sequel movies and explains why they failed.

Chapter By Chapter> TekWar chapter 3

Chapter By Chapter features me reading one chapter of the selected book at a time and reviewing it as if I were reviewing an episode of a TV show or an issue of a comic. There will be spoilers if you haven’t read to the point I have, and if you’ve read further I ask that you don’t spoil anything further into the book. Think of it as read-along book club.

In the previous two chapters, which I had to review at the same time due to how short chapter one was and how it felt like one chapter anyway, we still didn’t get to meet our main character. Instead the time was spent setting up the world and how Jake ended up in cryosleep for his crimes…which frankly doesn’t make a lot of sense. It’s not much of a punishment if you sleep through it all and acclimating back into society would be harder than it already is when you actually spend the time in jail. Plus it would be more expensive having to maintain all that equipment, the prisoner’s life, and considering it’s stationed practically in space that’s even more money and maintenance. It’s one of those things that sounds cool but doesn’t make sense in hindsight. Still, “cool” is what we’re going for so that’s what you get.

I’m assuming in this chapter we finally get to meet old Jake Cardigan. The next chapter after this is actually longer while this chapter reaches the minimum length for a decent chapter review so it’s just the one tonight. Prepare your frozen sweater jokes and let’s see if we actually meet him or if this is just seven pages exploring the unfreezing process. The trip here was explained in detail so that might be the case again. I haven’t read it yet this time.

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