When I was doing last night’s post of The Scooby-Doo Project I did a bit of research into Scott Innes and it led me to Scrappy-Doo in the live-action Scooby-Doo movie. Apparently James Gunn, the screenwriter (though he’s known as a director now, hence why Scrappy said director when he used the Scooby-Doo And Guess Who style intro of the celebrity and totally not because I got his job on the movie wrong no sir not me) hated Scrappy so much that instead of not using him in the movie he made him the villain in the hopes of destroying him. Young fans of Scrappy were not happy with this and neither were some of the old fans, like me. And I have a comic so with that information fresh in my head this comic was inspired.
Over at The Clutter Reports I was setting up for this year’s Art Soundoff. I didn’t have the computer set up to use the webcam yet, and as I said in today’s there will be a lot of experimenting on my part this year.
In addition to Art Soundoff and this week’s latest Chapter By Chapter review of BattleTech: I Am Jade Falcon, I’m going to be busy all week so I don’t even know what I’ll be able to post. I have shopping, doctor, voting, and hopefully working on Captain Yuletide to do so I’m not sure what’s coming this round. I can only try to make it worth your dropping by each day to discuss storytelling. Have a good week, everyone!
Yep, I’m doing this again, but a lot of it will feature experimenting. Hopefully some good discussions will still come out of it.

I’m not a huge Halloween person. As an adult everyone wants to focus on the darker side of the holiday, which doesn’t help much, but even as a kid I would rather dress up as a superhero, a large telephone, a cuckoo clock, or an Imperial Stormtrooper. Yes, these are all costumes I wore as a kid and those middle two were not found in a store. I get my creativity from my parents after all. Even one of the superhero costumes I had was made by my mom and they still don’t make Greatest American Hero costumes as far as I know. However, I can appreciate the fun side of Halloween and while I’m not one who enjoys a scary production I do love Scooby-Doo and a good parody. So here’s one for you.
Airing in segments during a Scooby-Doo Halloween marathon, with the full special airing afterwards, The Scooby-Doo Project is a parody of The Blair Witch Project, the movie credited for jumpstarting the “found footage” horror genre for better or worse. (Yet oddly the sequel was a regular horror movie. And this wasn’t the first found footage film, just the one that made it popular.) It also had fun with the franchise (which of course meant another pop shot at poor Scrappy-Doo) in a story where the gang go on a mystery that goes wrong, camera footage being all that’s found. While other people appear in live action the show characters appear in animated form against live-action backgrounds. Also of note is Scott Innes as Shaggy, Scooby, and Scrappy. Innes took over from the late Don Messick as Scooby-Doo, taking over from Billy West as Shaggy until Casey Kasem returned to the role in What’s New Scooby-Doo. According to rumor (I haven’t heard the confirmation), Kasem demanded Innes off the franchise entirely as one of his conditions to returning, even from the Scooby role, which is how Frank Welker (already the voice of Freddy) took over as Scooby to this day. Innes apparently returned for further Scrappy destruction in the first live-action movie (the Shaggy of those movies, Matthew Lillard, voices Shaggy nowadays) and voiced Scooby for a cereal commercial.
So here’s the special. Have a happy and safe Halloween…those of you who are allowed to go out and enjoy it this year.
Dirk Benedict In The 25th Century
Bluewater Productions (posted to comiXology October, 2014)
WRITERS: Dirk Benedict & Scott Philips
PENCILER: Guillermo Villarreal
COLORISTS: Miky Ruiz & Pablo Povera
LETTERER: Warren Montgomery
EDITOR: Bea Kimera

Some time ago I posted a series of videos by The Cartoon Cypher on the subject of the dub versus the sub and I will be referring to them. I think my conclusion article was a bit rambly. It was about “hack dubs”, where Japanese shows were turned into a completely new, more American show. You know, like the original Voltron, Robotech, Battle Of The Planets, and stuff going back to Astro Boy. I don’t believe this is necessary today but at the time it was the best way to expose America and other Western countries to Japanese animation and we do that now with the Power Rangers franchise and super sentai. Nowadays we don’t need to do that because the anime style is accepted enough. There’s plenty of art and Western shows that take cues from anime if not copy the style outright.
I’m not going to post the video because the video itself isn’t directly tied to this commentary but it is the starting point so I’m about to link to it. In a recent commentary by dannphan (she spells it with a small d, so blame her–and it’s her screenname so I’m not going to tell her she’s wrong–I hated when that happened to me and “ShadowWing”) she discussed a Funimation VA defending dubs…or rather their more recent dubbing style which adds social commentary and political attacks not featured in the anime because Japan couldn’t care less about our stupidity. I’m not going to get into the current backstage drama at Funimation and with the fans because that isn’t what we do ’round these here parts. However, I did make a comment that ended up leading to a conversation with two other commenters.
Changing a line to reflect something that is only understood if you know Japanese culture is one thing. Changing it to make an attack on this or that person or group that the Japanese creators weren’t thinking about and probably couldn’t care less about is not doing that.
Most of the sub versus dub debate involves the artistic side, and I’m more interested in a good story than how artistic it is. However, some good points are made. The two people that responded came from some different angles and were not attacking my viewpoint. They were actually calmly disagreeing with me…which is unusual for the internet, or at least that’s how it appears. One of the conversations did spark what I thought was a good article idea when I was asked:
Make some examples: what are the things you would change and what the ones you wouldn’t.
My initial response that it varies from project to project, which I shall now expand upon in this article. See, good things CAN come from the YouTube comments. Occasionally.
Scooby-Doo #49
DC Comics (August, 2001; posted to comiXology November, 2014)
COLORIST: Paul Becton
SEPARATIONS: Digital Chameleon
ASSISTANT EDITOR: Harvey Richards
EDITOR: Joan Hilty
“The Case Of The Greedy Tar”
WRITER: Brett Lewis
ARTIST: Vincent Deporter
LETTERER: Ryan Cline
“Elf King Swing”
WRITER: Terrance Griep Jr.
PENCILER: Anthony Williams
INKER: Jeff Albrecht
LETTERER: Jenna Garcia








