Finally Watched (a bit of) Mystery Science Theater 3000: The Return

I said back in the first installment of Finally Watched that occasionally I would review a series that I’ve wanted to see for years. Well, tonight I have the opportunity, at least in part. Not having income means not having pay-to-watch streaming services like Netflix available to me. So naturally they keep getting a lot of cool geek shows. Peacock isn’t going to do that and Disney only covers Marvel and Star Wars. Hulu got The Orville but that’s the only one I can think of over there beyond their list of older shows. One of those shows was the relaunch of Mystery Science Theater 3000, with new victim Jonah joining Tom Servo, Crow T. Robot, GPC (the rename of Gypsy to avoid insulting people who may not even watch the show because of the word’s history), and Cambot. The new Mads, Kinga Forrester and Max, are continuing the family tradition of trying to find the worse movie ever that will somehow lead to world domination.

I caught a break however when a bit of insomnia led me to learn that IFC has been airing the early seasons weekly along with broadcasts of the original Comedy Central and Sci-Fi Channel episodes, and that some of the return’s shows were available on demand. However, it only goes as far back as “the gauntlet”.

My theory is that this is a riff on Netflix’s insistence on releasing a full season of a show at the same time rather than weekly or even daily. Mother’s Basement has a good video going over why basically creating the binge culture is bad for discourse and keeping a show a discussion topic, but you can watch that at your leisure. I’m not a fan of it either but I did watch the first three episodes of the Gauntlet to at least give a proper review by post time.

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“Yesterday’s” Comic> Scooby-Doo #38 (DC)

Even Scooby realizes there isn’t enough room for both of them up there.

Scooby-Doo #38

DC Comics (September, 2000; posted to comiXology May, 2014)

PENCILER: Joe Staton

COLORIST: Paul Becton

LETTERER: John Costanza

ASSISTANT EDITOR: Harvey Richards

EDITOR: Joan Hilty

“The Curse Of The Jungle Tomb”

WRITER: John Rozum

INKER: Dave Hunt

“Techno? Heck No!”

WRITER: Bob Fingerman

INKER: Bill Wray

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BW’s Daily Video: Charizard’s Germanic Connection

Catch more Gaijin Goombah on his YouTube channel.

 

And this was before Pokémon Sword & Shield came out. I wonder what his dynamax form would tie in to?

Star Trek: Lower Decks Pilot Drops On YouTube

I have nothing against Star Trek parodies. I’ve seen a number of them over the years and enjoyed them. I’ve even done them myself. Frankly the transporter is a fun gag to play with.

And while Rick & Morty is not my kind of show, episodes of Film Theory and TV Sins have shown that there is more it than questionable gags. There is some heart and commentary in there…though it took a while to start doing that. There’s thought put into it, and one of the show’s writers created the show we’re looking at tonight. So maybe Star Trek: Lower Decks, the Star Trek parody set in the alternate 24th century of the Prime timeline (as opposed to the Classic timeline…long story), can tap into that. I have heard this has not been proven in the pilot episode appearing on CBS All Access, but since I lack…access…I wouldn’t know. However and I don’t know for how long, CBS has posted the first episode, “Second Contact”, on their YouTube channel. Since I’m not sure this is going to be good or how long they’ll keep it up (I don’t think they have Picard‘s pilot episode up anymore) I didn’t wait for Saturday Night Showcase. Plus this is a full-on review that we can watch together before I respond. So let’s watch the episode and I’m curious what you folks think but of course I’ll have my thoughts as well.

First a brief introduction: Star Trek: Lower Decks takes place on the USS Cerritos, a ship responsible for second contact with a new planet. I guess they’re supposed to see how the planet’s reacted to the first contact and begin discussions or however it works. That’s not a bad idea but it also doesn’t focus on the bridge crew per usual. Instead it’s about the other people running the ship. The usual guess is that it was inspired by an episode of Star Trek: The Next Generation also called “Lower Decks“, that focused on some of the less exciting jobs on the ship as other crew members discuss the current mission and get pulled into it. It’s also a great idea for a show and the two together could be okay. I’m however not convinced it needed to be a parody since these are ideas that would work well on their own. Given the other Star Trek shows made for CBS All Access have often included swearing and some rather disturbing scenes I feel it best to warn you we might get more of that here as well. Let’s find out and finally get to the episode.

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“Yesterday’s” Comic> Robotech: Crystal World

Oh, it’s apparently take your son to a warzone day.

The Sentinels Presents…Crystal World: Prisoners Of Spheris (A Worlds Of Robotech Book)

Academy Comics, Ltd. (June, 1996)

WRITERS/ARTISTS: John & Jason Waltrip

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BW’s Morning Article Link: Disney Downs The Fox

Well, it finally happened. Outside of the TV networks still under the Fox name as of this writing 20th/21st Century Fox and it’s subsidiaries have been fully absorbed into the house of mouse, branding and all. Now one of the longest running movie brands in cinema has gone the way of RKO Pictures and so many other forgotten studios.

BW Vs CinemaBlend’s Weird Praise Of Snyder’s Black Supersuit

I don’t understand the defenses and praises by some of these movie websites. The clip above is one of Zach Snyder’s intended scenes for Justice League, released as part of the promotion for the Snyder Cut that presumably will restore this and other scenes removed because Warner Brothers chose the wrong point to course correct on the DC Extended Universe. The actual point was before Snyder was ever chosen for Man Of Steel. The reasons that Snyder was good for Watchmen are the exact same reasons he was a terrible choice for anything with Superman. That’s not a slam of his directing, though I’m not a fan of his style of movie. Not every creator is right for every project. Again, Steven King on a romantic comedy would end poorly. It just means his vision of superheroes clashes with what DC fans expect from an interpretation of the DC Universe and while Man Of Steel was a decent superhero movie it was not a good Superman movie.

Instead WB opted to redo Justice League while Snyder was mourning his daughter’s death, already a bad move, but Joss Whedon’s attempts to work with the footage they had resulted in a movie that lost direction a number of times as Whedon and Snyder’s vision of what makes a good superhero movie clashed. As a fan of these characters I am not looking forward to Snyder’s continued influence though as a creator I respect his wanting to make his movie since all it needed was editing and a few reshoots if a scene wasn’t shot right and that’s not what they did. They also tried to trash Snyder’s fans and demands to release the Snyder cut so it’s also seen as a pushback against fan-bashing Hollywood that HBO Max saw a way to draw in more paying subscriber to their service.

Too many entertainment “news” outlets tend to favor the darker incarnations. We saw that with the woman who interviewed Snyder recently going on about how cool “evil Superman” was to her. Now comes this CinemaBlend article by Sarah El-Mahmoud, and I’m using the web archive version because the ads my host puts you through (that I get nothing out of besides a free host) are bad enough. At least you can click off that white band on the bottom so the ad doesn’t cover the reason you came here the whole time and thus far I haven’t seen the autoplaying video that follows you everywhere that thinks it’s fine because it’s muted. Still, here’s the regular link if you so choose. For some reason El-Mahmoud wanted to praise the use of the black costume and I don’t think she makes the case she thinks she does.

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