BW Pilot Review: Ducktales (2017 reboot)

Created in 1947 by Carl Banks, Uncle Scrooge McDuck started in the comics as Donald’s uncle in Dell’s Four Color Comics, a story titled “Christmas On Bear Mountain”. Over time Scrooge was revealed to be an adventurer who made his wealth through hard work (his catchphrase is “tougher than the toughies, and smarter than the smarties”) and good investments as well as the occasional treasure hunt. He would often go on adventures with Donald, Huey, Dewey, and Louie. Eventually he appeared in a short about proper money management, but his big break outside of the comics was Mickey’s Christmas Carol, where he played his namesake, Ebenezer Scrooge.

From there came Ducktales, a serious inspired by the Uncle $crooge comics. It was so well received that Disney’s TV division created a second series based on Chip and Dale, which eventually led to The Disney Afternoon, a show of lighthearted action shows, which included a re-airing of Adventures Of The Gummy Bears (people seem to forget that started on NBC’s Saturday Morning lineup), Tailspin (based on Disney’s version of The Jungle Book), and the Ducktales spinoff Darkwing Duck, about a Batman-esque crimefighter, even sharing original character Launchpad McQuack. The show also inspired one of Capcom’s most popular NES games, which was recently updated with HD graphics and an expanded storyline.

Over the weekend Disney XD debuted a brand new Ducktales. Frankly, few relaunches have managed to capture the spirit of the original, but this is still a beloved show and needed to tread carefully. It was teased with a series of shorts called Welcome To Duckberg, introducing the characters we’d see in the full show. Disney XD even played the two-part pilot, “Woo-hoo”, all day on Saturday. They really want to get this show an audience, but the question is whether or not it deserves it? Well, I wrote the review last night and even posted it to Patreon. Today however I came across Disney XD’s actual posting of the pilot to their YouTube channel. You may recall they did the same thing for Milo Murphy’s Law so I could make it a Saturday Night Showcase feature. But since we’re in the middle of the Voltronathon why not just edit the review and add it in now? There are minor spoilers in the review itself in case you decide to watch the episode later. Enjoy!

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“Yesterday’s” Comic> The Ray #0

“Help! I’ve been overloaded by the 90s!”

The Ray #0

DC Comics (October, 1994)

“Missing”

WRITER: (Christopher) Priest

PENCILER: Howard Porter

INKER: Robert Jones

COLORIST: Pat Garrahy

LETTERER: Ken Bruzenak

ASSISTANT EDITOR: Ruben Diaz

EDITOR: Brian Augustyn

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BW’s Morning Article Link: Luke Skywalker Vs. Overmarketing

Star Wars: The Last of the Jedi

Star Wars: The Last of the Jedi (Photo credit: Wikipedia)

Star Wars: The Last Jedi, JJ Abrams’ trilogy, is sure to be marketed until the people not trying to theorize every part of the movie before it hits theaters in December get sick of hearing of it. This is why the director and Mark Hamill himself is suggesting you ignore it all. Good luck. I remember The Force Awakens (which I still need to see but already had a big reveal RUINED FOR ME!) was all over the place and it was only being in the hospital most of last year that spared me from the brunt of Rogue One marketing. Good luck, though!

Jake & Leon #328: Mad Science For Good

Isn’t the real question “how does a death ray benefit humanity”?

I don’t regret going through Seduction Of The Innocent because I’ve always to see what Fredric Wertham actually said, and it’s an interesting discussion topic about people who don’t understand comics or storytelling, but I didn’t expect it to eat up so much time. Reviewing fictional novels one chapter at a time is easier to summarize and review than non-fiction and I don’t plan to do it again. However, I’m only taking a week off from the book, and going every two weeks so I can discuss something else. There’s only five chapters left and I’m still not going to make it without a breather.

So this week will be my review of the rebooted Ducktales pilot, a look at the first issue of Titan Comics’ Robotech reboot…and things that aren’t reboots of 80s cartoons. Over at The Clutter Reports I did some more dusting and reorganizing. And the Voltronathon will continue on Saturday Night Showcase with the underappreciated Voltron vehicle team, and the show that it came from. I’m even going to fit in a commentary and…the debut of a brand new article series! It should be a full week, just with more than one topic.

Saturday Night Showcase: The Original Voltron!


http://www.gettyimages.com/detail/news-photo/reebok-voltron-shoes-are-displayed-at-the-rbk-style-lounge-news-photo/75945990

While the giant robot genre seems to have all but disappeared in anime (or at least if it still exists none of the anime reviewers I follow acknowledge it and I see little promotion of it), there was a time when they were all over the place. The closest nowadays are war mecha anime like the Gundam franchise. But in the 1970s and 1980s there were a ton of these guys. Sadly not to many made it to states. Some of the concepts were packaged into a toyline called Shogun Warriors, which had a comic book series from Marvel (two issues of which I’ve reviewed), but not much else. The two exceptions were Tranzor Z, a dubbing of Mazinger Z, and the show that captured kids hearts…Voltron: Defender Of The Universe! You know that Mighty Orbots show I bring up a lot? That was partly inspired by Voltron, only the robots were sentient mechanoids in the traditionally Western style of robots rather than simply machines. Japan usually only uses those for comic relief or something, with some exceptions.

I remember when a new station in Connecticut, Channel 61 would run this one section of the show as a teaser prior to the channel’s full launch, and I was so looking forward to this series, and man did it not disappoint. Having to miss the finale of a multi-part storyline made me unhappy and disagreeable for the rest of the day, and that was bad timing considering what I was doing. (Not illegal, but personal. Please respect.) I really loved this show, which may be why I was as critical as I was to Legendary Defender, which seemed like a really good show. But it changed far too much of what I liked about the original, and not because I can’t accept change. My reviews of the Devil’s Due comics should be proving that. I also own the Panosh Place version of the five lions and their pilots, although the various Matchbox toys were closer to the show model. They also didn’t have to hold Star Wars-sized action figures.

Last week we looked at the first five episodes of Beast King GoLion and I said this week we would look at the first five episodes of Voltron. World Events Productions purchased the rights to three giant robot anime (although only two of them were ever produced, more on that in later installments) to create the “Voltron Trilogy”. Elements of one of those shows, Armored Fleet Dairugger, were used to bridge it with the other show they ended up keeping, GoLion. You’ll see people in military uniforms, which comes from Dairugger, since in Voltron the Earth was never destroyed in a world war. There are also some minor changes, like when we learn about the robot, what Voltron’s origin is compared to GoLion, and also some minor details. See if you can spot them all before we’re done, and I don’t mean the lack of death.

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“Yesterday’s” Comic> Superman Adventures #18

“But you said you wanted a convertible.”

Superman Adventures #18

DC Comics (April, 1998)

“It’s A Super Life”

WRITER: Devin K. Grayson

PENCILER: Aluir Amancio

INKER: Terry Austin

COLORIST: Rick Taylor

LETTERER: Lois Buhalis

ASSISTANT EDITOR: Maureen McTigue

EDITOR: Mike McAvennie

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Chapter By Chapter Special: Seduction Of The Innocent ch. 9 part 5

Five parts. It took me five parts just to get through Wertham’s comments about people who defend comics, whom of course to Dr. Wertham are the most horrible people ever to walk the face of the earth, despite the war they were in last decade! With the Friday Night Fights preempted this week I have an opening to finish this chapter off, and then in two weeks we’ll get through the next one because I need a break from this book.

I’m not going to say he didn’t make a good point or two, but he made more than two points, so the rest of them have shown not only his ignorance of comics but in this chapter specifically he’s proven a snobbery against the comic medium. If he was trying to bring more balance to the stories or noting that there are comics kids shouldn’t be reading while the adults can, that would be okay and the problems would come from him being in the 1950s. Instead we have a man who is targeting comics as a scapegoat because he doesn’t see the changing landscape of a post-war, post-depression United States. Rather than attempt to improve comics he opts to destroy comics because they are not books. And that’s where most of these problems stem from. Although as we’ll see not all of the problems. Again…1950s.

If for some reason you haven’t read this yet, do so!

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