“Yesterday’s” Comic> dinoDames #1

No, the comic is not called “Trash”. Look in the corner of the cover. That’s the title.

dinoDames #1

Markosia

no credits, no cover date, and the cover is confusing as to what the actual title of the comic is. Someone screwed up the digital edition I’m working with.

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BW’s Daily Video> Sci-Fi Tank Designs Are Weird

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Transformers: How I’d Write Cybertronian Life

(l to r: Windblade, Bumblebee, and Rubble)

In a previous post in what I guess I’m making a prose series, I talked about how I’d combine the Quintesson and Primus origins of the Transformers. If I had to choose I prefer the Quintessons as they’re more sci-fi and less supernatural, but nobody asked me and somehow Simon Furman’s comic book take bled into the cartoons. I blame Beast Wars, but what can you do? I like my compromise and hopefully someone else did as well. It got a few likes but no real push for more, so I was ready to call it there and move on.

My brain was not.

I’ve mentioned before that I don’t like the modern day backstory for Cybertron, the whole “forced caste system” leading to Cybertron being a terrible place, with Optimus and Megatron simply fighting over replacing a bad system. A system that makes no sense to me since literally from episode one of the cartoon and issue one of the comics we see that they can change their alternate modes pretty easy even before the protoform concept was introduced. (Also blame Beast Wars for protoforms and sparks and things, but I consider them good additions.) I prefer when the Autobots were fighting to protect something, though even before they left Cybertron they seemed to be losing. It made the Autobots seem like cooler characters and I wanted them to restore Cybertron and win the war more than the current ideas. The war is a bit more tragic when something good is being lost rather than the place being terrible and just choosing what terrible idea to replace it with.

So I want to write my own idea of what started the Great War between Autobot and Decepticon, building off of the shared origin. Before I do that I need to create a more positive culture of Cybertron, one that feels right for shapeshifting robotic lifeforms that should still feel like a living world but less like humans. Before I do that, however, I need to come up with the basis for Cybertronian culture, customs, traditions, and society. That means not just how Transformers live but the basis of their entire existence.

In the origin I did mention that the Quintessons created transforming robots for use as merchandise and war, but that Primus created the All-Spark, a copy of his lifeforce the Quintessons were using to power the planet, out of the planet’s energon. I also went over how sparks in my headcanon work (taking aspects from the cartoon and the comic as well as the toys that are the “source material” of this franchise), and how they chased the Quintessons off. The recent compilation update by Transformers: The Basics also helped me try to figure out just how Cybertronians in my version would live, which would be the origin point for their culture and society. Looking at previous takes on sparks, energon, and transforming among other aspects of the Transformers, as re-imagined in different continuities, gave me a starting point, but in order to get where I want to I need to come up with what my version would be like. I’m going to be pulling more from the toys and meta logic when it comes to the concepts I’m playing with, using various media takes to fill in gaps and form the building blocks of life on a planet of robots who can transform into things. Let’s see what I can come up with.

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“Yesterday’s” Comic> Sonic The Hedgehog #103

The title might fit the story, but how they got away with using the TV show’s logo I couldn’t tell you.

Sonic The Hedgehog #103

Archie Comics Publications (January, 2002)

WRITER: Michael Gallagher

INKER: Harvo

LETTERER: Vickie Williams

EDITOR: Justin Gabrie

“Freedom Fighters Of The Galaxy” part 1

PENCILER: Jim Valentino

COLORIST: Stephanie Vozzo

Downunda Freedom Fighters: “Myth Taken Identity” part 1

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BW’s Daily Video> Times Censorship Benefited Batman: The Animated Series

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X-Men ’97 Showrunner Exposes Marvel Studios’ Biggest Fail

Yes, I’m late to the party. I have more important priorities this month, but I did finally have time to look into Beau DeMayo’s comments about working on X-Men ’97 when it comes to dealing with Marvel Studios, and while DeMayo clearly has some personal biases, it does confirm some of the issues I have with modern Marvel in live-action and in comics. Also this is the same guy who exposed similar approaches by the writers of The Witcher, which also seemed to be against the source material as previously exposed by Henry Cavil, the former star of the series. So despite DeMayo’s personal beef about being fired, allegedly for his OnlyFans accound and allegations of acting like a pervert to the team, I’m inclined to believe at least most of his comments.

Said comments were about how Marvel Studios treated his show, how they planned out Marvel Cinematic Universe productions, and confirms their opinion on the source material, the comics that Marvel gets its name from. I’ve brought up multiple times that Hollywood, including Marvel’s adopted parent company Disney, looks down on comics and cartoons. DeMayo, being an alleged fan of both, worked on the two things they hate. While some of what he says could be chocked up to personal bias as to how he felt he was treated and I can’t rule out confirmation bias without further unbiased confirmation, everything I mentioned when it comes to Marvel history and Hollywood history (there’s a producer who outright stated in an article that he didn’t want someone who knew the comics to work on the movies), is proven accurate with his comments. That disclaimer aside, let’s read the actual comments.

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“Yesterday’s” Comic> The Peacemaker #1

He should fight the guy who designed his helmet.

The Peacemaker V3 #1

Charlton Comics Group (March, 1967)

I’m not sure where the “volume 3” is coming from. While this isn’t Peacemaker’s debut it is his first solo title. His stories first appeared as a back-up in The Fighting Five until it was cancelled and Peacemaker got his regular series for six issues. I might get to that eventually in the Friday reviews, but that’s a long way off. I don’t think DC ever took them on, so I’m just focusing on the solo comic. If you’re curious, Linkara did a review of his actual debut story.

“The Killer On The Reef” and “The Hidden Power”

no credits outside of a splash page credit I can’t read

The Fighting Five: “Ruler Of Darkness”

only credits are “Montes & Bache”

[Read along with me here]

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