BW’s Daily Video> Marvel Abandoned Women…But Not Through Ratios

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NIntendo Switch 2: The Switchening

I don’t usually discuss hardware because this is a site dedicated to stories. However, the last few video game related articles I’ve done have been going over terrible games like Suicide Squad: Kill Your Heroes or Assassin’s Creed: We Ruined That Japanese Game You Kept Begging For. I want to bring up happier things, so we’re doing this.

Yes, Nintendo is ready to drop it’s sequel to the Switch, with the uncreative name of Switch 2. Someone won a contest for “can we think of a lamer next console name than Wii U”. Good on them. Come on, guys, gives something more interesting. Switchtastic or something. I don’t care. I know it’s just an upgrade to the original with not a lot of new things…and that’s what interest me.

Nintendo stopped chasing better graphics and went for more interesting gameplay with the original Nintendo Wii, and it forced Sony and Microsoft to suddenly play with technology on their systems at the time. With Switch 2, as you see in the trailer, there are some minor new features, but they seem to be more interested in upping the existing tech rather than adding some new feature, unless you count doubling as a mouse as a new feature. I’m going to grab bits from Nintendo’s four-article “Ask The Developer” feature on their news site because…well, it’s easier for a text site to comment on text than a long video. In it, producer Kouichi Kawamoto, Switch 2 director Takuhiro Dohta, both from the Entertainment Planning & Development department and Tetsuya Sasaki, general manager of the technology development division, go over what can be expected from Switch 2: Electric You All Know This Gag By Now. I’ll link to all four articles, though I’ll only bring up the parts that interest me as a mostly-casual gamer and big fan of storytelling.  Otherwise this would read Seduction Of The Innocent levels of analysis. What can the new Switch do that the old one can’t besides take up more room on your TV stand and be slightly harder to take with you?

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“Yesterday’s” Comic> Charismagic #0

“Not my fault my car can’t fit your fat a…” “Shut up, bird!” “That’s hurtful.”

Charismagic #0

Aspen Comics (December, 2012)

“The Void”

CREATOR/WRITER: Vince Hernandez

CHARACTER DESIGNS/ARTIST: Khary Randolph

COLORIST: Emilio Lopez

LETTERER: Josh Reed

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BW’s Daily Video> What Happened To Sidekicks?

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Personally, I miss sidekicks. This is what happens when your movie makers hate fun and hate kids.

Peter Parker Or Peter Pan?

Making Peter Parker into Charlie Brown meets Archie Andrews, the ever unlucky girl chaser, was bad enough. Now it seems the adaptation trend we’ve said was also desired by the comic writers is proving more and more true.

We’ll be looking at two different articles from Bounding Into Comics contributor Spencer Baculi that you may want to check out for context. First we have his response to an April 1st article that’s less interested in April Fools Day than I am. The actual article, also linked to for context, comes from AIPT Comics, whatever that stand for. It features new Amazing Spider-Man writer Joe Kelly, the same guy who thought giving Space Ghost a grimdark makeover that included his unborn child being ripped from his dead wife’s body by the hero’s former mentor and his psycho subordinates, was a great way to update a 1960s Saturday morning cartoon for kids that also aired in syndication in the 1970s and was back on air in the 1980s before getting a late night talk show parody that probably defines how people think of Space Ghost. Tim Burton and Len Wein you’re not, Joe!

The other article to be looked at is Spider-Editor Tom Brevoort at it again, again arguing with fans who want the Spider-Marriage restored on his Substack. Together they show the pattern we’ve seen with adaptations is where they might want to take the comic. Absolutely positively? Maybe not, but it does show that “regression” is the word for the day at the Spider-Man offices. Every Spider-Man adaptation tries to start Peter at high school even if it isn’t his origin story, and they love doing those as well. (Control the origin, control the character.) Ultimate Spider-Man started him as an adult with a family, which is not the same as watching Peter balance his two lives as we see the kids grow up. and all the joys of early fatherhood. (May I never hear the term “girl dad” again, unless someone finally shows the same excitement from being a “boy dad” because dad was a boy once. Nothing against girls at all. I wouldn’t mind one of each, though at my age that seems more and more unlikely.) It seems the writers who insist they never want Peter to be old (except when running a science company started when Dr. Octopus stole his body) are doing everything they can to shove him back into a teenager. These two articles certainly point to rather strong evidence I’m right.

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“Yesterday’s” Comic> Sonic Super Special #14

“Just throw characters everywhere. That’ll generate excitement.” [facepalm]

Sonic Super Special #14

Archie Comics Publications (2000)

COVER ART: Spaz & Penders

COVER COLOR: Josh D. Ray

COMIC COLORS/SEPARATIONS: Josh & Aimee Ray

LETTERER: Vickie Williams

EDITOR: J.F Gabrie

Sonic The Hedgehog: “Law Of The Land

PLOT: Evan Skolnick

WRITER: Jim Spivey

ARTISTS: Suzanne Paddock & Harvo

Knuckles The Echidna: “The Best Of Times, The Worst Of Times”

WRITER: Ken Penders

ARTISTS: Steven Butler & Pam Eklund

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BW’s Daily Video> Disney’s Fillmore and How Fiction Is Not “Just Stories”

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The fact that this was produced and distributed by Disney for theIr Saturday morning block on ABC and ironic given how many Disney-purchased studios and Disney itself seems to have forgotten this message.