NOTE: Drunk Scotsman swearing included
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TV Tropes gives it the name “Girlboss Feminist“, but among critics it’s known simply as “the girlboss”.
Whenever I get into the mood, usually when I hear another “there was no strong women heroes until this production” line, I post a list of strong female heroes, super and otherwise, that I grew up with. I knew that girls could do anything a boy can do by example instead of ads or force, though not many girls wanted to do the things boys do, and when they did they had their own way of defining and achieving success. Not counting “tomboys” of course, back when they were allowed to be a straight girl who just happened to prefer sports to Barbie and pants to dresses. That’s a discussion for another time. The point is there were women in fiction that I admired and even as a boy took positive moral and personal lessons from while still being perfectly happy with my boy parts and wanting to kiss girls. For the record I never had a “girls have cooties” phase but I still had to grow into wanting to kiss them. Sadly they never grew into wanting to kiss me during my school days. That’s a discussion for no time you need to worry about.
Nowadays, as the activists have ruined storytelling, we have the “girlboss”, a militant feminist power fantasy so strong that even regular feminists are pushing back against…some of it, and regular women are outright opposed to, from authors to actresses. The girlboss is for the “modern audience” crowd, and if you don’t worship them you’re either a sexist man or a self-loathing woman. At least that’s what they say, but as modern Hollywood likes to forget past Hollywood happened they also ignore the women I grew up watching who were just as awesome as the men, but in their own way. What’s the difference between a strong heroine and a girlboss?

“Congratulations, fan, you get to write a Charlton comic.” “Yay!” “The final issue of Son Of Vulcan.” “Awwww…”
Son Of Vulcan volume 2 #50 FINAL ISSUE
Charlton Comics Group (January, 1966)
“The Second Trojan War”
WRITER: Roy Thomas, because we all have to start somewhere, and for Roy this was it. He won a fanzine contest or something and this was his first professional writing script. Poor guy.
PENCILER: Bill Fraccio
INKER: Tony Tallarico
no other credits
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Our two-chapter section continues. Last time we had one important chapter and one not very important chapter. That’s one of the problems of this series almost two books in. When it’s on point it does a good job. When it’s rambling it gets boring.
I think this leads to how long these two novels have been, feeling a lot like padding to be a bigger novel than it needs to be, and I expect this to happen when I get to the remaining novel in this series I have to go through as well as the NetForce novel I also have from the mind of Tom Clancy. We’ll find out when we get to those, but that’s a long time coming, even with only ten more chapters to go with this book and how many of these reviews will be two chapters in length due to the lack of length in the chapters.
Enough of all that, though. Let’s see if there’s a way to salvage this mission and learn who all the good and bad guys are in this version of Russia.
Warstrike #3
Malibu Comics/Ultraverse (July, 1994)
“The Politics Of Greed”
WRITER: Dan Darko
PENCILER: Hoang Nguyen
INKER: Alex Bialy
COLORING: Tim Duvar & Violent Hues
LETTERER: Susan Dorne
EDITOR: Roland Mann
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I had to pause when he mentioned Jackpot’s super power giving machine had a “death” setting. Why would you do that?