Saturday Night Showcase> Godzilla Raids Again

I don’t hate Halloween but it’s not my type of season. The spooky, the monsters, the scares…all of that just clashes with my hero-loving persona. I want to see the hero beat the monsters, not be the last person standing until the jump scare before the credits. I never wanted to be a monster for trick or treating. My mom made me dress as a monster for middle school once. It didn’t go well. Otherwise the only “evil” costume I had as a kid for trick or treating was an Imperial Stormtrooper costume, one of those cheap ones with the oversized bib and the cheap plastic facemask that barely lasted the night. Otherwise, I went for superheroes or silly costumes, like a cuckoo clock. That’s just how I rolled.

For this Halloween I was going to present four Halloween specials I actually enjoyed…except that’s a short list and my first choice isn’t up officially yet, nor could I find an unofficial post as a placeholder. So the heck with it, I’m just going to do Godzilla movies, specifically four that show his rise from villain to hero.

I’ve already posted the first two Godzilla movies, or rather the original Japanese sub and the English rework of the first movie. I also have the original King Kong crossover and Godzilla Vs. Gigan if you’re curious. The first two I’m posting for this month are the last times Godzilla was evil until the 1980s reboot of the franchise. Godzilla Raids Again features the return of Godzilla, or possibly a different Godzilla, though not the different Godzilla from Godzilla Vs. King Ghidorah that I did my first video review of and let’s not start that time travel headache again. I also posted the full movie when I could. As of this writing I can’t.

In this one Godzilla isn’t alone. This is also the debut of Godzilla’s Heisei era sidekick, the often abused Anguirus. Their first meeting, however, was as enemies, and guess who gets to be the battlefield. Can Japan find a way to stop two monsters without the weapon that didn’t solve their problems last time? Here’s where we hit an issue, and I apologize. The original Japanese sub is currently on YouTube with ads as part of their Movies & TV section, but to bring you the English dub I have to go to the Internet Archive, which embeds weird, but I’ll toss a link in there so you can watch it that way. Either way you choose, enjoy!

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“Yesterday’s” Comic> Blue Beetle #28

They did warn this was the most dangerous ski slope.

The Blue Beetle #28

Holyoke Publishing (December, 1943)

Well, we’re almost done with the Holyoke period of Blue Beetle’s life and I won’t miss it. While Fox will probably still do the anthology thing because it’s the Golden Age I’m hoping they bring back better writers. I’ve made it no secret that I’m not a fan of this run, if only because I needed something to put in here for the homepage since credits on an anthology that often forgets the credits is not available to put here. There have been some odd choices and I’m curious what Fox keeps when they get the character back, if anything. We have this and two more issues to finish this run before we can find out.

[Read along with me here]

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Beast Machine Hunters> The First Story Bible part 4

Two more to go and this one will be a bit short to make sure I have enough room to do all the deep character profiles together. That will end our look at Marv Wolfman’s original story treatment for Beast Hunters, the show that was reworked into Beast Machines.

Last time we had a small problem in that the file I’m using had a page in the wrong spot. I don’t know whose to blame and I wish I had spotted it before I was too far in to the article to find the right page in the wrong spot. I needed up by post time and didn’t want to rewrite a bunch of stuff. So we’ll fix that mistake in this installment and conclude the story side for Beast Hunters, a story clearly way too ambitious, based on watching season 1 from the looks of things, and really hated Rattrap. Like the kind of hatred reserved for Snarf.

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“Yesterday’s” Comic> Star Power #10

When they say “take a book, leave a book”, they mean it! Leave that book!

Star Power #10

(May, 2015)

“The Search For Black Hole Bill” finale

WRITER: Michael Terracciano

ARTIST: Garth Graham

[Read along with me here]

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BW’s Daily Video> The SDCC Masters Of The Universe Origins Set Had A Minicomic

Found this one on Twitter so that’s the post I’m using:

As a bonus Free Comic Inside minireview, I would have liked to see He-Man’s fight with Skeletor but it’s not a bad origin story. Catch more from Masters Of The Minicomic on YouTube.

The Themes Of Transformers Factions

Not ALL the factions, mind you. In the years since Hasbro took random Japanese transforming robot toylines and split them all up into two warring factions, we have gained a whole bunch more factions in the Transformers franchise, depending on continuity. Predacons alone have two factions and a Combiner team using that name. Mini-Cons, Blendtrons, Quintessons, Mutators, and a whole host of others are more united by a gimmick than a set of values. Instead, our focus for this commentary will be on the original two born of similar but not completely shared values: the Autobots and Decepticons.

The Primus origin for the Transformers, the one that has become official multiversal continuity despite the G1 cartoon allegedly being the more important media, doesn’t give a lot of reasons for the factions. Every comic, cartoon, and movie since has had different reasons for the forming of the Decepticons. In the original cartoon Quintesson origin the factions were almost destined to exist. Creating robots to sell off, these pre-Transformers were split into consumer goods and military hardware, the precursors to the Autobots and Decepticons respectively. While this could have informed their general differences when they gained sentience and overthrew their creators, we do see evidence that this isn’t the case. There are military minded Autobots and laborer Decepticons with the alt modes to match, but usually it’s the Decepticons with the war modes and Autobots with the casual, cool, or rescue themed modes. It’s more a majority of A went in one direction and the majority of B the other, taking a few stragglers from their opposites along the way. So even when you have an origin that forces them into one perspective or another there are outliers.

However, since that origin has Megatron being created by the Decepticons to be their leader and multiversal continuity states Megatron formed the faction himself we won’t look too hard at that. Besides, it’s through the tech specs, the character bios they stopped putting on Transformers figures outside of the occasional homage packaging, that tells the real story of the division between Autobot and Decepticon and what the external creators had intended for the mythos. It’s a story that seems to be ignored by more recent continuity giving us evil Autobots and a reformed Megatron, a Cybertron that even when run by Autobots was a terrible place to live, and why that doesn’t reflect the story the creators, Hasbro and the original Marvel-produced concepts by the likes of Jim Shooter and Bob Budiansky, were actually trying to tell with the factions. That doesn’t mean you can’t tell a deeper history but modern writers don’t seem to fully understand why Autobots and Decepticons exist beyond selling toys, and why the simpler ideas of the kids toyline don’t have to be abandoned in order to tell a mature story. Unless your version of mature is just about explosions, gore, nudity, and cynical “people suck” deconstructions.

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“Yesterday’s” Comic>Superduck And The Complicated Absolute Meringue Cake

“Actually, Daffy was okay with this. It’s Goofy that’s mad at me for stealing his bit.”

Superduck And The Complicated Absolute Meringue Cake

Disney Comics (digital comic; December, 2013 according to Comic Vine)

This is where I would put the credits if I had any.

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