Found this one on Twitter so that’s the post I’m using:
As a bonus Free Comic Inside minireview, I would have liked to see He-Man’s fight with Skeletor but it’s not a bad origin story. Catch more from Masters Of The Minicomic on YouTube.
Found this one on Twitter so that’s the post I’m using:
As a bonus Free Comic Inside minireview, I would have liked to see He-Man’s fight with Skeletor but it’s not a bad origin story. Catch more from Masters Of The Minicomic on YouTube.

Not ALL the factions, mind you. In the years since Hasbro took random Japanese transforming robot toylines and split them all up into two warring factions, we have gained a whole bunch more factions in the Transformers franchise, depending on continuity. Predacons alone have two factions and a Combiner team using that name. Mini-Cons, Blendtrons, Quintessons, Mutators, and a whole host of others are more united by a gimmick than a set of values. Instead, our focus for this commentary will be on the original two born of similar but not completely shared values: the Autobots and Decepticons.
The Primus origin for the Transformers, the one that has become official multiversal continuity despite the G1 cartoon allegedly being the more important media, doesn’t give a lot of reasons for the factions. Every comic, cartoon, and movie since has had different reasons for the forming of the Decepticons. In the original cartoon Quintesson origin the factions were almost destined to exist. Creating robots to sell off, these pre-Transformers were split into consumer goods and military hardware, the precursors to the Autobots and Decepticons respectively. While this could have informed their general differences when they gained sentience and overthrew their creators, we do see evidence that this isn’t the case. There are military minded Autobots and laborer Decepticons with the alt modes to match, but usually it’s the Decepticons with the war modes and Autobots with the casual, cool, or rescue themed modes. It’s more a majority of A went in one direction and the majority of B the other, taking a few stragglers from their opposites along the way. So even when you have an origin that forces them into one perspective or another there are outliers.
However, since that origin has Megatron being created by the Decepticons to be their leader and multiversal continuity states Megatron formed the faction himself we won’t look too hard at that. Besides, it’s through the tech specs, the character bios they stopped putting on Transformers figures outside of the occasional homage packaging, that tells the real story of the division between Autobot and Decepticon and what the external creators had intended for the mythos. It’s a story that seems to be ignored by more recent continuity giving us evil Autobots and a reformed Megatron, a Cybertron that even when run by Autobots was a terrible place to live, and why that doesn’t reflect the story the creators, Hasbro and the original Marvel-produced concepts by the likes of Jim Shooter and Bob Budiansky, were actually trying to tell with the factions. That doesn’t mean you can’t tell a deeper history but modern writers don’t seem to fully understand why Autobots and Decepticons exist beyond selling toys, and why the simpler ideas of the kids toyline don’t have to be abandoned in order to tell a mature story. Unless your version of mature is just about explosions, gore, nudity, and cynical “people suck” deconstructions.
Superduck And The Complicated Absolute Meringue Cake
Disney Comics (digital comic; December, 2013 according to Comic Vine)
This is where I would put the credits if I had any.
NOTE: Features some hard swears and a lot of cleavage.
Catch more from Comic Drake on YouTube
Funny thing is, the New 52 costume that lacked a boob window is one of the few New 52 designs I liked.

No, the other one. With the cooler cape design.

Bonus for an image where she punts Damien.
It’s like when they took the “Walt” out of “Disney” they took everything he wanted to do and replaced it with corporate nonsense. Ever since Michael Eisner’s direct-to-video sequels that were not good continuations of the original movie, Disney has made bad decisions. And Walt’s name was still on the company at the time. Walt was an animator and despite having released live-action movies without animation he never forgot the power of animation. If anything he was responsible for showing the power of animation when it comes to storytelling, the ability to do things in cartoon form that were impossible to pull off in live-action due to the unreality of the cartoon world versus the regular human world.
Now the trend of making live-action remakes to “fix” the dirty cartoons and make sure they can win an Oscar from the Academy Awards, forced to shove animation into it’s own category so the “real” actors wouldn’t have a fit over a cartoon being nominated for Best Picture, has set it sights on Bambi. Mostly based on Felix Salten’s 1923 novel Bambi, A Life In The Woods, with whatever changes Uncle Walt would do because they’ve never been completely accurate to the source material, and you may not want to look up Salten’s history because…the dude was not a well man. The 1942 film left out a lot of animal vs animal violence and a scene where Bambi’s dad shows him a dead hunter, murdered by another hunter. Walt had considered adding it according to The New Yorker but the test audiences didn’t really go for it. All we actually got is Bambi’s mother dying, which became an issue for hunters and conservationists alike.
However, it’s the death of Bambi’s mother that appears to be the big complaint against the movie. Some kids are really sensitive and can’t handle it. That’s fine and I’m not going to call a kid out or a parent over-colliding for keeping a sensitive kid from it. These things happen. On the other hand, with a director coming from the remake of Pet Cemetery coming you’d think they wouldn’t be against that scene. In the case of Lindsey Anderson Beer you’d be wrong.
Sonic The Hedgehog #53
Archie Comics (December, 1997)
COLORIST: Karl Bollers
LETTERER: Jeff Powell
EDITOR: J. Freddie Gabrie
“Unfinished Business”
WRITER/INKER: Ken Penders
PENCILER: Art Mawhinney
“Sounds Of Silence”
WRITER: Karl Bollers
PENCILER: Sam Maxwell
INKER: Pam Eklund
Catch more from Eric “Youngrippa59” July on YouTube
I considered building a post around this video, as someone who wants to get into comic creation. Could this be a route for me given the current condition of the DC and Marvel universes just from how the stories themselves are being treated. Since he plans to go over each point in more detail I decided to wait and compare what he says about each of his points to my current situation and what options I have not having his money or audience going into this, and being my own writer and (questionable) artist/colorist/letterer. So when he posts his installments I’ll build articles around those with what I’m thinking.
When it comes to one-shots I may do graphic novels like he did, and that was reflected in price totals he listed. However, when I get to full series I’d like to be more traditional at 24 pages because that’s what a comic series is to me, a TV show versus a movie to use the comparison I bring up a lot. That will change my numbers, as well as considering a print version of Captain Yuletide as more of a minicomic, maybe the size of a manga physically but with less of a page count. This should be interesting to analyze as this series continues.