Preschoolers Are Getting The Best Superhero Shows?

I already know what some people reading this are going to say. I’ll be accused of not growing up, or having Peter Pan Syndrome, or some other crap. “You’re 50 years old (though you don’t look it)! Why are you watching superhero shows for five-year-olds? You should watch the stuff made for your age group and like it!”

Oh, you mean the shows that never heard of primary colors or sunlight? The ones where everyone are angsty and brooding revenge seekers? The ones that try to NOT be a superhero show whenever possible? One that couldn’t care less about getting anything right about the source material? If I were going to watch superhero shows for grown-ups I’d go back to the 1970s to maybe mid 1990s, when superhero shows for grown-ups were superhero shows. Or maybe go father back and watch the ones for older kids, a demographic that today has no superhero shows unless you count Power Rangers, which is moving to Netflix and thus will probably lose a bunch of audience, and the Lauren Faust version of DC Superhero Girls, which is just Friendship Is Magic with characters better done by Shea Fontana. No offense to Faust but you should have made Super Best Friends Forever again because that looked less like you were ripping yourself off…not that I’d be surprised if that’s just what Cartoon Network asked for because they ain’t too bright up in the CN offices lately.

Look, I have my limits when it comes to kids TV. Don’t even try to get me to watch Cocomelon or anything involving baby sharks (I have somehow managed to avoid the full version of that song for years) because even I can’t deal with those shows. However, my philosophy has always been “a good story is where you find it”, and demographics will not decide what’s “made for me”. I refer you to the previous mention of Shea Fontana’s version of DC Superhero Girls or the numerous articles mentioning Paw Patrol and other Nick Jr and Disney Jr shows. I’m also not the only adult watching Bluey despite not having kids because it’s a well-written show for kids and their parents. You think “Fairytale”, the episode where Bandit tells his daughters about growing up in the 1980s didn’t have parents in mind?

I therefore present the following commentary: that kids are getting better superhero shows than adults are, or rather preschool and early elementary school kids are because the older kids are getting diddly squat right now. I don’t expect adult superhero stories to become exactly like them because then they’d be kids shows. That said, there are reasons I prefer to watch these younger shows, and there are lessons “adult” superhero shows could take from them.

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“Yesterday’s” Comic> The Secret Lives Of Julie Newmar #0

“No, I was Catwoman, not Poison Ivy!”

The Secret Lives Of Julie Newmar #0

Bluewater Productions (September, 2012)

“Time Has Come Today”

WRITERS: Marc Shapiro & Julie Newmar

ARTIST: Emiliano Urdinola

LOGO DESIGN: Adam Ellis

COVER ART: Joe Philips

LETTERER: Warren Montgomery

EDITOR: Bea Kimera

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BW’s Daily Article Link> So They DID Race Swap Lois Lane

 

We were all saying how the Lois Lane of My Adventures With Superman looked more like Luz Noceda from The Owl House, but it turns out we weren’t far off. We just got the race wrong as the show creators just confirmed that their Lois Lane is supposed to be Korean. Is ANYBODY the same character they are in the comic or all namesakes of the characters they really wanted to make but didn’t care to get characters they didn’t create correct? Maybe Hollywood studios should take more risks on original properties just so they’ll stop tearing apart the ones we want adaptations of. Luz is a new character and people love her.

It can, has, and will be done, while those of us who want to see our favorite characters adapted properly have to wait until these namesake shows ends and hope that the next creators actually want to do a faithful adaptation, if it ever comes. It gets worse with something like Battlestar Galactica, since it got popular enough to supplant the original for many, thus ensuring we’ll never get a proper adaptation with Glen Larson’s death and nobody looking to restore it. Instead we get Ron Moore’s namesake, so this isn’t some “anti-woke” thing. The fact that Korean Lois is a straight tomboy, a dying breed in media, shows that’s not the problem. It’s adaptations in the hands of people who don’t care. As I’ll get into tonight, the preschool shows do a better job adapting and reworking the source material than the stuff made for people old enough to actually read the comics.

The History Of The Star Comics Masters Of The Universe Run

I didn’t sleep well last night and it’s past post time. Not wanting to leave the day blank I have a two-part overview for you from cerealgeekTV’s YouTube channel. The host and owner is James Eatock, who used to host fun and interesting videos for the Official He-Man YouTube channel until the channel took a different direction…it’s run by the rights holder and Eatock, a famed MOTU fan, was just hired for a gig. This channel is all his and covers a variety of 1980s nostalgia from growing up in the UK.

In the two-part “To Catch A Falling Star” Eatock looks at the Star Comics run of Masters Of The Universe. Star was the kids title imprint, created sometime after regular Marvel was already doing GI Joe and Transformers so they were done under the Marvel banner and in the Marvel style. When Star was folded into regular Marvel they had a few titles left that were still treated as Star Comics like ALF and Mighty Mouse but under the Marvel name. Star Comics also had a few original titles like Top Dog and Planet Terry that nobody talks about because they weren’t tie-ins to nostalgic properties. Someday I hope to come across a full video about star.

In part one Eatock goes over the first half of the Masters Of The Universe comics, review of some of which you’ll find on this website. I found them rather uninteresting, but in part two he tells me (indirectly) that I stopped too soon in my back issue collecting.

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“Yesterday’s” Comic> Knuckles: The Dark Legion #3

“But what they did in Sonic Boom with you wasn’t my fault!”

Knuckles: The Dark Legion #3

FINAL ISSUE

Archie Comic Publications (June, 1997)

WRITERS: Ken Penders & Kent Taylor

ARTISTS: Manny Galan & Andrew Pepoy

COLORIST: Karl Bollers

LETTERER: Vickie Williams

EDITOR: J. Freddy Gabrie

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BW’s Daily Teaser> Lackadaisy SERIES Teaser

Catch more of Lackadaisy on YouTube, and read the comic it’s based on!

Also, if you want to support the show and comic here is their Backerkit listing, and if you want to know why you should check out the Saturday Night Showcase on the pilot movie and the aforementioned comic.

Scanning My Collection> That Time Iron Fist Cosplayed As Daredevil

If you haven’t been following the daily comic reviews from when this came out, I’ve been doing a review of the “Last Iron Fist Story” arc from the 2007 version of The Immortal Iron Fist. Series numbering has become a bigger mess than trying to follow the Golden Age comics with all the renumbering, restarts, and namesakes. It’s actually kind of annoying. Anyway, I’ve been reviewing the story through a 2011 digital trade collection from comiXology. I don’t know if it was something temporarily marked free as part of promoting the Netflix show (the one people don’t like because they changed too much, something that is now how Netflix AND Marvel operate their adaptations) or what as I wasn’t a big Iron Fist fan in general but the specifics of this story really turned me off. It’s more my tastes than bad writing or anything.

I’ve already discussed that story, obviously, there is also an eight page story that was reprinted at the end of the title story, which is odd because it came out and takes place before that series. For the uniformed, Iron Fist was created in response to the 1970s interest in Chinese kung-fu films. These came in two forms: you had the American who learned martial arts to fight a bunch of baddies, or you had a regular all-Chinese martial arts movie, which is where Shang-Chi comes from, not the wire-fu mess Marvel Studios recently put out. “The Last Iron Fist Story” came out during the events of Civil War, one of those “Marvel heroes fight each other” type stories that usually disinterest me, only without the part where they end up banding together against the real baddies. Sorry, but I don’t want to see the heroes fight each other. I want them to fight the villains. That’s supposed to be the difference between superHERO and superVILLAIN!

Wait, is this the Civil War happening in the Marvel Zombies universe?

Choosing Sides is a one-shot set during that period, cover dated December, 2006. The comic features four Marvel heroes–Iron Fist, Venom, US Agent John Walker, and for some reason Howard The Duck, who you’d think would be the least connected to these events. Venom doesn’t have a secret identity and is a villain or at best anti-hero, I don’t know if John Walker was exposed as US Agent or one of the many former Captains America, and I don’t know that Iron Fist every bothered with a secret identity. At any rate Howard wouldn’t have to register with the Superhuman Registration Act because he isn’t a human and I doubt SHIELD would want to draft him into anything. Even ICE isn’t looking for him because he technically wasn’t an immigrant to 616; he was forced here.

It doesn’t matter because the only story reprinted in THIS trade was the Iron Fist story, again at the end of the story despite taking place prior to it. So let’s finish off this trade collection and read this story.

Iron Fist: “Choosing Sides”

WRITERS: Ed Brubaker & Matt Fraction

ARTIST: David Aja

COLORIST: Matt Hollingsworth

LETTERER: Dave Lanphear

EDITOR: Warren Simons

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