Christopher Nolan’s League Of Shadows Are Too Stupid To Win

Ra’s (pronounced “rashe”) Al Ghul and Talia, from the Batman: TAS show bible.

I am not here to put down Christopher Nolan’s “Dark Knight Trilogy”. I haven’t seen the third one and don’t plan to because I didn’t think the other two movies were what I was looking for in a Batman story. This is especially true for the second film, The Dark Knight. People look at Heath Ledger and praise his performance. I look to the writing and make-up and ask when the acid-bleached showman became a schmuck in poorly applied clown white who “just wants to watch the world burn”. I like parts of Batman Begins, but I have issues. For example….

YES, HE DOES HAVE TO SAVE HIM BECAUSE HE’S BATMAN AND THE NO KILL RULE ISN’T JUST HIM NOT KILLING BUT HIM SAVING LIVES BECAUSE HE ISN’T JUDGE AND JURY AND BELIEVES IN THE SANCTITY OF HUMAN LIFE! THAT’S WHY HE’S A SUPERHERO!

And that’s the only one I have on DVD so I got enough enjoyment to hold on to that one. The second I thought was well made but not the best take on the characters and had no interest at all in the third movie. As for Nolan’s take on the League Of Shadows, Media Zealot did a video that at over 40 minutes is a bit long for a quickpost. Since I’m pressed for time and topic today I’m going to save my sanity and make post time with this installment of his “Villains Too Stupid To Win” series and let him explain why the League Of Shadows, Ra’s and Talia Al Ghul, and Bane all deserved to lose beyond their questionable (or in Bane’s case horrible) adaptation status. Obviously, spoilers for all three movies if you haven’t seen it yet.

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“Yesterday’s” Comic> Ms. Marvel Infinite #1

“This was a terrible place for her to lose a contact lens.”

Ms. Marvel Infinite #1

Marvel Comics (May, 2014)

“Garden State Of Mind”

reprinting a story from All-New Marvel Now Point One #1

WRITER: G. Willow Wilson

ARTIST: Adrian Alphona

COLORIST: Ian Herring

LETTERER: Joe Carmanga according to Marvel Database because it isn’t listed in the ComiXology version

ASSISTANT EDITOR: Devin Lewis

EDITOR: Sana Amanat

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BW’s Daily Video> The Problem With Crossover Event Comics

There’s some cursing in this one, but not much.

Catch more from Comics By Perch on YouTube

I have a bunch of his videos clumped together in my playlist for quickposts and filler video material. That’s why you’ve been getting at least one a week lately.

Chapter By Chapter> Batman: Knightfall part 3 chapter 2

Chapter By Chapter (usually) features me reading one chapter of the selected book at a time and reviewing it as if I were reviewing an episode of a TV show or an issue of a comic. There will be spoilers if you haven’t read to the point I have, and if you’ve read further I ask that you don’t spoil anything further into the book. Think of it as read-along book club.

PART 3: KnightsEnd

I thought this story was supposed to be how bad a violent Batman would be. All we saw last chapter is that Jean Paul is just a bad driver, while we’ve seen him as a jerk towards the guy who gave him a second chance. Perhaps the novel’s focus on Bruce Wayne and not really doing as many of the Jean Paul tales dropped that point, which is strange because Dennis O’Neil was responsible for the whole arc. I need to rewatch Owen Likes Comic’s video. I may be missing something.

This week’s chapter is a short one and that’s okay with me. Time is something I don’t have a lot of today so the shorter chapter is to my benefit. It’s five pages but the next chapter is average length, around 9 pages, so we’ll make do. Bruce is coming home, and wait until he sees what’s happened to the place.

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“Yesterday’s” Comic> Teenage Mutant Ninja Turtles #12

The role of April O’Neil will be played by Cher.

Teenage Mutant Ninja Turtles #11

Mirage Studios (June, 1987)

“True Stories”

WRITERS/ARTIST: Kevin Eastman & Peter Laird

LETTERER: Steve Lavigne

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BW’s Daily Video> Vincent Price Does His Thriller Part Live

Jake & Leon #573> Strike Backfire

I’ve even heard theories that the studios let the strike happen just to have a reason to kill some projects.

Look, I’m a writer, so you’d assume I’d be on their side, but I’m actually not. One time I asked for a raise at work at my mom’s urging. Surprisingly they gave me one, but then took an hour of work away from my schedule. And they were good bosses. Imagine what these supposedly evil studios would pull. The writers wanted residuals, meaning they would get money every time the show airs, so despite not investing in the money they wanted to write once and get money forever. I’m not even talking about creating a new character and getting residual whenever he/she was used in a story. Just when the episode aired on TV or streaming they get paid, as if they own the story rather than being hired to write one. That works for novels and self published work but in TV and movies that’s less money for the investors and thus makes them less willing to support the making of the movie. This isn’t crowdfunding where you support something for the love of it and take a t-shirt as a reward. They expect to make their money back.

That hasn’t been happening because the stories have been so dull or filled with social preaching instead of a good story, and the studios only get partial blame for that, the end results haven’t been making money because nobody wants to see them. All it has to do is air on a new platform and the writers don’t care if it’s good so long as it makes money for them. So of course the studios, streaming services, and networks are reportedly cutting back and canceling projects to offset the new additional costs.

Now the AI thing I’d be with them on if AI writing was any good…though some of the more cynical reviews have claimed AI is still better at least when it comes to plotting a story. Otherwise I don’t think they have anything to worry about yet. It’s the equivalent of “robots are taking our jobs”, and there’s at least some truth to that. Better safe than sorry.

Finally, before getting to the usual update, everyone is forgetting the real losers here. Not the writers, not the studios who still have enough old material to licence and are still screwing everybody over except the directors and celebrities (and even then they’re trying to), not even the audience…it’s the film crew! The lighting and sound people, the camera operators, the editors, the best boy/girl that nobody knows what they do, the caters, the cleaning staff, the set designers…I could go on but nobody cares about them. What do they get from the strike? Unemployment until the strike is over and that’s it. Their pay isn’t going up and they probably lost money not being able to work. Some of them have families to support but even if they’re single and living alone they’ve been out of work and worried when they’ll get paid again. California didn’t openly bend over backwards to get them on unemployment benefits from the government. They aren’t using YouTube as supplemental income or starting a podcast. They’re sitting home wondering how they’re going to pay bills from the past month when they didn’t get paid. Variety and Entertainment Tonight weren’t doing big feature stories about how they’re being hurt by the strike…and now the video game industry is about to deal with the same thing. So yeah, excuse me if I don’t see anything positive from any of this crap. If the studios are forced to cancel movies, shows, and new games I’m at a point where I don’t care. There is less and less good stuff coming out lately and both the studios and writers each have a share of blame in that. It’s the behind-the-scenes people who are really getting screwed.

Anyway, Clutter Report. Helped my dad change computers. It wasn’t even worth manually promoting on Twitter X, though I hope Twitter and WordPress come to an agreement soon. It’s slowing my work period and I’m making less money than a grip during a strike. As for this week’s offerings: more Chapter By Chapter reviewing of the Batman: Knightfall novelization and the Beast Machines Hunters story treatment plus whatever else I decide to discuss. Have a great week, everyone!