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Kind of interesting that both actors who played Tommy Oliver had the same experience with new show pilots.
I saw a video recently claiming that Spider-Man Unlimited came about as a response to Batman Beyond, as if that was the only reason. There’s a whole story there and if there was some inspiration, which wouldn’t be new for Fox Kids, it’s a minor part of the story. However, could it be that Terry McGinnis was DC’s Spider-Man before Sideway? No, you could make a better case for Firestorm beating both of them.
However, the host of Nerdstalgic actually does see a connection between Terry and Peter Parker, and uses the episode “Out Of The Past” to highlight this connection. One of the few episodes to not only bring Bruce into focus while featuring one of his old foes, but actually giving us a team-up between Terry and Bruce. In the video he focuses on this being a perfect episode of Batman Beyond and he makes a good case. As far as the Spidey connection…judge for yourself.
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I don’t care that you can fly, if you have a chance to ride a dragon you need acrophobia to not do so. Like me.
Molly Danger/Princeless FCBD 2013
Action Lab Comics (May, 2013)
Molly Danger
WRITER/PENCILER: Jamal Igle
INKER: Juan Castro
COLORIST: Romulo Fajardo, Jr
LETTERER: Frank Cvetkovic
EDITOR: Adam P. Knave
Princeless: “Girls Who Fight Boys”
WRITER: Jeremy Whitley
ARTIST: Emily C. Martin
COLORIST: Soojin Paek
LETTERER: Dave Dwonch
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I already didn’t like the reveal in “Epilogue”. The plan for Catwoman would have been even worse.
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Corridor Digital, the VFX company founded by Niko Pueringer and Sam Gorski, started out as a simple YouTube skit channel working alongside Freddie Wong of Rocketjump. While Rocketjump’s YouTube channel went silent after doing projects for Hulu, Corridor Digital has focused on YouTube, expanding to the behind the scenes channel Corridor Crew, which does other computer animated special effects project, reactions to stunts and animation by actual stunt people animators. and side projects focusing on various topics. They’re very busy over there.
While producing shows for YouTube and their own subscription-based website for longer and more intensive videos, the team has decided to try their hand at animation, but not with the normal animation techniques. In addition to learning programs like Unreal for their animations they opted for a new process of AI animation as a new form of rotoscoping that they recently dropped a try-out for. I’ll show you that surrounded by two other videos. One came out before, highlighting the new technique, and after we see the results we’ll focus on how they made that particular animation. Then I’m going to judge the daylights out of it because I saw part of it on Literature Devil’s Morning Nonsense stream and frankly it’s a work in progress.
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I’m jumping ahead because this book is a reprint of stories that appeared in earlier issues of the comics. This felt like a better point in the review cycle to go over it. Next week (barring incidents) it will be a Free Comic Book Day reprint of the first issue.
“Hey, what am I doing down there?”
Sonic Super Special #3
Archie Comic Publications (1997)
ORIGINAL EDITORS: Daryl Edelman, Scott Fulop, & Victor Gorelick
COMPLATION EDITOR: J. Freddy Gabrie
“Don’t Cry For Me, Mobius!” (from Sonic The Hedgehog #0 [miniseries])
WRITER: Michael Gallagher
PENCILER: Scott Shaw!
INKER: Jorge Pacheco
COLORIST: Barry Grossman
LETTERER: Dan Nakrosis
“Rabbot Development” (from Sonic The Hedgehog #3)
WRITER: Michael Gallagher
PENCILER: Dave Manak
INKER: Jon D’Agostino
COLORISTS: Linda & Daryl America
LETTERER: Bill Yoshida
“Lizard Of Odd” (from Sonic The Hedgehog #4)
WRITER: Michael Gallagher (if he had written all four this wouldn’t be as long)
PENCILER: Dave Manak
INKER: Henry Scarpelli
COLORIST: Barry Grossman
LETTERER: Bill Yoshida
“This Island Hedgehog” (from Sonic The Hedgehog #13)
WRITERS: Mike Kanterovich & Ken Penders
PENCILER: Dave Manak
INKER: Jon D’Agostino
COLORIST: Barry Grossman
LETTERER: Bill Yoshida
BW Media Spotlight 