“Yesterday’s” Comic> Sonic The Hedgehog #38

The game wardens are getting serious now.

Sonic The Hedgehog #38

Archie Comic Publications (September, 1996)

COLORIST: Barry Grossman

LETTERER: Vickie Williams

EDITOR: Freddy Mendez-Gabrie

MANAGING EDITOR: Victor Gorelick

I’m only guessing on the shared credits. Only Grossman and Williams are credited in both stories but no listing for who did what on the second story.

The Rise Of Robotropolis…The Fall Of Sonic!”

WRITER: Kent Taylor

PENCILER: Manny Galan

INKER: Phil Sheehy

“Bedtime Tails!”

Mike Kanterovich & Ken Penders with Jon D’agostino and the shared credits

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BW’s Daily Video> What Just Entered Public Domain?

This video was posted on January 1, 2023. I only stumbled on it recently. There’s also some swearing.

Catch more from Steve Shives on YouTube

Note that certain performances and interpretations of the works are not public domain. For example Sherlock Holmes movies are still owned by the studio or licence holder. Oil is fine but There Will Be Blood isn’t. Falco’s cover of “Putting On The Ritz” is not public domain, just the original song, and so on.

Today’s Writers Versus The Serialized Narrative

I’m not going to link to the video because the topic has nothing to directly do with this revelation, but it was one by Comics By Perch where he brings up Geoff Johns in passing and how some people have trouble with his approach. It got me thinking about what my biggest issue with Geoff Johns is. This is what I wrote in the comments:

I just figured out my issue with Johns. It’s not just retconning his own retcons, it’s that he doesn’t seem to want to write a series, he just wants to right stories. That’s fine for an anthology but when you’re working in a shared universe that predates your birth that’s not a good attitude.

I thought about it a little more and I started to realize that this isn’t a Geoff Johns thing alone. Johns is actually following a trend in the comics and even the spin-off media where the idea of shared universes and continuity are considered a detriment to the stories they want to tell. I’ve defended continuity in the past but while I’ve noted that while many writers hate continuity (Johns, Brian Michael Bendis, the writer’s room at Loki over at Disney+) I think I only partly figured out their mindset. That’s not to say I’ve suddenly got them dead to rights and know everything they’re about. I’m not a psych-anything. However, this does play into a continuing (heh) complaint I’ve had about what writers are thinking and why the best person for the job is more than just writing talent.

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“Yesterday’s” Comic> Captain America (2005 series) #3

“I didn’t eat the last jelly donut!”

Captain America #3

Marvel (March, 2005)

“Out Of Time” #3

WRITER: Ed Brubaker

ARTISTS: Steve Epting & Michael Lark

COLORIST: Frank G. D’Armata

LETTERER: Randy Gentile

ASSISTANT EDITORS: Andy Schmidt, Nicole Wiley, & Molly Lazer

EDITOR: Tom Brevoort

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BW’s Daily Video> The 5 Phases Of Corporate Ownership

Catch more from David Stewart on YouTube

 

Chapter By Chapter> TekWar chapter 30

Chapter By Chapter features me reading one chapter of the selected book at a time and reviewing it as if I were reviewing an episode of a TV show or an issue of a comic. There will be spoilers if you haven’t read to the point I have, and if you’ve read further I ask that you don’t spoil anything further into the book. Think of it as read-along book club.

Five chapters left to go. Last time Jake and Beth got more information, the ex decided to talk to Jake finally while I ponder whose side she’s on, and now we have the remaining players in our game as we inch closer to the finale.

There have been a lot of players in this game, but to the book’s credit each has been handled well. It feels like multiple events within the same story. We got to learn more about Jake and Beth and maybe it’s about time to just let the future be the chronological location instead of all the showing off. Then again, we’re headed to the casino and I wouldn’t be surprised if the gambling games are all futuristic for no other reason than to be futuristic. Let’s check in and find out.

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“Yesterday’s” Comic> Total Recall movie adaptation

Arnold is watching you sleep…and with whom. He’s jealous.

Total Recall

DC Comics (1990)

SCREENPLAY: Ronald Shusett, Dan D’Bannon, & Gary Goldman, with John Povil helping on story

ADAPTATION: Elliot S. Maggin

ARTIST: Tom Lyle

COLORIST: Lovern Kindzerski

LETTERER: Bob Pinaha

EDITOR: Robert Greenberger

I also reviewed the novelization as my third Chapter By Chapter series.

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