The Super Mario Brothers Movie I WANTED To See

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Sure I could have used the ACTUAL trailer, but where’s the fun in that? Anyway, I’ve got OverClocked Remix’s Mario playlist going on in the background, so let’s talk Mario Brothers. Did you hear the movie is out? The good one that actually takes place in the Mushroom Kingdom instead of some urban sci-fi city where dinos and mushrooms all evolved into humans for reasons? I’m a creationist and even I know that’s not how that works. Super Mario Brothers the live-action movie was a flop and rightly so, and fans of the plumber siblings have been wanting a proper adaptation ever since that trainwreck smashed into theaters.

It seems we finally have it in the form of The Super Mario Brothers Movie. I hear it’s really good, and that was after concerns in the animation community who weren’t fans of Illumination’s work declaring it would be terrible. Sure, look at the competition between the live-action movie and that rather odd anime that was found a few years ago, but the TV shows are still liked by fans. So Illumination apparently learned from those shows. Peach may not be the damsel in distress but she still needs help and struggles like any good hero, is only good because she’s had more practice, and if you’re honest with yourself we’ve seen her join the action on and off ever since Super Mario Bros. 2 so it’s not completely ridiculous that Princess Peach Toadstool could join in the day saving. No, this isn’t the dealbreaker for me when it comes to Illumination’s film.

It’s also not the references that even look blatant in the trailers. Did we really need a scene in Super Mario Kart? Bringing in the antagonist from Wrecking Crew was cool and maybe they even grabbed Stanley The Bug Man from Donkey Kong 3 (see if he’s in the background having a salad or something) but for someone who hasn’t seen it this just feels like “hey, look at the obscure stuff we know” references rather than anything that matters to the plot. That’s usually a bad sign but thankfully they seem to have made it work. I do like the Super Mario Brothers Super Show theme for the Mario Brothers Plumbing commercial. They even made the website for their business, which is always a fun touch–and may or may not be active depending on when you read this.

It’s nearly everything a fan of the games and extended media could want…unless you’re me because I’m a picky schmuck at times and this is one of those times. The same thing happened with Scooby-Doo: Mask Of The Blue Falcon. It’s intended to be a tribute to the original work but doesn’t give me what I wanted from the original work. I know enough about this movie’s plot to know that this wasn’t the movie I wanted to see. So what did I want from a Super Mario Brothers movie? More brothers.

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“Yesterday’s” Comic> Prince Valiant Free Comic Book Day

Just another family gathering for Shadiversity and Jazza.

Prince Valiant: Free Comic Book Day Special Edition

Fantagraphics (April, 2013)

WRITER/ARTIST: Hal Foster

EDITOR: Kim Thompson

Prince Valiant is a long-running newspaper comic strip about a prince whose country was taken over by villains. He found a new home in Camelot, raised a family, and has had many adventures. This sampler features stories appearing in Prince Valiant: Volume 7 by Fantagraphics, collecting stories from 1949-1950.

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BW’s Daily Video> An Analysis Of Grimdark

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Special thanks to Caroline Furlong, who posted this on her blog, which is where I saw it.

Someday I might do a Trope Shark article with my own thoughts, but mostly I agree with Red. Hopelessness is not my jam either, especially with what I’ve gone through and I could imagine it being worse for those who didn’t have the same benefits that got me through. Now if the hero is supposed to dispel the grimdark world, count me in!

BW Recommends: PopCross Studio’s Multiverse Tales

A long time I posted a Saturday Night Showcase for a different form of storytelling. Chris Pearson of PopCross Studios took the characters from a book series he once worked on and gave them brand new stories, telling them while speedpainting the characters. Speedpaints and lore have now become part of Pearson’s main work, creating stories of Venom-type symbiote invasions in other realities, different characters being everything from dragons to kaiju to Transformers, and going over different realities and different types of heroes, villains, and creatures.

Among the recurring story ideas is the continuing adventures of his book characters (or possibly reboots) along with new characters he created in other speedpaint stories. Together they’re known as the Multiverse Tales, the continuing story of a band of heroes from across their arm of the multiverse standing up to great evils and making friends (and even a few lovers) along the way. Sometimes even literally.

In my YouTube backlog I finally came upon an episode of Multiverse Tales that serves as a “for those who came in late” catch-up of the various characters, plus the introduction of four new characters based on submissions by his fans, making this also part of his monthly “community redraw” segment. Tonight, in an attempt to get my schedule on track…again…I’m presenting this special edition of Multiverse Tales so you can meet the whole gang, catch up with the lore, and see if it’s something you might like to check out. Think of it as a bonus showcase this week to make up for not having one last week.

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“Yesterday’s” Comic> Sonic The Hedgehog #44

“Spider-Man and Batman both warned me there’d be days like this.”

Sonic The Hedgehog #44

Archie Comics (March, 1997)

“Black And Blue And Red All Over”

WRITER: Ken Penders

PENCILER: Manny Galan

INKER: Andrew Pepoy

COLORIST: Barry Grossman

LETTERER: Vickie Williams

EDITOR: Justin “Freddy” Gabrie

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BW’s Daily Video> Modern Writers Vs Characters

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The Menu, Criticism, And The Art Of Storytelling

This is NOT a review of The Menu. I have not seen The Menu. I do not PLAN to see The Menu in the future. If you try to tell me how great a movie it is, I will tell you that I don’t do thrillers, I’m happy my initial concern that he was planning to make gourmet Soylent Green ISN’T part of the plot (it’s not, is it?) but a movie where the staff is just going to kill everybody for being elitist jerks despite how little I care for elitist jerks is not something I want to watch. Unlike when I defend my review of trailers and press releases I can see where the confusion would lie so I am telling you straight up I am not reviewing the movie.

What I am doing is using a recent review of the movie by The Critical Drinker (so expect swearing in the video but he keeps the gory parts out of it) of The Menu, a movie he very much enjoys, thus proving he enjoys something other than Tatyana the…adult entertainment specialist and a tall scotch. I’m using it as a springboard to a larger discussion of the connection between critics and the audience with the artists who make our entertainment. I was listening to the Literature Devil‘s Morning Nonsense stream this morning when he and his guest hosts were analyzing the movie and the Drinker’s review, but they’ve seen and also enjoyed the movie.

It’s the Drinker’s analysis that I’m focusing on here because watching the review got some of my wheels going from an external perspective outside of the movie. Watch the review (again, cursing but no gore) and then I’ll explain what I mean.

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