The Problem With The New Barbie Live-Action “Adaptation”

Yes, I know the movie isn’t out yet. For all we know the movie will be Margot Robbie’s best work, will be hilarious, poignant social commentary I actually agree with, cure cancer, and make us forgive Robbie for the terrible Harley Quinn movie that screwed over Cassandra Cain and the rest of the Gotham ladies that were forced into that garbage.

Okay, we know that last part isn’t happening, but I want it to be clear I am NOT judging this movie on quality of the work. It hasn’t come out and I probably won’t go see it when it does. I am not telling you the movie is terrible and I’m tired of critics being accused of that when judging trailers. Trailers exist for a reason! They are supposed to get people hyped for the movie coming out and give you an idea of the tone and style of the film. It’s not supposed to ruin good jokes and shock moments but tell that to the marketing department. So no, I’m not telling you this is a bad movie.

I’m telling you that the trailer already shows signs of Hollywood’s continuing trend of bad adaptations. I’ve seen good adaptations that are bad stories and bad adaptations that are good stories. My favorite movie is in the latter category. Please understand the spirit of this article. I’m looking at what Warner Brothers thinks will get people to be excited for this movie. I’m not even a Barbie fan but the fact that I know more about Barbie than this trailer indicates the movie does should make them feel bad. It doesn’t and won’t but them’s the fact, kids! Now, if that is out of the way we’ll see who actually read this part when I get accused of “hating” something that’s not even released to the public when I’m talking about what they’re telling us we’re in for. With that….

How can you not know at least something about Barbie and her friends. Those toy commercials aired on my shows just as much as it did the girls shows because somebody realized girls might be watching, either to make their brothers happy so she can watch her show or because she’s not limited to “girly” TV. I know Barbie has multiple friends of multiple hair colors and races, that Ken isn’t the only dude in Barbie’s world, that she has two younger sisters (middle child Skipper is the only one I know by name), and that she’s either a model or can’t hold down a job.

Barbie’s purpose is to show girls they can be anything they want. There was even a tagline for awhile: “We girls can do anything, right, Barbie?” and the recent one is “You can be anything”. Of course the surface viewers just see her thin body and perfect bust and immediately go crazy, that it enforces bad body images or something. There is even a negative connotation around the name “Barbie”, applied to girls considered airheads, the same applying to boys and “Ken”.

So I’m watching The Masked Singer last night and finally see a trailer for the live-action take on Barbie and Ken (not to be confused with Ken Jeong) and my immediate thought was…”wow, this is actually stupider than I thought it would be”.

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“Yesterday’s” Comic> Ninja High School vol 2 #1

I want to make a joke but I’m too stunned by a title relaunch actually using a volume number instead of what year the new series starts. It’s like they didn’t want to confuse us or something.

Ninja High School volume 2 #1

Antarctic Press (July, 1999)

Note that the Comixology version I’m using is only 17 pages so if something’s missing I’m not aware of it.

“It’s A Family Affair”

WRITER/ARTIST/CO-EDITOR: Ben Dunn

COLORISTS: Pat Duke & Jochen Weltjens

no listing for a letterer

CO-EDITOR: Doug Dlin

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BW’s Daily Video> Doctor Who’s Un-Dangled Plot Threads

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I’ve actually reviewed Prisoners Of Time when it came out and I’ve heard one of the Big Finish episodes with Jenny. Both are worth checking out.

Can Kevin Feige & James Gunn Stop “Superhero Fatigue”?

Admittedly this article’s title is in error. As I’ve written before, “superhero fatigue” is a myth created by the anti-superhero members of Hollywood society in both the director’s chair and their willing accomplices in media. Nobody talks about action movie fatigue, war movie fatigue, romantic comedy fatigue, or horror fatigue. Only the superhero genre gets fatigue and we’re told should go away, which they failed to do with science fiction, and fantasy somehow keeps trying and may have gained a bit of ground thanks to the book adaptations like Harry Potter and Lord Of The Rings, provided they actually followed the franchise. Unlike a certain Amazon series we won’t mention.

I saw an article from website The Direct about how James Gunn was supposedly coming up with a plan to fight superhero fatigue, but it’s from a Rolling Stone article about Guardians Of The Galaxy volume 3, which is not a superhero movie despite being in the Marvel Universe, not about his upcoming run at DC Studios ruining running the new DC movieverse. In that article was linked another article, this time from the guy Warner Brothers is hoping Gunn can match, Marvel Studios’ Kevin Feige. I’m going to use their articles because Rolling Stone only allows so many free reads before you sign up and the Feige bit comes from a podcast. So what are these so-called plans?

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“Yesterday’s” Comic> Sonic The Hedgehog #41

“I see why those Tangent guys are so worried about lacking backgrounds.”

Sonic The Hedgehog #41

Archie Comics Publications (December, 1996)

“…and one shall save him!”

WRITER: Ken Penders

PENCILER: Kyle Hunter

INKER: Harvo

COLORIST: Barry Grossman

LETTERER: Vickie Williams

EDITOR: Justin Freddy Gabrie

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BW’s Daily Video> MatPat Analyzes Ant Man: Quantumania’s Failures

Catch more from The Film Theorists

I haven’t seen Quantumania or most of the other productions MatPat brings up, but for those of you that did, I’m curious how on point his reading of what the movie was supposed to be was, and if you think it would have been a good thing.

Blue Beetle Trailer Drops

Jaime Reyes is the third person to use the name Blue Beetle. The first was rookie patrolman Dan Garrett wearing chainmail armor and packing gadgets. He would be retconned by Charlton Comics into an archaeologist who stumbles on a magic scarab that transforms him into the Blue Beetle. He would be replaced by Ted Kord, the second Blue Beetle. While he couldn’t get the scarab to work for him he opted to follow the original’s example and make his own gadgets. Reyes would, long story short, take on the magic scarab, now revealed to be an alien artifact sent by the Reach as part of their planetary conquest scheme, but Jaime would reform or reprogram or whatever he did to the thing and became a true hero. Linkara did a huge retrospective on the various incarnations if you’re interested.

Blue Beetle is one of the pre-Gunn projects that David Zaslav hasn’t axed, with a mostly Hispanic cast as the heroes and white people as the villains, which should (but probably won’t) squash the idea that the race-swapped Batgirl movie was wiped out because of racism rather than being so terrible he couldn’t bear to release it. It appears that the movie will go the pre-52 route, with Reyes’ family supporting him as the third generation superhero and being allowed to know his identity. It also looks more fun than a lot of DC movies recently and without using the reimagined version ala Shazam/the original Captain Marvel. It is going to be good? All we have is a trailer and a long history that at least gives us questions to answer.

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