Catch more Alfo Media on his YouTube channel.
This is why I focus on lyrics for Sing Me A Story. For example he missed Alphaville’s other misunderstood song, “Big In Japan“, which is about a drug addicted couple.
Catch more Alfo Media on his YouTube channel.
This is why I focus on lyrics for Sing Me A Story. For example he missed Alphaville’s other misunderstood song, “Big In Japan“, which is about a drug addicted couple.

In a previous post we watched Slopes Game Room tell the history of Pac-Man through the majority of the arcade years. It turned out to only be part one of the series. With Tuesday being a full schedule getting something in today was something of a challenge. Therefore, since Slopes has posted part two of this series, and the finale for now since it looks like the yellow fellow isn’t going away, I bring you part two of The Complete History Of Pac-Man.
In this part we look at console games, mobile games, and even some short returns to the arcade, plus the other Pac-Man cartoon. Enjoy and take a seat. This will be a while.
Star Trek: Starfleet Academy #5
Marvel/Paramount Comics (April, 1997)
“Love And Death”
WRITER: Chris Cooper
PENCILER: Chris Renaud
INKER: Andy Lanning
COLORIST: Kevin Somers
LETTERER: Jim Novak
EDITOR: Bobbie Chase
Spoilers for Pacific Rim and the Legendary Monsterverse movies before Godzilla and Kong have round 2.
Catch more How It Should Have Ended on their YouTube channel.

Before Will Smith was known as an actor that used to make good project choices (what happened to you, man?) he was the royal named rapper of the duo “DJ Jazzy Jeff & The Fresh Prince”. They’re fun style of hip hop even did well with audiences not usually drawn to the genre and started a new craze. It led Smith to get his own show, The Fresh Prince Of Bel Air, in which Jeff had a recurring role as Will’s best bud Jazz. It was their second single off of the He’s The DJ, I’m The Rapper album that was probably the most responsible.
“Parents Just Don’t Understand” features two tales of the Fresh Prince showcasing how his parents didn’t quite get him or the usual “you forgot when you were teenagers” argument. The unusual presentation drew you in and inspired the look of the show’s intro, but of course that doesn’t matter on the radio. How well do the lyrics themselves tell these stories?
Spectacular Spider-Man #200
Marvel Comics (May, 1993; as reprinted in Amazing Spider-Man Family #3)
“Best Of Enemies”
WRITER: J.M. DeMatteis
ARTIST: Sal Buscema
COLORIST: Bob Sharen
LETTERER: Joe Rosen
EDITOR: Rob Tokar
GROUP EDITOR: Danny Fingeroth